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German police have dismantled an international forgery ring attempting to sell fake artworks attributed to masters including Rembrandt, Pablo Picasso, and Frida Kahlo. The suspected ringleader, a 77-year-old German man from Bavaria, was arrested after trying to sell two counterfeit Picasso paintings, one a portrait of Dora Maar. Investigators, who code-named the operation “Dora Maar,” conducted raids across Germany, Switzerland, and Liechtenstein, seizing 19 fake works with asking prices ranging from $460,000 to $16 million. A 74-year-old accomplice is accused of producing forged expert reports to authenticate the fakes.

Rosalía Apologizes for Picasso Comments on TikTok

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Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.

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The ARTnews article reports on several major art market moves as of October 22, 2025. Highlights include Nahmad Contemporary offering a $50 million Picasso at Art Basel Paris, likely the 1941 work 'Femme au corsage bleu (Dora Maar)'; Gagosian Gallery now representing the estate of Richard Diebenkorn with a November exhibition; Alison Jacques Gallery joining Tina Kim and Silverlens to represent the Pacita Abad Estate; Gladstone Gallery taking on Celia Paul in New York; and Freeman's | Hindman expanding its trusts and estates team across the US. The piece also notes Rodder's inaugural show for Wyatt Kahn and Kaufmann Repetto adding Bice Lazzari to its roster.

A Parisian Man Just Won a $1 Million Picasso Painting with a $117 Raffle Ticket

Ari Hodara, a 58-year-old engineer from Paris, has won a Pablo Picasso painting valued at approximately $1 million after purchasing a raffle ticket for just 100 euros. The artwork, a 1941 gouache-on-paper titled "Head of a Woman," depicts the artist's muse Dora Maar and was provided by Opera Gallery. The raffle sold 120,000 tickets globally, successfully raising significant funds for charity.

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A previously little-known Pablo Picasso portrait of Dora Maar, titled *Bust of a Woman with a Flowered Hat (Dora Maar)* (1943), sold for $37 million at Lucien Paris auction house on October 24, 2025—nearly four times its $9.5 million estimate. The painting had been owned by the same family since 1944 and was shown publicly for the first time in 80 years at Hôtel Drouot before the sale. Auctioneer Christophe Lucien called it the highest auction price for any artwork in France this year.

Paris art enthusiast wins €1m Picasso painting in €100 charity raffle

Ari Hodara, a Parisian sales engineer and art enthusiast, won a 1941 Pablo Picasso portrait valued at over €1 million through a €100 charity raffle ticket. The draw, held at Christie’s in Paris, featured the painting 'Head of a Woman,' a portrait of the artist’s muse Dora Maar. The lottery successfully sold all 120,000 available tickets, raising a total of €12 million.

The rooms where the magic happened: National Gallery of Ireland exhibition explores Picasso’s studios

The National Gallery of Ireland is presenting an exhibition titled "Picasso: From the Studio," which shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his art. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes works spanning Picasso's career, from early scraps in Montmartre to his final farmhouse studio. It features paintings, film, and photographs, including iconic images by Dora Maar documenting the creation of Guernica, and explores how Picasso curated his studios as extensions of his persona.

Forged Picasso, Rembrandt and Kahlo paintings seized by Bavarian police

Bavarian police seized forged artworks falsely attributed to Pablo Picasso, Rembrandt, Juan Miró, Amedeo Modigliani, and Frida Kahlo in coordinated raids across Germany, Switzerland, and Liechtenstein on October 15. The operation targeted a 77-year-old German man and ten suspected accomplices, who are accused of conspiring to commit fraud with art forgeries. The main suspect attempted to sell two fake Picasso paintings—including a portrait of Dora Maar—out of a car boot, prompting a buyer to alert authorities. Other seized works include a copy of Rembrandt's *The Syndics*, offered for SFr 120 million, and pieces falsely attributed to Anthony van Dyck, with prices ranging from €400,000 to €14 million.

The rooms where the magic happened: National Gallery of Ireland exhibition explores Picasso’s studios

The National Gallery of Ireland is opening an exhibition titled "Picasso: From the Studio" that shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his work. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes over 100 works, ranging from early pieces made from scraps to late paintings like *Musician* (1972). The exhibition recreates the atmosphere of key studios through paintings, film, and photographs, including iconic images by Dora Maar of Picasso painting *Guernica* (1937). The gallery owns only one Picasso painting, *Still Life with a Mandolin* (1924), which is included.

In the Shadow of Geniuses

Dans l’ombre des génies

A podcast episode from France Culture's "Affinités Culturelles" series, titled "Ces femmes d'artistes à l'ombre de l'histoire de l'art," examines the lives and artistic contributions of women who were partners to 20th-century masters Edward Hopper and Pablo Picasso. It focuses on figures like Joséphine Hopper, Françoise Gilot, and Dora Maar, exploring how they were often relegated to the roles of muses and models, with some sacrificing their own creative careers for their relationships.

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A Pablo Picasso painting of Dora Maar, titled *Bust of a Woman in a Flowery Hat (Dora Maar)*, has been consigned to the Paris auction house Lucien Paris after not being seen publicly for 80 years. Painted in 1943 and last exhibited in 1944, the work was inherited by the anonymous seller from a grandparent. It is currently on view at Hôtel Drouot and will be auctioned on October 24 with an estimate of approximately $9.5 million. Photographic evidence of the painting appears in 1944 photos by Brassaï of Picasso’s studio.

Picasso painting not seen in 80 years heads to auction in France

A Picasso painting unseen for over 80 years, *Buste de femme au chapeau à fleurs (Dora Maar)* (1943), will be auctioned at the Drouot salesroom in Paris on 24 October by Lucien Paris auction house. The work, depicting the artist's lover and muse Dora Maar, has been held in a private French collection since 1944 and carries an estimate of €8 million. The auction catalogue includes an authentication certificate from the Comité Picasso and notes the painting was documented in *Cahiers d’art* and photographed by Brassaï.

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The article reports multiple art-world developments: the heirs of German Jewish banker Paul von Mendelssohn-Bartholdy are appealing a court dismissal of their lawsuit to recover a Van Gogh Sunflowers painting, claiming it was sold under Nazi duress. Japan's Kawamura Memorial DIC Museum of Art is selling major works including a Monet Nymphéas (1907) through Christie's as its parent company, DIC Corporation, downsizes and relocates the museum. A man was killed unloading an Andy Warhol-painted BMW Art Car in Washington, D.C., and a newly discovered Picasso portrait of Dora Maar will be auctioned in Paris. Sotheby's will sell a Surrealist collection led by a Frida Kahlo painting estimated at $40–60 million. The article also asks whether Uzbekistan is becoming a major art hub.

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A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.