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Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

The article is a weekly roundup of art events and news highlights. It spotlights several upcoming exhibitions, including a showcase of Estonian modernist Konrad Mägi in London, a poetic conceptual art show by Fiona Banner in Glasgow, lyrical paintings by Turner Prize-shortlisted Hurvin Anderson at Tate Britain, and a surrealist exhibition of Leonora Carrington's work at London's Freud Museum. It also mentions films by Rehana Zaman and features an image story about a unique, family-run trompe l'oeil painting school in Brussels.

A Brush With... Hurvin Anderson—podcast

British painter Hurvin Anderson discusses his artistic journey and the cultural influences that shape his work in a new interview. Born in Birmingham to Jamaican parents, Anderson creates atmospheric paintings that explore the textures of memory and the diasporic experience, often blending imagery of Britain and the Caribbean to reflect the feeling of being in one place while thinking of another.

Konrad Mägi review – these bland, blobby paintings are expressionism without expression

A new exhibition of early 20th-century Estonian painter Konrad Mägi at Dulwich Picture Gallery has received a scathing critical review. The reviewer finds Mägi's colorful, modernist-influenced landscapes and portraits to be bland, derivative, and devoid of the emotional depth or urgency found in the great modernists or the gallery's own Old Master collection.

From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead

The Guardian has published a comprehensive weekly entertainment guide covering cinema, gigs, art exhibitions, stage performances, and home entertainment options. The guide highlights new film releases like the adaptation of Enid Blyton's 'The Magic Faraway Tree' and the documentary 'Orwell: 2+2 = 5', major concerts from 5 Seconds of Summer, and art exhibitions featuring Estonian modernist Konrad Mägi and Scottish painter Joan Eardley.

Exhibition | Nengi Omuku, 'We Were Like Those Who Dreamed' at Pippy Houldsworth Gallery, London, United Kingdom

Pippy Houldsworth Gallery in London presents 'We Were Like Those Who Dreamed,' the second solo exhibition by Nigerian artist Nengi Omuku. The show features new paintings that explore the politics of green spaces in urban centers, particularly Lagos, where rapid urbanization has created a 'concrete jungle.' Omuku transposes figures from contemporary and archival images of Lagos into lush, Impressionistic landscapes painted with pointillist brushstrokes and a Fauvist palette, using the garden as a radical symbol of equality and resistance. She paints on sanyan, a hand-spun Yoruba cloth, working with local artisans in Ilorin to revive the tradition. Works like 'Dream Logic' and 'One Particular Man' address socio-economic tensions, while 'A quiet nation' captures the dichotomy between urban Brutalist architecture and natural foliage.

‘I paint extreme emotions’: Rachel Jones on her riotously colourful paintings – and her obsession with mouths

Rachel Jones, a 34-year-old British artist, is preparing for a major retrospective at Dulwich Picture Gallery, her first institutional solo show in the UK and the museum's first solo exhibition of a contemporary artist in its main space. After graduating from the Royal Academy Schools in 2019, Jones was quickly represented by Galerie Thaddaeus Ropac, had work acquired by the Tate, and exhibited at Chisenhale Gallery, the Hayward Gallery, and the Hepworth Wakefield. She has since left gallery representation, expanded into sound and performance, and created a short opera titled 'Hey Maudie' (2023), now being developed into a full-length opera. Her upcoming show at Dulwich, 'Gated Canyons', will pair her large-scale abstract paintings with works from the museum's collection, and she also has a site-specific commission at the Courtauld Gallery opening in September.

You can visit England's oldest public art gallery for free this month

Dulwich Picture Gallery, recognized as England’s oldest public art gallery, is offering free admission to its permanent collection from March 10 to March 15. The initiative is part of National Lottery Open Week, a nationwide event that grants public access to historic sites funded by the National Lottery. Visitors can view the gallery's extensive collection of over 600 European masterpieces, including works by Rembrandt, Gainsborough, and Van Dyck, by presenting a National Lottery ticket or scratchcard.

Dulwich Picture Gallery: Famous London Art Museum Is Opening a Brand New Pavilion and Sculpture Garden

Dulwich Picture Gallery, the world's oldest purpose-built public art gallery, is opening a new £5m pavilion and sculpture garden in September 2025. The redevelopment includes the ArtPlay Pavilion designed by Carmody Groarke with artists Sarah Marsh and Stephanie Jefferies, a family cafe, and the expanded Lovington Sculpture Meadow featuring works by Amy Stephens, Tai Shani, Nika Neelova, and Harold Offeh. A two-day ArtPlay Festival on September 6-7 will celebrate the unveiling with workshops, printmaking, storytelling, and performances.

Dulwich Picture Gallery reveals opening date for redevelopment

Dulwich Picture Gallery in south-east London has announced a celebratory weekend on 6-7 September to mark the completion of its Open Art redevelopment project, the gallery's first major revamp in over 20 years. The project transforms three acres of green space, including an expanded Sculpture Garden, a new ArtPlay Pavilion for under-eights designed by HoLD Collective, and the Lovington Sculpture Meadow by landscape artist Kim Wilkie. The redevelopment, led by architects Carmody Groarke, also restores elements of Sir John Soane's original 1811 building and adds a new entrance, café, and school lunch area. The £5m project, funded by trusts, foundations, and a public campaign, still needs £20,000 to reach its target.

high potential tv series art heist 1234761360

The ABC television series *High Potential* aired a midseason finale episode titled “The One that Got Away,” in which protagonist Morgan Gillory, a cleaning lady turned police consultant, investigates a museum heist involving a $20 million Rembrandt painting, *Young Girl Leaning on a Windowsill*. The fictional theft—executed via a skylight rope descent, laser security disabling, and smoke bomb—eerily mirrored a real-life Louvre heist that occurred just a week after the episode was written, where thieves used a cherry picker and angle grinder to break through a window. The episode also touches on Nazi-looted art and a possible serial art thief named John Baptist.

Tirzah Garwood's archive of work worth £30,0000 to be sold at auction

Cheffins auction house in Cambridge, UK, will sell the first archive of work by artist Tirzah Garwood to come to the market, in its Art & Design Sale on 22 May. The archive, estimated to fetch around £30,000, includes wood engravings, pencil sketches, and a sketchbook, and has been consigned by the granddaughter of artist Frederick Austin, a friend of Garwood and her husband Eric Ravilious. The sale coincides with the first major retrospective of Garwood's work, "Tirzah Garwood: Beyond Ravilious" at Dulwich Picture Gallery, which has helped revive interest in her career.

London's Dulwich Picture Gallery prepares to reveal £5m redevelopment

Dulwich Picture Gallery in south London will open a newly transformed sculpture garden to the public on 6-7 September, as the centerpiece of its £5m Open Art project. The redevelopment reclaims previously underused green space for a rotating programme of contemporary art on two-year loans, alongside permanent works including a land art piece by Kim Wilkie, an ArtPlay Pavilion designed by HoLD Collective and Carmody Groarke, and a new entrance restoring elements of John Soane's 1811 plans. The project is funded by principal donor The Lovington Foundation, The Julia Rausing Trust, the Manton Foundation, and a public campaign, as the gallery receives no regular government funding.

A brush with… Tai Shani—podcast

Tai Shani, a London-based artist born in 1976, is the subject of a podcast episode in the "A brush with…" series. She discusses her multidisciplinary practice, which draws on cultural forms, historical events, and theoretical ideas to create fantastical, utopian worlds infused with contemporary political and social themes. Shani reflects on the gendered nature of her mediums, the influence of works like John Everett Millais's *Ophelia* and Valie Export's exhibition at Camden Art Centre, and the revolutionary potential of art in an era of right-wing politics. The episode also covers her upcoming exhibitions: *The Spell or The Dream* at Somerset House (August–September 2025), *Gathering* in London (September–November 2025), a sculpture at Dulwich Picture Gallery's new sculpture park, and her High Line commission in New York, on view through March 2026.

Rachel Jones, Liverpool Biennial, UK Aids Memorial Quilt at Tate Modern —podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major topics. Host Ben Luke interviews painter Rachel Jones about her exhibition 'Gated Canyons' at Dulwich Picture Gallery, which features both giant and tiny works. Contemporary art correspondent Louisa Buck reviews the Liverpool Biennial 2025, titled 'BEDROCK', held at the Walker Art Gallery. The episode also features writer Charlie Porter discussing the UK AIDS Memorial Quilt, a commemorative work made of 42 quilts and 23 individual panels honoring 384 individuals affected by HIV and AIDS, currently installed at Tate Modern's Turbine Hall.

Sara Shamma brings Syria’s cultural renewal to Venice Biennale

Sara Shamma, the first female artist to lead Syria's national pavilion at the Venice Biennale, presents her immersive installation *The Tower Tomb of Palmyra* at Iuav University of Venice's Cotonificio campus. The full-scale, nine-sided chamber features paintings, light, sound, and scent inspired by Palmyra's ancient funerary towers, which Shamma first encountered as a student at the National Museum of Damascus. The project, originally planned for Cambridge before the pandemic, gained new significance after the fall of the Assad government in December 2024, as Shamma returned to Damascus and was approached by Syria's Ministry of Culture to represent the country's cultural renewal on the world stage.

Eric Ravilious and Tirzah Garwood woodblocks rescued from eBay sale go on display in UK

A collection of 27 original woodblocks hand-carved by British artists Eric Ravilious and Tirzah Garwood, dating from 1930 to 1950, was rescued from an eBay sale through collaboration between the artists' heirs and the Art Loss Register (ALR). The blocks, believed missing or stolen since the 1950s, were listed on eBay last summer, prompting the family—including daughter Anne Ullman and granddaughter Ella Ravilious—to contact the ALR to halt the sale. The blocks have now been catalogued and split between The Fry Art Gallery in Suffolk and Towner Eastbourne, where they are on public display.