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Artnet News editors and writers compiled a list of the worst art of 2025, calling out works they found lazy, cynical, overhyped, or ethically dubious. Highlights include Flora Yukhnovich's site-specific painting installation at the Frick Collection, which critics deemed middling and out of place among the museum's historic masterpieces; Jeff Koons's eight-foot-tall Hulk (Tubas) sculpture, sold for $3 million at Frieze New York and described as an obnoxious trophy piece; and actor Adrien Brody's interactive gum wall installation, which invited visitors to stick chewed gum onto a canvas.

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Collectors share advice for aspiring art patrons in a two-part series, recounting their early mistakes and lessons learned. Diana Bowes, board chair of the Aldrich Contemporary Art Museum, recalls buying her first pieces at Art Basel in 2006 and warns against purchasing art online without seeing it in person, as well as protecting works from water, children, and house painters. Mana Jalalian, an interior designer based in Dubai with over 400 works by Iranian artists, emphasizes following instincts, continuous learning, and the value of working with an art advisor.

Artist Trevor Paglen Will Curate the Swiss Edition of Art Basel’s Digital Art Sector

Artist Trevor Paglen will curate the third edition of "Zero 10," Art Basel's digital art sector, at the fair's Swiss edition from June 17–21. Major galleries including Marian Goodman, Hauser and Wirth, and Almine Rech will present works by artists such as John Gerrard, Agnieszka Kurant, Avery Singer, and Hito Steyerl. Paglen co-curates with digital art strategist Eli Scheinman, and the presentation, titled "The Condition," surveys seven decades of instruction-based and computational art, featuring pioneers like Vera Molnár, Mary Ellen Bute, Ted Nemeth, and Ben F. Laposky alongside contemporary stars.

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Tony Shafrazi, the legendary and controversial New York art dealer, is returning to the art fair circuit for the first time since 2012 with a booth at the Independent 20th Century fair in New York. He is presenting works by Armenian sculptor Zadik Zadikian, whose installation of gold bricks Shafrazi first exhibited in Tehran in 1978 before they were lost in the Iranian Revolution, alongside paintings by Brandon Deener. Shafrazi, now in his 80s, closed his New York gallery in 2011 and was banned from Art Basel in 2012 for breaking the fair's rules.

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Kenny Schachter's column reveals that Jeff Bezos secretly bought Frida Kahlo's 1941 painting *Me and My Parrot* for over $130 million in a private auction hosted by Christie's in 2021, and that Mark Zuckerberg recently purchased René Magritte's 1964 painting *Le fils de l'homme* (The Son of Man) for roughly $150 million in another private treaty sale negotiated by Christie's. The article also discusses a new private auction Christie's is organizing for a major Magritte work valued north of $50 million, and critiques the growing influence of tech billionaires—the "Magnificent 7"—on the art market.

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Art Basel Miami Beach 2025 launched a new digital art section called Zero 10, featuring works like Beeple's robotic dogs with billionaire heads and Tyler Hobbs' generative art. The fair aimed to attract tech-sector buyers, with sales including IX Shells' interactive video installation for $140,000 and Jack Butcher's pay-what-you-wish installation drawing hundreds of new collectors. The section had surprisingly few screens, emphasizing conceptual engagement over spectacle.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

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The Andy Warhol Foundation for the Visual Arts and the Helen Frankenthaler Foundation have announced an $800,000 fund to support 80 visual arts programs at small and mid-sized organizations across the United States. Each recipient, previously funded through the National Endowment for the Arts' Challenge America initiative, will receive $10,000 to advance projects stalled after the Trump administration suspended that federal program. The announcement comes amid broader cuts to federal arts funding, including the departure of all 10 NEA grant directors and the termination of grants for organizations like n+1, SculptureCenter, Queer Art, and A.I.R. Gallery, which received notices citing misalignment with the administration's priorities.

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Anish Kapoor has announced plans to launch a large-scale sculpture into space, a project he estimates will cost nine figures. While details of the artwork remain secret, Kapoor suggested it might involve mirrors and aims to be a "useless" yet "magical" poetic occupation of the cosmos. He confirmed his backers are "not necessarily American" and explicitly stated Elon Musk is not involved.

design amalia ulman home

Artist Amalia Ulman shares a personal inventory of 44 objects from her home, ranging from a pigeon-shaped oven mitt and a 1920s Austrian bronze cat figurine to a telephone-shaped lamp bought from a subway vendor and a graphite portrait of her late dog Holga. The list includes quirky functional items like a cane that turns into a stool, a wooden chair that transforms into a ladder, and sentimental keepsakes such as a red pompom from Holga's casket and a bag of gravel from the dog park. The objects reflect her daily life, travels, and memories, blending humor with melancholy.

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President Donald Trump’s return to office has triggered a sweeping overhaul of the American cultural landscape through executive orders and the newly formed Department of Government Efficiency (DOGE). Key actions include the dissolution of diversity, equity, and inclusion (DEI) offices at the Smithsonian, the cancellation of thousands of National Endowment for the Humanities (NEH) grants, and the removal of high-profile Biden appointees from the U.S. Holocaust Memorial Museum board. These measures are accompanied by new tariffs and immigration policies that threaten the international art trade and cross-border collaborations.

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Digital artist Beeple is bringing his viral robotic installation, "Regular Animals (2025)," to the Neue Nationalgalerie in Berlin this April. The work features a pack of AI-powered robotic dogs with heads modeled after tech moguls like Elon Musk and art icons like Pablo Picasso, which roam a pen, capture images of the audience, and "eject" AI-filtered prints from their rears. The presentation will coincide with Gallery Weekend Berlin and include a dialogue with Nam June Paik’s "Andy Warhol Robot (1994)."

Beeple's Robot Dogs to Roam Berlin's Neue Nationalgalerie

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Digital artist Beeple is set to make his German institutional debut at Berlin’s Neue Nationalgalerie with "Regular Animals" (2025), an installation featuring ten robotic dogs with heads modeled after tech moguls like Elon Musk and iconic artists like Pablo Picasso. The sculptures, which gained viral fame at Art Basel Miami Beach, use AI to process their surroundings and "defecate" stylized prints for visitors. The 11-day pop-up presentation will place Beeple’s work in dialogue with Nam June Paik’s "Andy Warhol Robot" (1994), exploring the intersection of art, media, and mechanical reproduction.

Trump Arts Impact 2025

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The Trump administration has initiated a sweeping overhaul of the American cultural landscape, marked by aggressive oversight of the Smithsonian Institution and the termination of numerous National Endowment for the Arts (NEA) grants. Key actions include the disbanding of the Institute of Museum and Library Services (IMLS), the removal of leadership at the National Portrait Gallery, and the implementation of content audits to remove references to Trump's impeachments and information regarding slavery from federal sites. These moves are part of a broader effort to eliminate Diversity, Equity, and Inclusion (DEI) initiatives and enforce 'American values' in cultural programming ahead of the nation's 250th anniversary.

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Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.

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The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.

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On Wednesday in Paris, Sotheby's auctioned a collection of Napoleonic artifacts from the private collection of prominent French antiques dealer Pierre-Jean Chalençon, generating €8.7 million ($9.6 million) against a €6 million estimate. The 112-lot sale included imperial furniture, Old Master paintings, and personal relics such as Napoleon's worn stockings and a copy of his marriage certificate. Highlights included a portrait by Jean-Baptiste Mauzaisse that sold for €863,600 (20 times its estimate) and the only surviving remnant of Napoleon's first will, which fetched €482,600. However, Napoleon's bicorne hat underperformed, selling for €355,600 against a €600,000 low estimate, amid provenance questions raised by French newspaper Le Figaro.

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Kim Kardashian, the media personality and billionaire entrepreneur, has increasingly intersected with the art world through high-profile purchases, legal disputes, and controversial photo shoots. She bought Jean-Michel Basquiat's painting "Both Poles" (1982) for $5 million at Christie's in 2017, later confirmed in 2024. She faced a lawsuit from the Donald Judd Foundation in 2024 for falsely claiming two tables were authentic Judd works. She also sparked outrage with a Tesla Cybertruck photoshoot for Perfect magazine during the "Tesla Takedown" protests, and engaged in a bidding war with Tom Brady over a George Condo artwork.

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The Helen Frankenthaler Foundation and the Andy Warhol Foundation are jointly providing $800,000 in emergency grants to replace funding lost when the Trump administration abruptly cut the National Endowment for the Arts' Challenge America grants in February 2025. The grants, each worth $10,000, will support 80 small and medium-sized visual arts programs across the country that had been promised NEA funding for underserved communities, including the Kids & Art Foundation, Allentown Art Museum, Free Arts for Abused Children, InToto Creative Arts Forum, and Latinitas.

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Billionaire art collector and Citadel CEO Ken Griffin stated that the United States is “eroding” its brand due to economic policy changes during President Donald Trump’s first 100 days. Speaking at Semafor’s World Economy Summit on April 23, Griffin warned that the reputation and creditworthiness of US Treasuries are at risk, citing recent tariff-driven sell-offs of government bonds. He expressed concern about policy volatility undermining the goal of reshoring manufacturing and noted that investors using the euro as a reference have lost 20% of their value in four weeks. Griffin also voiced support for DOGE, the Department of Government Efficiency led by Elon Musk, which has recommended cuts to the National Endowment for the Humanities.

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Art Basel Miami Beach 2025 generated viral moments with Beeple's 'Regular Animals' installation featuring robot dogs with billionaire faces, while Leandro Erlich's underwater sculpture garden 'Reefline' debuted concrete cars in Biscayne Bay. The fair's priciest work was Andy Warhol's $18 million 'Muhammad Ali' (1977), sold by Lévy Gorvy Dayan. Other highlights included Katie Stout's public commission 'Gargantua's Thumb' in the Miami Design District, Refik Anadol's AI screen, and the return of Sukeban, a Japanese women's wrestling league, as a crowd favorite.

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Artnet News critic Ben Davis presents his annual "art words of the year" for 2025, a curated list of terms that capture prevailing moods and ideas in the art world. The list includes "antimemetics" (from writer Nadia Asparhouva and internet fiction), "cyniserity" (coined by art writer David Colman to describe Anne Imhoff's work), "delightmare" (a horror-adjacent feeling linked to overconsumption and AI art, exemplified by Beeple's Art Basel installation), "elite capture" (from philosopher Olúfẹ́mi O. Táíwò's book, now a tool for critiquing identity politics in art), and "K-shaped" (an economic term describing divergent recovery, applied to gallery closures versus record auction sales).

Forget Masterpieces—Show Me Everything

The Victoria & Albert Museum has launched the V&A Storehouse in East London, a massive open-storage facility housing over 250,000 objects, 1,000 archives, and a vast library. Designed by Diller Scofidio + Renfro in collaboration with Austin-Smith:Lord, the space eschews traditional curated narratives in favor of a dense, immersive environment where visitors navigate four stories of artifacts arranged by cataloging logic rather than art-historical themes.

Five forces that reshaped the art market in 2025

In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.

Viral Beeple robot dogs to go on display at Berlin museum.

Viral Beeple robot dogs to go on display at Berlin museum.

A set of robotic dog sculptures by digital artist Beeple, which became a viral sensation online, have been acquired by Berlin’s König Galerie for its permanent collection and will go on public display. The four lifelike, animatronic canines, titled "S.2122," are modeled on Boston Dynamics' "Spot" robots but are weathered and decaying, with exposed wires and organic growths. This marks Beeple's first major physical sculpture series to enter a prominent institutional collection, following his landmark $69 million NFT sale in 2021.

Robot dogs with Musk and Zuckerberg heads roam around Berlin gallery in Beeple's new exhibit

American artist Beeple (Mike Winkelmann) has installed an interactive piece titled "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads modeled after Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and "poo" printed AI-transformed images of their surroundings, with each dog's output reflecting the worldview of its human figure—for example, the Picasso dog produces Cubist-style images. The work, first shown at Art Basel Miami Beach 2025, includes QR codes on prints that grant access to free NFTs.

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The article examines the art market's struggle to attract new wealthy buyers despite a surge in global wealth. Marc Spiegler, former global director of Art Basel, argues that galleries have failed to recruit the newly wealthy, noting that inflation-adjusted art sales have declined over the past 15 years. He suggests the industry needs to reposition art as 'magical' and transformative to appeal to potential patrons.

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The Mellon Foundation is providing $15 million in emergency grants to the Federation of State Humanities Councils, which will distribute the funds to all 56 state and jurisdictional humanities councils across the U.S. This comes after the Trump administration revoked $65 million in grants promised by the National Endowment for the Humanities (NEH), redirected to the National Garden of American Heroes. The administration also terminated over 1,000 NEH grants and placed about 80 percent of NEH staff on paid administrative leave following a visit from Elon Musk's Department of Government Efficiency (DOGE). Many state councils now face potential closure or severe program cuts.

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A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival. The film chronicles the career of Mierle Laderman Ukeles, who coined the term "Maintenance Art" in a 1969 manifesto to elevate everyday domestic and civic labor into art. It follows her decades-long collaborations with New York City agencies, including her seminal "Touch Sanitation Performance" (1979–80) with the NYC Department of Sanitation, and her ongoing struggle to realize the installation "Landing: Cantilevered Overlook" (2008) at Freshkills Park. The documentary weaves together archival footage, interviews, and analysis of second-wave feminism, conceptual art, and urban bureaucracy.

Full Circle

The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.