5 Under-Recognized Artists Getting Their Due in New York This Season

The article highlights five under-recognized artists whose exhibitions are on view in New York this season, focusing on Domenico Gnoli at Lévy Gorvy Dayan and Raquel Rabinovich at Hutchinson Modern and Contemporary. Gnoli, an Italian painter who died in 1970, is known for his pallid, claustrophobic depictions of everyday subjects, while Rabinovich, who died at 102 in January 2026, created somber minimalist paintings exploring silence and withholding. The piece notes that New York galleries often use the pre-fair period to showcase less prominent artists of great promise.

donald locke spike island exhibition review 1234748211

A major survey of Donald Locke's work, titled "Resistant Forms," has opened at Spike Island in Bristol, England, in collaboration with Ikon Gallery in Birmingham and Camden Art Centre in London. Featuring over 80 works spanning five decades, the exhibition includes early biomorphic ceramics, monochromatic black paintings from the 1970s, collage paintings, mixed-media sculptures, and personal writings and photographs. Highlights include the black paintings series addressing colonial subjugation, such as "The Cage" (1976–79), and later whimsical works like "Reconstructed Bottle with Pearls #11 (Pearls for Mahalia)" (2008). The show traces Locke's journey from his birth in Guyana, his time in the UK as part of the Windrush Generation, and his eventual move to the US, where he lived until his death in 2010.

Melvin Edwards, pioneer of Black abstraction, 1937–2026

Melvin Edwards, a pioneering sculptor known for his steel assemblages that explored Black history and experience, has died. He was the first African-American artist to have a solo exhibition at the Whitney Museum of American Art in New York in 1970. His signature series, Lynch Fragments, began in the 1960s as a response to the civil rights movement and evolved over his lifetime to incorporate references to the Vietnam War and African cultural practices.

5 essential old masters shows for 2026 2735391

Artnet News has published a preview of five essential Old Masters exhibitions scheduled for 2026, spanning museums from Amsterdam to New York. The shows include a blockbuster presentation of Ovid's *Metamorphoses* at the Rijksmuseum and Galleria Borghese, a monographic survey of Swedish sculptor Johan Tobias Sergel at the Nationalmuseum in Stockholm and the Morgan Library & Museum in New York, and other exhibitions that connect classical art with contemporary appeal. The article highlights how these exhibitions spotlight both household names like Raphael and lesser-known figures, while also exploring themes from Ovid's myths to tarot imagery.

Harlem’s Studio Museum reopening was a fitting reflection of its history and work

The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.

Christie’s highlights Arab artists in London auction

Christie’s is highlighting several Arab artists in its upcoming Modern and Contemporary Middle Eastern Art sale, scheduled for November 6 in London with an online preview from October 28 to November 11. Featured works include Paul Guiragossian’s 'Automne,' a masterpiece from the 1980s that previously achieved the second-highest auction price for the artist; Abdulhalim Radwi’s 'Untitled,' a semi-abstract cityscape blending traditional architecture and modernist influences; Samia Halaby’s 'Gardenia' from her 'Diagonal Flight' series; Kamal Boullata’s 'Nocturne I,' exploring geometric abstraction and exile; Mahmoud Said’s 'Mekarzel Hill,' a landscape once owned by a former Egyptian prime minister; and Laila Shawa’s 'City of Peace (Jerusalem),' a socio-political commentary on Palestinian life under occupation.

The Dutch Masters Were Women, Too

A New York Times article highlights the overlooked contributions of women artists in the Dutch Golden Age, challenging the traditional male-dominated narrative of Dutch Masters. It profiles several female painters such as Judith Leyster, Rachel Ruysch, and Maria Sibylla Merian, whose works were historically undervalued or attributed to men.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.