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Adelaide’s Tarnanthi is going on tour

Tarnanthi, the Art Gallery of South Australia's annual exhibition of Aboriginal and Torres Strait Islander art, is launching a national tour titled 'Tarnanthi on Tour: Too Deadly' starting July. The touring exhibition features over 30 works from the past decade of the festival, many conceived for Tarnanthi and never seen outside Adelaide. It will visit six regional galleries across Queensland, New South Wales, Victoria, and Western Australia over the next two years, including Rockhampton Museum of Art, Maitland Regional Art Gallery, Ngununggula, Caboolture Art Gallery, Geelong Gallery, and Lawrence Wilson Art Gallery.

'Significant' at D Lan Galleries, Melbourne on 14 May–27 Jun 2026

D Lan Galleries is presenting 'Significant', a major exhibition of secondary-market Australian First Nations art, running from 14 May to 27 June 2026 across its spaces in Melbourne, Sydney, and New York. The show features the Carey Lyon and Jo Crosby Collection, including rare early Papunya paintings from 1971–1972, such as Shorty Lungkata Tjungurrayi's 'Man Dreaming 1972' and Kaapa Mbitjana Tjampitjinpa's 'Honey Ant Travelling Dreaming 1971', alongside later works by Emily Kam Kngwarray, Mirdidingkingathi Juwarnda Sally Gabori, and Nyapanyapa Yunupiŋu.

D Lan Galleries and Pace Gallery to present Emily Kam Kngwarray in New York

D Lan Galleries and Pace Gallery are collaborating to present "Emily Kam Kngwarray: The Turning Season," a major survey of the renowned Australian First Nations artist, on view in New York from May 15 to August 14. The exhibition spans Pace's Chelsea spaces and includes key works from Kngwarray's career, such as her celebrated painting series and early batik textiles, following her landmark 2025 retrospective at Tate Modern in London.

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Healing through art : Stories of First Nations people who have experienced incarceration

The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.

Flinders exhibition revives the ’60s-’70s

Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.

'Do or die': Flick's journey from jail to artist and First Nations mentor

Flick Chafer-Smith, a First Nations artist, turned her life around after being incarcerated on her 18th birthday and spending six years in and out of prison due to drug addiction. Through the Victorian Indigenous arts program The Torch, she discovered painting as a means of expression and healing. She is now among 424 artists featured in Confined 17, an annual exhibition at Glen Eira Town Hall showcasing works by First Nations artists with lived experience of incarceration in Victoria. The exhibition includes paintings, weavings, ceramics, and carved emu eggs, with sales proceeds going directly to the artists.

Emerging Indigenous artists reveal their stories in major showcase

Four emerging Indigenous artists from Nagula Jarndu, a women's art centre in Broome, have been selected to present their work at Revealed, an annual Perth showcase of new and emerging Western Australian Aboriginal artists. The artists—including Ebony Pierik—created large-scale silk pieces using hand-carved linocut blocks, now displayed in the main gallery of the Perth Institute of Contemporary Art (PICA). The exhibition, curated by Whadjuk, Balladong and Wilman Noongar artist Zali Morgan, also features a large-scale art market where thousands of works are sold directly to buyers, with 100% of proceeds going to the artists.