filter_list Showing 9 results for "focus section" close Clear
dashboard All 9 museum exhibitions 6trending_up market 3
date_range Range Today This Week This Month All
Subscribe

frieze new york 2025 preview 2638793

Frieze New York 2025 is set to take place at the Shed in Manhattan, bringing together over 65 contemporary art galleries from more than 25 countries. The fair coincides with major institutional shows at the Guggenheim, Whitney Museum, and the Metropolitan Museum of Art, as well as the recent reopening of the Frick Collection after a $220 million renovation. Notable galleries include Gagosian, Hauser & Wirth, Pace, and David Zwirner, alongside international dealers like Goodman Gallery and Kurimanzutto. The Focus section, curated by Lumi Tan, features 12 young galleries. On the eve of the fair, Frieze itself was sold by Endeavor to former CEO Ari Emanuel for a reported $200 million.

frieze los angeles 2026 exhibitor list 1234762548

Frieze Los Angeles has announced its 2026 exhibitor list, featuring 95 galleries from 22 countries at the Santa Monica Airport, running from February 26 to March 1. The lineup includes blue-chip names like Gagosian, Hauser & Wirth, and David Zwirner, alongside local staples such as Commonwealth & Council and David Kordansky Gallery. First-time participants include El Apartamento, Bradley Ertaskiran, and Sprüth Magers returns after a hiatus. The Focus section, curated by Essence Harden, highlights galleries under 12 years old. Notable absentees include Marian Goodman Gallery, Bortolami, and Sean Kelly, while five galleries that participated in 2025 have since closed. The fair follows a challenging 2025 edition impacted by LA wildfires, which prompted withdrawals and a charity initiative.

the stakes are high for emerging galleries at frieze some are selling others arent as lucky 1234757562

At Frieze London, emerging galleries in the Focus section face high financial pressure, with booth costs starting at £6,750. While some dealers reported strong sales—such as Ginny on Frederick selling out two works by Alex Margo Arden for up to £30,000 each, and Brunette Coleman also selling out—many smaller dealers declined to discuss sales, and at least three admitted to selling nothing by the first VIP day. The disparity highlights the growing difficulty for smaller galleries to compete at major art fairs.

the stakes are high for emerging galleries at frieze some are selling others arent as lucky 1234757562

At Frieze London, emerging galleries in the Focus section face high financial pressure, with booth costs reaching £6,750 ($9,000). While some dealers reported strong sales—such as London's Ginny on Frederick, which sold out both works by Alex Margo Arden, and Brunette Coleman, which also sold out—others were reluctant to disclose results. Several unnamed dealers admitted to selling nothing or only a single work, highlighting a stark divide between success and struggle among smaller exhibitors.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries up to 12 years old, features six standout booths showcasing a diverse range of materials and themes. Artists include Alex Margo Arden, whose installation uses mannequins from the National Motor Museum to explore labor and spectacle; Luís Lázaro Matos, who transforms a beluga whale stranding into a queer myth; Rim Park, who fuses plant specimens in reliefs and etchings to speculate on a post-human world; Lara Fluxà, whose glass and tar sculptures evoke environmental precarity; and Delaine Le Bas, whose calico booth protests state control.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London will hold its 22nd edition in October 2025, retaining a bold floor plan debuted in 2024 that places emerging galleries near the main entrance while pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirmed the layout is permanent, citing overwhelmingly positive feedback and a re-energized atmosphere. New for 2025 is a themed section, Echoes in the Present, curated by Jareh Das, exploring artistic links between West Africa, Brazil, and their diasporas. The Focus section, dedicated to galleries under 12 years old, will feature rotating stands near the entrance, with newcomers including Soft Opening, Portas Vilaseca, and The Pit.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.

At Frieze Los Angeles, Greg Ito’s bright baggage carries hope

Los Angeles-based artist Greg Ito has presented a striking installation titled "A Cautionary Tale" with Superposition Gallery at Frieze Los Angeles. The booth features stacks of neon orange suitcases and mirrored trunks alongside paintings of symbolic imagery like burning candles and ships in a bottle. The work draws directly from Ito’s family history, specifically the forced relocation of his grandparents to Japanese American internment camps during World War II, where they were restricted to bringing only what they could carry in a suitcase.