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eureka max ernst grattage technique 2521464

The article explores how German Surrealist Max Ernst developed the techniques of frottage and grattage in the mid-1920s. Frottage—rubbing paper over textured surfaces like floorboards, leaves, and netting—allowed Ernst to create spontaneous, unconscious imagery, culminating in his 1926 publication *Natural History*. He later adapted the method to canvas as grattage, scraping layers of paint over textured materials to reveal abstract forms, drawing on influences from Leonardo da Vinci and memories of his childhood in the Rhineland.

Emerging Sabah artist debuts solo show at Wei-Ling Gallery

Wei-Ling Gallery in Kuala Lumpur presents 'Trilogy: The Lightseeker', the debut solo exhibition of 25-year-old Sabah-born multidisciplinary artist Iwadh Mahadi. The show, running from Tuesday to November 1 at Wei-Ling Contemporary, is the latest output of the gallery's WLG Incubator programme, launched in 2020 to support emerging Malaysian artists through mentorship and dialogue. Iwadh, who works in bamboo mosaics, frottage, and printmaking under a self-described 'conceptual naturalism', developed the exhibition over seven months under the guidance of established artist Choy Chun Wei, with additional mentorship from British artist Adam Chodzko and gallery director Lim Wei-Ling.

Masako Yasuki, Clifford Iwao Arinaga Visiting Artist

Kyoto-based painter Masako Yasuki will serve as the Clifford Iwao Arinaga Visiting Artist at the University of Hawaiʻi at Mānoa, featuring an exhibition at The Commons Gallery from March 3 to 10, 2026. The showcase highlights Yasuki’s unique technical approach, which blends traditional East Asian mineral pigments and gold leaf with Western oil and tempera paints, alongside her use of frottage to document urban and natural landscapes.