filter_list Showing 24 results for "graduate student" close Clear
search
dashboard All 24 museum exhibitions 13article local 6article culture 2article news 2article policy 1
date_range Range Today This Week This Month All
Subscribe

times esther kim varet campaign wet paint

Lower Manhattan is getting a new nonprofit art space called Times (styled in lowercase), founded by Summer Guthery and Francesca Sonara. Located on the fourth floor of 151 Lafayette Street above the Museum of Chinese in America, the 3,000-square-foot venue will operate for only three years. Its inaugural exhibition, featuring Danish artist Nina Beier, opens February 21 with a display of melting Cornetto ice cream cones. The space will officially open February 12 with a performance by Latvian choreographer Jana Jacuka. Guthery, previously founding artistic director of Canal Projects, and Sonara, former director of communications at Minnesota Street Project, met as graduate students at Bard College's Center for Curatorial Studies.

documentary maintenance artist mierle laderman ukeles

A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.

chanel fund high tech arts center calarts

California Institute of the Arts (CalArts) will establish the Chanel Center for Artists and Technology, funded by the Chanel Culture Fund. The initiative focuses on artificial intelligence, machine learning, and digital imaging, creating dozens of new roles, fellowships for artists and technologists-in-residence, and graduate student support, along with cutting-edge equipment. CalArts president Ravi S. Rajan described it as among the largest corporate partnerships the school has had, potentially the largest for any art school.

who was joan shogren computer art

Joan Shogren, a chemistry graduate from San José State University (SJSU) in the early 1950s, created some of the world's first computer-generated art in 1963 while working as a secretary in the chemistry department. Collaborating with graduate student Jim Larson and assistant professor Ralph Fessenden, she developed a theory that computers could create art if given "rules" of proportion, balance, and center of interest. Fessenden translated her "laws of art" into code on an IBM 1620 computer, producing artworks that were printed as number arrays and later hand-colored by artist Marvin Coon. Shogren exhibited these works in May 1963 at the campus bookstore, recognized as the first public display of computer art. Two decades later, she was commissioned by software company T/Maker to create the first clip art, "ClickArt," released in 1984 for Macintosh computers, designed pixel by pixel.

25 years later, artist David Adey continues to push the envelope

Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.

Emerging Voices at AMA

The Arlington Museum of Art (AMA) presents the Annual Juried UTA Student Exhibition from October 30, 2025, through February 22, 2026, featuring 27 graduate and undergraduate students from the University of Texas at Arlington (UTA). The exhibition was juried and curated by Clare Milliken, Assistant Curator at the Modern Art Museum of Fort Worth, who selected works across bronze, blown glass, painting, photography, sculpture, and video art. UTA painting faculty Benjamin Terry coordinated the show for the second year, noting a shift toward introspective, material-focused works compared to last year's politically charged selections.

New Schwarzman Center art exhibits highlight student experiences

Five new exhibitions opened at the Yale Schwarzman Center on April 7, featuring work from 53 young artists including New Haven high school students, Yale undergraduates, and graduate students. The shows explore themes of identity, unity, memory, nature, and emotion through visual art, photography, installation, digital work, and multimedia. Highlights include "Call-to-Connect," an interactive payphone installation by Soleil Piverger; "The View From Here: Accessing Art Through Photography," a smartphone photography exhibition in collaboration with the Yale Center for British Art; and "Rooted in Heritage: Art Across Yale’s Cultural Centers," curated by Carlynne Robinson, featuring works reflecting multicultural communities at Yale.

Graduates’ artwork showcased at Tarble during studio art exhibition

The Tarble Arts Center hosted the opening reception for the 2026 Master of Arts in Studio Art Exhibition, featuring thesis projects from 11 graduate students. The exhibition showcased a diverse range of mediums, including an immersive installation by Vitória Kazanovski that recreated her grandmother’s Brazilian kitchen using audio and textured cookbooks, and a ceramic series by Wendy Peters that highlighted the technical mistakes and evolution of her craft.

Opening Reception | 21st Annual SDSU Art Council Scholarship Exhibition | Athenaeum Art Center

The Athenaeum Art Center in San Diego is hosting the 21st Annual SDSU Art Council Scholarship Exhibition from May 16 to July 3, 2026, with an opening reception on May 16. The exhibition features new work by five graduate and undergraduate students from San Diego State University's School of Art and Design: Andrea Mendoza, Tina Mardan, Todd Bradley, Ana Saad, and Isa Ybarra. Their works explore themes of the body as a site of history, resistance, and reinvention, addressing chronic pain, immigrant memory, queerness, and colonial boundaries through diverse media including painting, metalsmithing, photography, installation, clay, fiber, and printmaking.

Norman Firehouse Art Center to open Sohail & Co. exhibition

The Norman Firehouse Art Center in Norman, Oklahoma, will present "Sohail & Co.," a summer exhibition focused on figure drawing and sculpture, on view from May 13 to August 7, 2026. The show brings together artists connected to the University of Oklahoma School of Visual Arts, exploring how the human figure evolves from observation to finished form across drawing, ceramics, and sculpture. An opening reception on May 13 will also feature the unveiling of "Rooted," a new public sculpture by undergraduate student Isabella Clark, installed in the Firehouse park as part of the Lions Park Sculpture Garden initiative.

The Pressure to Mean Something: Inside the VCUarts’ MFA Exhibition

The article covers the MFA exhibition at VCUarts, showcasing the work of graduate students in the visual arts program. It highlights the pressure on emerging artists to imbue their work with meaning and the diverse approaches taken by the exhibitors.

Corcoran students commemorate America’s 250th year with interactive art exhibit

Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.

Graduate art and design students exhibit their work at Krannert Art Museum

The Krannert Art Museum is currently hosting the annual Master of Fine Arts Exhibition, showcasing the thesis work of eight graduate students from the University of Illinois Urbana-Champaign School of Art & Design. The exhibition features a diverse range of media, including sculptural 3D collages by Samantha Jones that critique the hypersexualization of Black girlhood, and a mixed-media experimental classroom by Anthony Obayomi that explores social justice and educational metrics. Other works, such as Emily Tomlinson’s text-based drawings, highlight themes of cataloging and observational study.

Earth and Mineral Sciences Museum and Art Gallery’s exhibition to open Jan. 22

A new student-curated exhibition titled “Through Different Eyes: Industrial Worlds by Women Artists” will open on January 22 at the Earth and Mineral Sciences Museum and Art Gallery at Penn State University Park. The exhibit, curated by undergraduates Alexis Woodring and Gabriella Heidorn, features works from the EMS Steidle Collection of American Industrial Art, highlighting women artists in 20th-century industrial Pennsylvania. The opening reception runs from 4 to 6 p.m. and is free to the public.

Emory student art featured in High Museum education center exhibit | Emory University | Atlanta GA

Emory University undergraduate students are exhibiting their artwork at the High Museum of Art in Atlanta through November 2, in the museum's Greene Family Education Center. The exhibition, the first of a planned annual show, features 18 pieces by six students, three of whom curated the show after being selected by a panel of judges from Emory Libraries and the Michael C. Carlos Museum. Students worked with faculty sponsors and High Museum staff to install the work, gaining hands-on experience in exhibition planning, artist statements, and professional presentation.

UC Davis Graduate Exhibition Showcases Next Generation of Artists, Thinkers

The University of California, Davis, will host the Arts & Humanities 2025 Graduate Exhibition from June 5–22 at the Jan Shrem and Maria Manetti Shrem Museum of Art. The multidisciplinary showcase features 31 graduate students from art studio, art history, design, comparative literature, English, environmental science and policy, music, and performance studies. Works include photography, painting, sculpture, video, performance, and textiles, with live performances and awards on opening night. Participants explore themes such as human-technology relationships, environmental resilience, African diaspora, and emotional healing.

Capstone Exhibitions begin April 28

The School of Art, Art History & Design at the University of Nebraska-Lincoln will present the Spring 2025 Capstone Exhibitions, showcasing the work of graduating undergraduate students in studio art and graphic design. The graphic design exhibition runs from April 28 to May 2, and the studio art exhibition from May 12 to May 16, both at the Eisentrager-Howard Gallery. Participating students include Dana Clements, Sofie Curto, and others in studio art, and Fatima Al-Jayashi, Reanne Ballinger, and others in graphic design. Featured projects include Chenyu Wu's 'Qloud,' an emotional expression system for individuals with alexithymia, Lindsey Johnson's video game 'Scattered,' and Sophie Kroeker's collaboration with FARINER Bakery.

University of North Texas Students Withdraw Thesis Shows, Citing Censorship

Graduate students in the University of North Texas's MFA Studio Art program are withdrawing their upcoming thesis exhibitions in protest. Their action is a direct response to the unexplained cancellation of artist Victor "Marka27" Quiñonez's solo show, "Ni de Aquí, Ni de Allá," which addressed Mexican-American identity and violence by ICE. The school papered over the gallery windows and removed the exhibition page without providing a public rationale to the artist or the community.

Exhibit invites participants to imagine worlds

The CU Art Museum at the University of Colorado is opening a new exhibition titled 'Fairy Tales and the Power of Wonder: Imagining Worlds' on Thursday, February 5. The show explores how fairy tales function as world-building narratives and will be accompanied by a concurrent student-curated exhibition called '[Face] Value'. A public reception is scheduled for the opening day.

[Face] Value | Art Museum

An exhibition titled '[Face] Value' will be on view from February 6 to March 14, 2026, curated by graduate students from the Fall 2025 Curatorial Practicum. The show examines portraiture conventions, exploring how portraits uphold tradition, shift hierarchies, and showcase communities, featuring works from the museum's collection selected and researched by each student.

Art MFA candidate credits faculty mentor for landing solo exhibition at Krasl Art Center

Jack Lehtinen, an MFA candidate at the University of Wisconsin-Milwaukee, recently closed his solo exhibition "In the Lab: Poking Fun" at the Krasl Art Center in Michigan. The interactive installation critiques AI's impact on physical and social interaction, using a wall-mounted plotter to generate random lines inspired by surrealist automatic drawing, which Lehtinen then completes by hand with crayons. He credits his mentor, Dr. Nathaniel Stern, for helping him secure the show, which opened alongside Stern's concurrent exhibition and drew over 200 attendees.

Humanitas Braided art, a new interdisciplinary certificate, and a space for local artists

Yale University's latest Humanitas column highlights several arts and humanities developments: an exhibition by artist Nontsikelelo Mutiti at Schwarzman Center titled "Rusununguko," inspired by Black hair-braiding traditions and community; a new interdisciplinary certificate in Native American and Indigenous Studies approved by Yale College Faculty; and a Yale-run art space opening to local New Haven artists. Mutiti's installation uses black vinyl braids to transform the domed gallery, reflecting her experiences as a Zimbabwean graduate student finding community in Harlem's hair-braiding salons.

Opening Reception – Things Don’t Seem The Same: 2026 MFA Thesis Exhibition

The USF School of Art & Art History is hosting the opening reception for its 2026 MFA Thesis Exhibition, titled "Things Don’t Seem The Same," on April 3, 2026. The event celebrates seven MFA candidates—Enoch Appiah, Mike Cannata, Patrick Michael Carew, Darlene Gold, Atia Shafie, Diana Sosnowska, and Brogan Willis—with introductions, an awards ceremony, and ArtHouse XXVI featuring open studios, live music, food, and exhibitions.

Fei Tian College MFA Graduation Exhibition Blends Technical Excellence With Human Stories

Fei Tian College in Middletown, New York, opened its 2026 Fine Arts Exhibition on May 11, showcasing oil paintings and graphic design works by undergraduate and graduate students. The week-long show serves as the MFA in Oil Painting graduation showcase, featuring works that blend traditional techniques with personal themes such as innocence, spirituality, courage, compassion, and humanity. Faculty members curated the layout, but each graduate artist developed their own vision over a year-long creative process, with many spending at least a year on a single painting from concept to completion.