Phallus, Vagina, Universum
Marina Abramović is presenting a major retrospective at the Neue Nationalgalerie in Berlin, shifting focus from her well-known explorations of physical pain to the erotic energy of the human body. The exhibition draws heavily on Slavic folklore and pagan traditions from her Balkan heritage, exploring how ancient rituals used sexuality and the body as tools for spiritual and cosmic connection.
The Arts & Science Center for Southeast Arkansas is hosting the exhibition 'Blaque' by University of Arkansas at Pine Bluff art instructor Jonathan Rashad Wright as a highlight of its 2026 Black History Month programming. The exhibition, on display through July 3, explores themes of identity, heritage, grief, and resilience within the African diaspora through Wright's innovative blend of traditional printmaking and modern technology, using black ink on black paper to create layered, introspective works.
The Tarble Arts Center hosted the opening reception for the 2026 Master of Arts in Studio Art Exhibition, featuring thesis projects from 11 graduate students. The exhibition showcased a diverse range of mediums, including an immersive installation by Vitória Kazanovski that recreated her grandmother’s Brazilian kitchen using audio and textured cookbooks, and a ceramic series by Wendy Peters that highlighted the technical mistakes and evolution of her craft.
The article profiles an unnamed Australian artist who, in the 1950s, pursued a career in art while raising a family, challenging the era's restrictive social expectations for women. Her story, shared by her granddaughter Lily, highlights the personal and societal barriers faced by women artists of that generation.
Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.
Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.
Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.
The Kentucky Center for African American Heritage in Louisville has launched "Celebrating the Black Experience," a traveling exhibition showcasing diverse artistic mediums from across the African diaspora. Featuring works ranging from hand-built porcelain to traditional hand-quilted textiles, the show highlights personal narratives, cultural identity, and the preservation of generational legacies. Notable contributions include Debra Harley’s completed quilts started by her great-great-grandmother and J. Everett Young’s return to physical painting and drawing from digital art.
A previously unknown red-chalk drawing by Michelangelo, a study for the foot of the Libyan Sibyl from the Sistine Chapel ceiling, sold for $27.2 million at Christie’s New York on Thursday, far exceeding its $1.5–$2 million estimate. The work was submitted to Christie’s online estimate portal last March by an anonymous owner who inherited it from their grandmother; it had hung on a wall for years, assumed to be a copy. After months of authentication using infrared reflectography and cross-referencing with drawings at the Metropolitan Museum of Art and the Uffizi Gallery, Christie’s specialists confirmed it as an authentic Michelangelo. The sale set a new auction record for the artist, surpassing the previous $24.3 million record set at Christie’s Paris in 2022.
A previously unknown Michelangelo drawing, a red chalk study for the foot of the Libyan Sibyl on the Sistine Chapel ceiling, was discovered after an owner submitted a photograph to Christie's online estimate service. The work, created around 1511–12, sold at Christie's New York for $27.2 million, far exceeding its $1.5–2 million estimate and setting a new auction record for a Michelangelo drawing. The anonymous seller inherited the piece from his grandmother, and it had been in his family since the late 1700s.