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Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

Manhattan's Neue Galerie to Merge With Met Museum

Cosmetics billionaire Ronald Lauder's Neue Galerie, a private museum on Manhattan's Fifth Avenue known for its collection of Austrian and German art, will merge with the Metropolitan Museum of Art. The merger takes effect in 2028, with the Neue Galerie retaining its physical space and staff. The announcement was made by The Met on May 14. The museum's star attraction is Gustav Klimt's "Portrait of Adele Bloch-Bauer I" (1907), and it also holds works by Egon Schiele, Oskar Kokoschka, and others. Lauder co-founded the Neue Galerie with dealer Serge Sabarsky in 2001. As part of the merger, Lauder and his daughter Aerin Lauder Zinterhofer will donate 13 additional paintings from their personal collection and make an undisclosed endowment gift.

Todd Gray Reframes Black Diasporic History

Todd Gray's exhibition "Portals" at Perrotin in Los Angeles features multi-paneled photo assemblages that juxtapose images of slavery with European art, architecture, and formal gardens, exploring the evolution of Black history and identity. The show coincides with the opening of his commissioned installation "Octavia's Gaze" (2025) at the new David Geffen Galleries of the Los Angeles County Museum of Art. Gray's works incorporate his own photographs alongside sources like Hubble Space Telescope imagery, creating layered visual puzzles that invite viewers to find connections and ask questions about African diasporic identity.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

What Does a Booth Cost at a New York Art Fair?

Hyperallergic surveyed 13 New York art fairs about their booth pricing, revealing a wide range of costs from $3,500 at NADA Projects to over $105,000 for large booths at Frieze. The article details specific pricing tiers at Frieze ($31,977–$105,717), NADA ($3,500–$11,000), and Independent ($110 per square foot), noting that Frieze has kept 2025 prices for its 2026 edition and that NADA's costs have remained stable since 2022. The investigation also highlights the debut of the Sherman Family Foundation Acquisition Fund at Frieze and the partnership between Independent and the Henry Street Settlement.

Between Tropes and Treats at NADA New York

The 12th annual New Art Dealers Alliance (NADA) fair opened at the Starrett-Lehigh Building in Manhattan, featuring a wide array of contemporary works. Critic Rhea Nayyar notes that while many booths felt interchangeable due to prevalent trends like zany sculptures, shiny materials, and kitschy vibrancy, several standout pieces offered genuine engagement. Highlights include Elena Roznovan's maternal ephemera embedded in concrete with bondage tape, Kelly Tapia-Chuning's deconstructed serapes addressing colonial violence, and Niniko Morbedadze's folkloric illustrations.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

At Brooklyn Creative Reuse, Art Supplies Get a Second Life

Brooklyn Creative Reuse (BCR), a nonprofit founded by jeweler Stephanie O'Brien, has opened a permanent brick-and-mortar store in Industry City, Brooklyn, after launching as a pop-up in February 2025. The store sells donated, pre-loved and unused art supplies at a price-per-pound rate, making materials affordable for low-income artists, educators, and hobbyists. Its opening party on April 18 drew large crowds, and BCR has already diverted over 1,000 pounds of art supplies from landfills in its first year.

Genuflecting Before “Don Colossus”

A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.

Lehman College Art Gallery Presents the 2026 Thesis Exhibition

The Lehman College Art Gallery is presenting the 2026 BFA, MA, and MFA Thesis Exhibition from May 20 to May 28, 2026. The show features the culminating work of over thirty graduating undergraduate and graduate artists from the Lehman College Art Department, spanning digital media, painting, sculpture, printmaking, photography, and interdisciplinary forms. Themes include identity, memory, technology, migration, and social space. An opening reception on May 20 will include an awards announcement and a year-end celebration.