Anyone can say something against injustice. This group uses artwork to do that.

The exhibition "Instructions for Unrest: Art Against Complacency" has opened at Art Produce Gallery in San Diego, featuring a group of artists who utilize their work as a tool for political and social disruption. Curated by Alessandra Moctezuma in collaboration with the nonprofit Space 4 Art, the show presents a diverse range of media aimed at addressing issues such as immigrant rights, LGBTQ+ protections, and environmental policy.

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The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.

UNT Leaders Canceled Anti-ICE Show, Texts Reveal

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Internal communications from the University of North Texas (UNT) reveal that administrators canceled an exhibition featuring anti-ICE (Immigration and Customs Enforcement) artwork due to concerns over political backlash and potential funding threats. The text messages and emails show leadership discussing the "political sensitivity" of the work and the risk of alienating state legislators, leading to the abrupt closure of the show before its scheduled run.

Innocent mistake? Italy's prime minister appears as a cherub in Rome church

A fresco restoration in Rome's Basilica of St. Lawrence in Lucina sparked a political controversy after a cherub was found to bear a striking resemblance to Italian Prime Minister Giorgia Meloni. The artist, Bruno Valentinetti, initially denied the intentional likeness before admitting he had painted the figure based on the Prime Minister's features. Following an intervention by the Vatican's administrative body, the Curia, the face was subsequently painted over and removed from the chapel.