New £5.5m record for Islamic glass leads London sales

The spring Islamic and Indian art auctions in London, held at Sotheby's and Christie's in late April, achieved strong results despite geopolitical tensions. Sotheby's Arts of the Islamic World & India sales totaled £14.8m, while Christie's Art from the Islamic and Indian Worlds sale and the Mary and Cheney Cowles collection brought in £17.6m. The top lot was a rare 14th-century Mamluk gilded glass bowl from the Toledo Museum of Art, which sold for £5.5m—a new auction record for Islamic glass. Other highlights included a 17th-century Mughal astrolabe that sold for £2m at Sotheby's, setting a record for an Islamic scientific instrument, and strong sales of Iznik ceramics from two old English collections.

Japan's Art Market Growth and Asian Art News

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Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.

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The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

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New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.

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Qatar has announced the launch of a new quadrennial art event called Rubaiya Qatar, set to debut in November 2026. The inaugural edition will feature a curated exhibition titled “Unruly Waters,” organized by Tom Eccles, Ruba Katrib, Mark Rappolt, and Shabbir Husain Mustafa. The event will take place across Qatar, centered at the Al Riwaq pavilion near the Museum of Islamic Art. A preview performance by artist Rirkrit Tiravanija, titled "untitled 2025 (no bread no ashes)," was unveiled in Doha, involving communal bread baking with diverse bakers. The quadrennial aims to reflect Qatar's cultural diversity and its historical connections to maritime trade routes.

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The first-ever Art Basel Qatar opened in Doha with 84 single-artist presentations from 87 galleries, spread across two venues: the Doha Design District and M7. The fair, a partnership between Art Basel, Qatar Sports Investments, and QC+, features a tightly curated schedule of events, including a drone installation by Jenny Holzer at the Museum of Islamic Art and a floating dinner by artist Laila Gohar. Despite the usual fair rhythms, sales have been slow, and the event emphasizes engagement over transaction, as articulated by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani.

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

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Art Basel has launched a new fair in Doha, Qatar, opening across the Msheireb district's M7 building, Design District, and other venues. The event coincides with significant cultural milestones for Qatar, including the 50th anniversary of the National Museum and the 15th anniversary of the Museum of Islamic Art, and represents a long-term commitment with plans to expand to Al Maha Island by 2029.

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A wave of museum openings has swept the Gulf region in recent weeks, including the Zayed National Museum and the Natural History Museum in Abu Dhabi, as well as new institutions in Qatar and Saudi Arabia. These projects are part of an ambitious cultural building drive fueled by oil wealth, with Western partners such as the Louvre, the British Museum, and consultancies like Cultural Innovations providing expertise in planning, governance, and exhibition design. The Zayed National Museum, designed by Foster + Partners, features objects on loan from the British Museum, while the Natural History Museum displays a T-rex skeleton bought at Christie's.

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The Mathaf: Arab Museum of Modern Art in Doha has opened "Wafa al-Hamad: Sites of Imagination," the first solo museum exhibition dedicated to the late Qatari artist Wafa Al-Hamad (1964–2012). Curated by Lina Ramadan, the show runs through August 9 and features over 40 years of Al-Hamad's work across mediums including ink, watercolor, pastel, collage, and digital art. Al-Hamad was one of the first female students at the Qatari Free Atelier in 1981 and later became a professor at Qatar University, exhibiting in group shows across the Gulf such as the Sharjah Biennale 4 (1999) and "6 Gulf Women Artists" in Sharjah (1994).

The first Art Basel Qatar heralds a new model for art fairs in the region

Art Basel has launched its first fair in Qatar, adopting a novel format distinct from its other global events. The fair, featuring 87 galleries, requires each to present only one artist and is spread across multiple venues in Doha's Msheireb cultural district, with an open-plan, museum-like layout and special commissioned projects. Artist Wael Shawky serves as artistic director, emphasizing curatorial coherence over commercialism.

Rediscovering Bilgé, the Quiet Master of American Minimalism

Turkish-American artist Bilgé (Bilgé Civelekoğlu Friedlaender), a largely overlooked figure in American Minimalism, is the subject of a new institutional exhibition in New York titled “Torn Time: Bilgé” at the Institute for Arab and Islamic Art (IAIA). The show, curated by IAIA Founding Director Mohammed Rashid Al-Thanion and on view through October, highlights works from the two decades following her 1972 deep-sea dive in the Bahamas, which sparked a period of prodigious creation using delicate paper interventions. Bilgé studied at the Istanbul Academy of Fine Arts and NYU, exhibited at Betty Parsons Gallery and Kornblee Gallery in 1974, and was included in the Smithsonian’s “Paper as Medium” (1978), the International Istanbul Biennial (1989), and the International Biennial of Paper Art (1992). The exhibition draws from her estate, represented by Sapar Contemporary.

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Palestinian Saudi artist Dana Awartani has been selected to represent Saudi Arabia at the 2026 Venice Biennale. Her pavilion will be curated by Antonia Carver, director of Art Jameel, with assistance from Hafsa Alkhudairi. Awartani, known for her material interpretations of conflict in the Middle East, draws on Saudi Arabia's craft and cultural legacies, often collaborating with local artisans or displaced craftspeople. Her recent works include a response to heritage site destruction at the 2024 Diriyah Contemporary Art Biennale and an archive of recreated stone carvings at the 15th Sharjah Biennial.

Orientalism, Tales and History at the Louvre-Lens

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The Louvre-Lens has launched "Beyond the Arabian Nights," an ambitious exhibition exploring the evolution of Orientalism in France. Moving past simple clichés of odalisques and flying carpets, the show features over 300 items, including masterpieces by Delacroix, Ingres, and Gérôme, alongside popular culture objects like porcelain figurines and film clips. The exhibition traces cultural exchanges from medieval trade and the Crusades to the 19th-century obsession with Islamic art, utilizing a scenography that emphasizes the construction of fictional narratives.

Major collection of Indian paintings and calligraphy to be offered at Christie's

Christie's London will auction a major collection of Indian paintings and calligraphy from the Seattle-based collectors Mary and Cheney Cowles on April 28, with an estimated total exceeding £1.5 million. The sale is dominated by Mughal-era works from the 16th to 19th centuries, including a highlight piece from the Fraser Album estimated at £180,000, and features rare examples of "Mughal Occidentalism" where court artists incorporated European motifs.

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The article reports on the rapid expansion of the Gulf art scene, with a packed calendar of events from November to March including Abu Dhabi Art, the Diriyah Contemporary Art Biennale, Noor Riyadh, Desert X AlUla, Art Basel Qatar, Art Dubai, and the Sharjah Biennial. Institutional buying is surging as Abu Dhabi prepares to open its Guggenheim, Qatar Museums acquires for the Art Mill, and Saudi Arabia buys for multiple planned museums. The number of collectors is also growing, driven by a "Covid bounce" of high-net-worth individuals relocating from Europe and India to tax-efficient Dubai and Doha, with 6,700 millionaires moving to the UAE in 2024 alone.

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Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”

Art Basel Qatar is the latest addition to a grand national plan

Art Basel is launching a new fair in Qatar, marking its first foray into the Middle East. This expansion occurs within a landscape already heavily shaped by decades of strategic, state-led cultural investment spearheaded by Qatar Museums and its chairperson, Sheikha Al-Mayassa bint Hamad Al Thani.

SAM Opens Its First Solo Exhibition By a Pakistani-American Artist

Seattle Asian Art Museum (SAM) has opened "Anila Quayyum Agha: Geometry of Light," the institution's first solo exhibition by a Pakistani-American artist. The show, running from August 26, 2025 through April 19, 2026, features Agha's intricate laser-cut steel light sculptures, beadwork, and embroidered pieces that explore cultural identity, gender, and spirituality. Curated by José Carlos Diaz, SAM's Susan Brotman deputy director for art, the exhibition marks Agha's first presentation in the Pacific Northwest and includes works such as the 2021 piece "Liminal Space."

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Anne-Claire Legendre, a senior French diplomat and advisor to President Emmanuel Macron, has been selected to lead the Institut du Monde Arabe in Paris. Her appointment follows the abrupt resignation of former director Jack Lang and, if confirmed, will make her the first woman to head the institution in its 40-year history.

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The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.

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The article explores the little-known tradition of figurative Islamic art depicting the prophet Muhammad, which has existed since at least the 13th century in Persian and Turkish cultures. It notes that while a ban on such imagery is widely observed in Arab countries, no explicit prohibition appears in the Quran, and devotional images—often in miniature form—have been created by Muslims for personal and religious use. Examples include a mural in Tehran and a work at the Metropolitan Museum of Art. Scholars like John Esposito, Omid Safi, and Christiane Gruber are quoted to contextualize this tradition in the wake of the Charlie Hebdo attacks, which reignited debate over depictions of Muhammad.

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The Louvre Museum in Paris will return 258 works from the bequest of collector Adèle de Rothschild to the Fondation des Artistes after a 2019 cross-inventory revealed the objects were improperly inventoried in the Louvre's collection. Rothschild, who died in 1922, bequeathed her private mansion and its contents to the French government with the stipulation that her cabinet of curiosities remain intact, but the Louvre held works from the cabinet—including objets d'art and Islamic art—in violation of her wishes. The foundation's director, Laurence Maynier, described the surrender as a "just return," noting that the objects were all in storage and invisible to the public. Some 30 other objects will remain at the Louvre for five years to allow curators to find replacements, and the museum will receive 104 pieces from the foundation's inventory as compensation. The cabinet is set to reopen in September.

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Art Basel's inaugural edition in Doha has arrived, bringing with it new collectors and galleries seeking institutional interest. The event has prompted Doha's museums to stage significant exhibitions that emphasize historical depth and architectural legacy, rather than catering to fleeting market trends.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

From a bakery pop-up to an I.M. Pei survey: the exhibitions to see in Doha during Art Basel Qatar

A series of major exhibitions are on view in Doha, coinciding with the Art Basel Qatar event. These include Rirkrit Tiravanija's interactive bakery installation at MIA Park, two major surveys of architect I.M. Pei's work at AlRiwaq Gallery and the Museum of Islamic Art, and a group show titled "we refuse_d" at Mathaf: Arab Museum of Modern Art.

The US Venice Biennale saga, Queer Islamic art in Oslo, Duane Linklater in Ottawa—podcast

The US has finally appointed artist Alma Allen to represent the country at next year's Venice Biennale, following a delayed application process and an aborted initial commission. The Art Newspaper's Ben Sutton discusses the saga with Ben Luke. Additionally, the National Museum of Norway in Oslo opens 'Deviant Ornaments,' an exhibition exploring queerness in Islamic art over a millennium, curated by Noor Bhangu. The podcast also features Duane Linklater's work 'wintercount_215_kisepîsim' (2022), part of 'Winter Count: Embracing the Cold' at the National Gallery of Canada, which addresses the deaths of First Nations children in the Residential School system.

All you need to know about Klimt’s canvas that is now the most expensive modern artwork

Gustav Klimt's "Bildnis Elisabeth Lederer" (Portrait of Elisabeth Lederer) sold for $236.4 million at Sotheby's first auction in its new Breuer building location in New York, becoming the most expensive modern artwork ever sold at auction. The 1914-1916 portrait depicts Elisabeth Lederer, daughter of Klimt's patrons Serena and August Lederer, and was previously owned by Estée Lauder heir Leonard A. Lauder, who died earlier this year. The painting was looted by the Nazis during World War II, returned to the Lederer family in 1948, and later sold in 1983.

Why is the art market turning Gulf-wards?

The art market is shifting its focus toward the Gulf region, particularly Saudi Arabia and the United Arab Emirates, following a sharp decline in Chinese luxury goods sales (18–20% drop in 2024) and a 31% slump in Chinese art sales. Auction houses like Sotheby’s and Christie’s have established outposts in Saudi Arabia, with Sotheby’s first auction in Diriyah generating $17.3 million and attracting 35% new buyers. The UAE’s tax-haven status and lack of sanctions on Russians have drawn wealthy residents, while Saudi Arabia’s Vision 2030 campaign, led by Mohammed bin Salman, is pouring money into cultural projects such as AlUla, Art Week Riyadh, the Islamic Arts Biennale, and a new teamLab Borderless museum in Jeddah.