Pace Prints, the storied New York-based print publisher and gallery, has announced it will open its first West Coast location in Hollywood this autumn. The new facility will feature a fully equipped printmaking workshop alongside a gallery space, allowing Los Angeles-based artists to produce technically ambitious works—including etching, woodcut, and large-format printing—without traveling to New York.
This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.
The 59th Carnegie International opens in Pittsburgh, featuring 61 artists from around the world in the oldest survey of its kind in the United States. Critic Ed Simon reviews the exhibition, noting it captures the excitement of earlier editions while providing vital commentary on authoritarianism and militarism. In other news, activists protested Jeff Bezos's co-chair role at the Met Gala with a costumed action and guerrilla projections on his penthouse; Iran withdrew from its national pavilion at the Venice Biennale; MoMA PS1 announced the first US survey of Mexican artist Teresa Margolles; and Hakim Bishara reflects on MoMA's Marcel Duchamp exhibition.
Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.
The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.
Despite a wave of high-profile gallery closures and economic pressure from the shrinking entertainment industry, a new generation of Los Angeles art dealers is finding resilience through local community ties. While major outposts like Michael Werner and Sean Kelly have shuttered, local mainstays argue that the market is not failing but rather correcting itself against unrealistic expectations. Success in the current climate requires a physical presence and deep-rooted relationships that satellite galleries often struggle to maintain.
Missoula artist Julia LaTray presents a solo exhibition titled "Animal Pleasures" at Bob's Your Uncle gallery in May, featuring paintings of animals on glitchy, digitized backgrounds alongside lighting and other works. The gallery is only open to the public on dedicated nights, so the exhibition is paired with performances, comedy, and readings on May 1, 8, 15, and 29. Separately, Hanis Coos artist Sara Siestreem brings her major exhibition "Acts of Love, Refusal and Resistance" to the Missoula Art Museum, filling the museum's main galleries with large-scale mixed-media paintings and sculpture, including handmade baskets and ceramic molded versions with gilded flourishes. The museum hosts a First Friday reception on May 1 and a "Coffee and Conversation" with the artist on May 2.
The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.
Gajah Gallery, founded in 1996 and already operating in Singapore, Jakarta, and Yogyakarta, opened a new space in Mandaluyong, Manila, in November. Its inaugural exhibition, "Confabulations, A Fantasy of the Real," curated by Joyce Toh, features Filipino artists such as BenCab, Leslie de Chavez, and Kiri Dalena alongside peers from Indonesia, Singapore, and Malaysia, including a bronze sculpture by Marina Cruz produced at the gallery's Yogya Art Lab. Separately, Ames Yavuz, with spaces in London, Singapore, and Sydney, presented a pop-up group show, "Hold Everything Dear," in Makati, displaying over 50 Filipino artists and collectives. Both openings signal a surge in international gallery interest in Manila ahead of the Manila Art Fair in February 2026.
The Historical Museum at Fort Missoula is launching "Treasure Trove," a special exhibition commemorating the institution's 50th anniversary. The show features local artists, including narrative painter April Werle, who were invited to select historical artifacts from the museum's "Everyday Treasures" gallery and reimagine them through their own contemporary artistic lenses.
Ojai-based artist Pam Grau is presenting her first solo exhibition at the Santa Paula Art Museum. The show marks a milestone in her career, bringing together a body of work that reflects her artistic practice and connection to the local landscape.
A new exhibition titled 'Give Me a Ring: A Telephone Retrospective' has opened at the San Francisco Airport Museum. The show explores the history, design, and cultural impact of the telephone through a collection of artifacts and artworks.