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charisse pearlina weston shattered glass 2714106

Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.

emma mcintyre 2025 2717629

Emma McIntyre, a New Zealand-born painter known for her oxidation technique using rust on canvas, has rapidly ascended in the art world. After earning MFAs in Auckland and Pasadena, she joined mega-gallery David Zwirner in 2024, with additional representation by Château Shatto in Los Angeles and Air de Paris. Her auction record was set at Phillips London in October 2025, with her work "Seven types of ambiguity" selling for $225,100. McIntyre's practice blends material experimentation—including iron oxide pigments and bubble wrap—with references spanning Greek myth to Rococo art.

elizabeth browning jackson 2722343

Elizabeth Browning Jackson, a pioneering artist in the art-furniture movement, was rediscovered in 2021 after a phone call from Stephen Markos, founder of Superhouse Gallery, who had long admired her 1982 sculptural couch "Gloria." Markos urged Jackson to open a barn on her Rhode Island property, where she found her early works—hand-tufted rugs, cut-aluminum furniture, drawings, and prototypes—sealed away for 35 years. This rediscovery culminates at Design Miami 2025, where Superhouse presents Jackson as a foundational voice in the art-furniture movement, alongside contemporaries like Dan Friedman and Wendy Maruyama. Jackson's new exhibition "Re/construct" is also on view at Superhouse's Tribeca space through December 20, featuring reconstructed rugs based on her original 1980s designs.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

5 Standout Shows to See at Small Galleries This December

Maxwell Rabb's article highlights five standout exhibitions at small galleries in December 2025, featuring artists Marco Emmanuele at LABS Contemporary Art in Bologna, Anuk Rocha at Nibelungen Gallery in Antwerp, and a group show titled "The Beautyful Ones" at DADA Gallery in Lagos, among others. Emmanuele uses a spatula and glass-sand mixtures for textured paintings, while Rocha's figurative works focus on clothing as identity markers, and the Lagos show presents Black artists' visions of a hopeful future.

tom price radical material experimentation 2716989

Artist Tom Price discusses his material-driven practice in an interview with Artnet News. Based in Mallorca, Spain, and a Royal College of Art graduate, Price explores how materials like coal, resin, and tar carry symbolic weight and drive conceptual narratives in his sculptures. His "Meltdown" series and works such as "The Presence of Absence" (2014) demonstrate his focus on material transformation, figuration, and abstraction.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries up to 12 years old, features six standout booths showcasing a diverse range of materials and themes. Artists include Alex Margo Arden, whose installation uses mannequins from the National Motor Museum to explore labor and spectacle; Luís Lázaro Matos, who transforms a beluga whale stranding into a queer myth; Rim Park, who fuses plant specimens in reliefs and etchings to speculate on a post-human world; Lara Fluxà, whose glass and tar sculptures evoke environmental precarity; and Delaine Le Bas, whose calico booth protests state control.

Diverse Materials and Perspectives in Upstairs Artspace’s Two Spring Shows

Upstairs Artspace in Tryon is launching two concurrent exhibitions, "Fight or Flight" and "Birds of a Feather," opening April 19. The solo show by Asheville-based artist Erika Diamond features textile sculptures crafted from bulletproof Kevlar and mirrored vinyl, exploring themes of queer safety, resilience, and survival. The accompanying group show, curated by Diamond, brings together eight artists whose works in photography, glass, and painting examine identity and the human body's relationship to the natural world.

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.

Grove Gallery to host opening reception for ‘Triptych’ exhibition on Jan. 10

Grove Gallery in Grove Street will host an opening reception on January 10 for "Triptych," a group exhibition featuring works by artists Kate Berry-Brown, Vanessa Filley, and Darren Oberto. The show runs through January 31 and brings together figurative photography, pencil-based portraits, and oil paintings, exploring themes of motherhood, belonging, place, and the cosmos through geometric abstraction and experimental mark-making.

Gallery Jupiter presents "The Immersive Landscape" - works by Christie Scheele

Gallery Jupiter in Little Silver, New Jersey, presents "The Immersive Landscape," a solo exhibition of paintings by artist Christie Scheele, running from April 30 through June 11, 2026. The show features Scheele's open vista landscape paintings and her new Place Series assemblages, which incorporate foraged natural materials like stones, bark, and seaweed. An opening reception is scheduled for April 30. In conjunction with Earth Day, Scheele also collaborated with artist Kathleen Sweeney and designer Dominick Santise on EcoAction Cards, a set of activity cards aimed at inspiring environmental action.

Opening Reception of Anastasia Travieso-Diaz Solo Art Exhibition

Studio Russo Gallery, in collaboration with Artvocate, is hosting the opening reception of "Disintegration Regeneration," a solo exhibition by artist Anastasia Travieso-Diaz. The show features works that explore themes of rupture and renewal, using layered compositions and material experimentation to examine cycles of loss, resilience, and transformation.

Ballast review: emerging artist Isabella Kennedy considers submerged histories

Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.

Rediscovering Norman Zammitt, a 1960s Visionary of the Light and Space Movement

Karma gallery in New York has opened 'Norman Zammitt: A Degree of Light', the first New York exhibition in nearly 60 years dedicated to the late Light and Space movement artist. The show features two key bodies of work: his laminated-acrylic pole sculptures and hard-edge 'Band Paintings', reintroducing Zammitt's pioneering colorist practice to a contemporary audience. Zammitt, who died in 2007, was a Canadian-born artist of Mohawk and Italian descent who studied at Otis College of Art and Design and was represented by Felix Landau's gallery in Los Angeles.

25 of 2025: 5 Sculptors to Watch

Artnet News has published the latest installment of its '25 of 2025' series, spotlighting five sculptors to watch. The article profiles Lotus L. Kang, a Canadian artist who had a solo show at 52 Walker in New York, was recently picked up by Esther Schipper, and has appeared in group exhibitions at MoMA, Jeffrey Deitch, and the Hessel Museum. It also features Raven Halfmoon, a Caddo Nation artist whose totemic ceramic works draw on Indigenous traditions and folklore, and who had her major institutional debut at the Aldrich Contemporary Art Museum in 2023. The series aims to highlight emerging talents shaping contemporary art.

2025 Fall Preview: Six Texas Art Exhibitions to See this Year

Brandon Zech and Jessica Fuentes preview six highly anticipated Texas art exhibitions for fall 2025. Highlights include "Jenny Saville: The Anatomy of Painting" at the Modern Art Museum of Fort Worth, the first major U.S. museum survey of the British figurative painter; "Robert Rauschenberg: Fabric Works of the 1970s" at the Menil Collection in Houston, exploring the artist's innovative use of textiles; "Constellations: Contemporary Jewelry at the Dallas Museum of Art," featuring over 350 wearable works; and "HOST: Raul De Lara" at The Contemporary Austin, showcasing the sculptor's surreal wooden forms.

Kiaf SEOUL

Kiaf SEOUL's 2025 edition will feature over 125 Korean galleries alongside participants from more than 20 countries, reaffirming its role as a leading platform for global engagement with Korea's art scene. The fair highlights works by celebrated Korean modernists such as Seo-Bo Park and Whanki Kim, while also spotlighting emerging Korean artists. Major galleries like Kukje Gallery present internationally acclaimed artists including Anish Kapoor, Ugo Rondinone, and Ha Chong-Hyun, while the Kiaf PLUS section focuses on material experimentation and cross-cultural exchange from emerging voices. The fair also includes the third edition of the Kiaf HIGHLIGHTS Award, themed "Resonance," and a special exhibition "Reverse Cabinet" commemorating the 60th anniversary of diplomatic relations between Korea and Japan.

SU master’s students present their work at local gallery

Three master’s students from Stellenbosch University—Rebekah Pringle, Thabo Ngwenya, and Emily Fitzgerald—launched an exhibition titled "Matter of Self: Private fragments, public forms" on 7 August at the Gallery University Stellenbosch (GUS). The show is part of a master’s review series that highlights their academic year progress. Pringle’s work explores her domestic experience and caretaker relationship with her grandmother using repurposed furniture; Ngwenya’s pieces address alienation as a Ndebele man in Zimbabwe through pop culture references and self-portraits as "boundary objects"; Fitzgerald’s art challenges patriarchy and heteronormativity using archival photographs, clay, and photolithographic processes.