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4 Details to Understand Martin Schongauer’s 'Madonna of the Rose Bower' Currently at the Louvre

4 détails pour comprendre « La Vierge au buisson de roses » de Martin Schongauer actuellement au Louvre

The Musée du Louvre is hosting a major exhibition dedicated to the Rhenish master Martin Schongauer, featuring his 1473 masterpiece, 'Madonna of the Rose Bower.' On loan from the Dominican Church in Colmar, the painting is a rare survivor of Schongauer’s small extant painted corpus and is making a significant journey to Paris despite its extreme fragility. The work is celebrated for its intricate detail and grace, qualities that earned the artist the nickname 'Handsome Martin' and influenced successors like Albrecht Dürer.

'Two of Us' at Simchowitz, Hill House, Los Angeles, United States on 15 Feb–11 Apr 2026

Simchowitz Gallery is presenting "Two of Us," a dual exhibition featuring Ukrainian artists Andrey Samarin and Lera Derkach at Hill House in Pasadena. The show explores the creative dialogue between the two artists, who have lived and worked together in France for the past three years while maintaining distinct individual practices. Samarin’s work focuses on the physical gesture of painting, blending abstraction and figuration influenced by German Expressionism and medieval art, while Derkach’s canvases lean into dreamlike narratives, metamorphosis, and psychological tension.

Medieval Art: Christ's Side Wound as Vulva

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The Met Cloisters in New York is hosting "Spectrum of Desire: Love, Sex, and Gender in the Middle Ages," an exhibition exploring how medieval art depicted the body, sexuality, and gender. A central focus of the show is the intentional depiction of Christ’s side wound as a vulva-like shape, or mandorla, in illuminated manuscripts such as the 14th-century Prayer Book of Bonne of Luxembourg. These images were designed as intimate devotional tools, inviting viewers to meditate on Christ's suffering through a lens that transcended traditional gender binaries.

‘Medieval Mindscapes’ exhibition on view at the Walters Art Museum through Aug. 23

The Walters Art Museum has unveiled "Medieval Mindscapes," a new exhibition featuring 22 rare illustrated prayer books from the Middle Ages. Curated from the museum’s extensive permanent collection, the show focuses on "books of hours"—portable, highly personalized manuscripts that served as intimate tools for Christian devotion in medieval Europe. Highlights include 15th-century Belgian manuscripts featuring intricate visual illusions, gold parchment, and personifications of death.

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David Hockney has publicly condemned the planned loan of the Bayeux Tapestry from France to the British Museum, calling the transport of the 950-year-old, 224-foot-long embroidered chronicle across the English Channel “madness” and an unnecessary risk. Writing in an op-ed for The Independent, the 88-year-old artist warned that moving the fragile artifact—which has nearly 10,000 holes and 30 tears—could cause irreversible damage such as fiber contraction, expansion, or color fading. The tapestry is scheduled for a 10-month loan to the British Museum later this year, and despite a £800 million insurance scheme and assurances from museum director Nicholas Cullinan, Hockney remains unconvinced, noting that a museum representative who met with him had not read his book "Secret Knowledge." The tapestry has already been moved from the Bayeux Museum to a secret storage facility, its first relocation in 40 years.

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The Walters Art Museum in Baltimore has opened an exhibition titled "Paws on Parchment," exploring the depiction of cats in medieval manuscripts from Europe, Asia, and the Islamic world. The show was inspired by a 15th-century Flemish manuscript that still bears the inky paw prints of a cat that walked across the pages while they were drying. Curator Lynley Anne Herbert assembled the exhibition after discovering the manuscript in the museum's collection, researching medieval poetry, bestiaries, and encyclopedic works to understand historical attitudes toward cats. The exhibition runs through February 22, 2026, and is the first of three shows dedicated to animals in art.