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Researchers Identify Enslaved Boy in Joshua Reynolds Painting

Researchers in the U.K. have identified the enslaved boy depicted in Joshua Reynolds's 1748 painting of Royal Navy lieutenant Paul Henry Ourry. For centuries known only as "Jersey," the boy has been identified as George Walker, also called Boston Jersey, through baptismal and admiralty records. Walker was baptized at age 15 in Westminster in 1752, served on HMS Monmouth and HMS Deptford, and was discharged in 1753, after which his fate remains unknown. The research, a collaboration between the National Trust, the National Gallery in London, and Royal Museums Greenwich, also used scientific analysis to reveal Reynolds's original compositional intentions.

how to look at art 2650882

Art critic Ben Davis shares a personal three-and-a-half-step method for getting the most out of visiting an art exhibition alone. The process begins with a quick walkthrough of the entire show to build a cognitive map of the space and note artworks that immediately stand out. The second step involves a systematic, slower tour to read wall texts, examine individual works, and uncover connections and hidden details, with special attention to time-based media like video art.

nairy baghramian katarzyna kobro isamu noguchi wiels brussels 1234762854

Nairy Baghramian's exhibition "nameless" at Wiels in Brussels engages in a sculptural dialogue with the Polish avant-garde artist Katarzyna Kobro, whose work was largely destroyed during and after World War II. Baghramian riffs on Kobro's forms with unpainted steel variations that double as plinths for her own works, while also referencing other displaced sculptors such as Isamu Noguchi, Louise Bourgeois, and Jean Arp. The show deliberately leaves works untitled and undated, inviting viewers to discover art-historical references while enjoying the material playfulness of the sculptures.

Exhibition | Huang Hankang, 'The Sky Remains as the Bird Departs' at Arario Gallery, Shanghai, China

Arario Gallery Shanghai presents Huang Hankang's solo exhibition 'The Sky Remains as the Bird Departs,' running from May 15 to July 4. The show uses Shanghai as a dynamic 'processing system' where images, histories, and cultures are constantly received, translated, and reorganized. Through installations and paintings, the exhibition compresses multiple visual and historical threads, featuring works such as 'Gate of Flesh and Soul,' which juxtaposes Giuseppe Castiglione's hybrid visual language with the Cathay Theatre and fragments of George Washington's dentures, and 'Overlaid Life,' which contrasts a Song Dynasty crystal rabbit with cultivated orchids. Other pieces like 'Void Resonance' and 'Nameless Mark' explore perception, the body, and cultural mediation.

“Art Macao” public artwork Time Tower jointly created by artists from China, Japan and South Korean commemorates the cultural bonds and spiritual connections among East Asian cities

The "Art Macao: Macao International Art Biennale 2025" has unveiled a new public artwork titled "Time Tower" at the Macao Cultural Centre Plaza. Created collaboratively by artists Guan Huaibin (China), Hirotoshi Sakaguchi (Japan), and Kim Sang-yeon (South Korea), the piece commemorates Macao's designation as a "Culture City of East Asia" this year. The biennale features over 30 exhibitions across six sections, including the "Public Art Exhibition" themed "Waves & Ways," which integrates art into Macao's urban fabric. Additionally, the Community Co-Creation and Mutual-Aid Project at San Mei On Building has launched residencies with artists like Jason Ho, Wang Ying, Shen Jialu, and Zhang Xiao, engaging local residents through interactive works.