The New York art scene was bustling with events this week. The New York Botanical Garden held its annual Orchid Dinner at the Plaza Hotel, featuring elaborate floral designs and guests like Martha Stewart and Sigourney Weaver. Meanwhile, Sotheby's hosted the Art for Water benefit auction for the Waterkeeper Alliance, with works by Jeff Koons and Ed Ruscha, and the New Museum celebrated the opening of a major Raymond Pettibon exhibition.
Judy Chicago’s first major New York museum survey, "Herstory," has opened at the New Museum, marking a triumphant return for the 84-year-old feminist icon. The exhibition features a comprehensive look at her 60-year career, including her large-scale tapestries and "Rejection" drawings, alongside a curated "show-within-a-show" titled "City of Ladies." This section integrates Chicago’s work with pieces by over 90 historic women and non-binary artists, ranging from Hilma af Klint to Hildegard of Bingen, creating a visual dialogue across centuries of female creativity.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The New York Times reports on a new museum exhibition that centers on disability, posing the provocative question 'Who’s Sorry Now?' The show challenges conventional narratives around disability, moving beyond pity or inspiration to explore themes of agency, identity, and societal attitudes. It features works by disabled artists and aims to reframe how disability is represented in cultural institutions.