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Art in America’s Summer Issue Features 20 “New Talent” Artists, Juicy Art Heist Stories, and More

Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.

brittany nelson photography space new talent 2025

Brittany Nelson, a Brooklyn-based artist, explores the intersection of space exploration, queer identity, and early photochemistry in her work. Her 2024 show "I Can't Make You Love Me" at PATRON Gallery in Chicago featured bromoil prints of images from NASA's Mars rover Opportunity, which she describes as a "lesbian icon." She also creates works like a programmed typewriter that types the word "Starbear," inspired by letters between sci-fi writers Ursula K. Le Guin and Alice B. Sheldon. Nelson is currently developing new work focused on telescope arrays, following a residency at the SETI Institute and a two-person exhibition at Luhring Augustine in New York.

leah ke yi zheng painting new talent

Leah Ke Yi Zheng, a Chinese-born artist who initially pursued law and business before committing to art, is gaining significant recognition. She opened her second solo exhibition with Mendes Wood DM in New York in January and is preparing upcoming shows in Vienna and at the Renaissance Society in Chicago. Zheng's paintings use Chinese silk on custom wooden stretchers, often irregularly shaped, blending traditional Chinese materials with Western avant-garde formal provocations. Her work explores themes of spirituality and interrupts the data-saturated modern experience, often depicting mechanical devices like fusees from antique clocks or abstract compositions inspired by the I Ching.

art in america new talent issue 2025

Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.

aia new talent event 2025

Art in America hosted a launch event for its 2025 "New Talent" issue at PMC's headquarters in New York, bringing together 20 emerging artists and two established luminaries—Carroll Dunham and Rochelle Feinstein—for a panel discussion moderated by senior editor Emily Watlington. The conversation explored the art world's current shift from figuration to abstraction, with Dunham and Feinstein reflecting on their own careers and the evolving dynamics of painting.

jackie amezquita bricks new talent

Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.

faye wei wei musicality paint new talent 2025

Faye Wei Wei, a figurative painter known for her ethereal and romantic style, is profiled following her enrollment in Yale's MFA program. The article highlights her recent works, including "Calcium Stars (severed romanesque ears)" (2024) and "A Telescope Made of Champagne Glass" (2024), which blend motifs of hearts, lovers, and architectural forms with musical energy. Wei Wei, who graduated from the Slade School of Fine Art in 2016 and has shown at Situations in New York and Galerie Kandlhofer in Vienna, discusses her improvisational studio practice and the influence of music on her painting.

brooklin soumahoro new talent 2025

Brooklin A. Soumahoro, a self-taught painter based in Los Angeles, is featured in ARTnews' 2025 "New Talent" issue. Born in Paris and working in a Glassell Park studio, he creates oil paintings that blend methodical color theory with intuitive emotion, drawing inspiration from West African textile designs, synesthesia, and the Fauvist palette of Henri Matisse. His recent solo exhibition "The Open Window" at François Ghebaly gallery in Los Angeles presented works inspired by the south of France, directly engaging with Matisse's iconic paintings.

bint mbareh sound art palestinian resistance

Bint Mbareh, a Palestinian sound artist and stage name assumed around 2019, creates installations and performances that use water and sound as metaphors for Palestinian experience. Growing up in Ramallah and later studying at Goldsmiths in London, she learned geographically specific Palestinian rain-summoning songs, which she twists and destabilizes using digital technology in works like *Time Flows in All Directions: Water Flows Through Me* (2020). After October 7, 2023, she expanded her practice to include a “choir” of collaborators performing collective grief, with appearances at an Artists for Aid benefit concert in London and at Tate Modern. Recent installation works such as *Bodies of Knowledge* (Royal College of Art) and *What’s Left?* (Sharjah Biennial) incorporate water tanks vibrated by sound, evoking both childhood and displacement.

jen deluna blurred paintings bite dogs pinup

Artist Jen DeLuna creates blurred paintings based on vintage found photographs, primarily of 1970s pin-up girls and aggressive dogs. Working at PLOP residency in East London, she uses a large brush to blur wet paint, creating a hazy, memory-like effect. Her works include portraits like *Rallying Sigh* (2024) and canine pieces like *Hounding* (2024), which she hangs together to create a dialogue between femininity and animal aggression.

new talent art in america 2025

Art in America, the sister publication of ARTnews, has released its Summer 2025 issue featuring profiles of 20 emerging artists selected as "New Talent." The list includes artists from around the world working in various mediums, such as Agnes Questionmark, Aislan Pankararu, Alejandro García Contreras, Alison Nguyen, and others. This marks a continuation of the magazine's long-running "New Talent" designation, which began in 1954 and ran regularly until 1966, was relaunched in summer 2021, and has continued since.

aislan pankararu brazil new talent 2025

Aislan Pankararu, an Indigenous Brazilian artist and licensed physician, maintains a studio in São Paulo where he creates works that draw from his Pankararu heritage, medical training, and the Caatinga biome of northeastern Brazil. His practice includes clay-pigmented paintings, abstract forms evoking cellular structures and ritual designs, and series such as "Soil" (2024) and "Touch" (2024). After returning to drawing during his medical residency in 2019, Pankararu quickly gained recognition, participating in exhibitions at the Museu Nacional da República and Museu de Arte de São Paulo, and winning the prestigious PIPA Prize in 2024.

sculptor biohack agnes questionmark tentacular trans

Agnes Questionmark, a multimedia performance artist based in Brooklyn, creates work exploring the trans body—encompassing transgender, transhuman, and trans-species identity—often with an aquatic, tentacular aesthetic. During a studio visit at the Brooklyn Navy Yard, she showed recent fabric works overpainted with acrylic and silicone, depicting organs in vivid reds and oranges. Her performances include TRANSGENESIS (2021), a 23-day endurance piece at Harlesden Highstreet in London, and CHM13hTERT (2023), a 16-day installation in a Milan subway station where she was suspended in a mermaid-like tail. She also produced an artist's edition, QuestionGen (2024), containing a capsule of her own DNA, made with biohacker Josie Zayner and publisher Nero.

video ai alison nguyen historys strange

Alison Nguyen, a Vietnamese American artist based in New York’s Chinatown, discusses her multidisciplinary practice spanning video, installation, performance, and sculpture. Her works explore American mythologies, visual culture, and digital labor, drawing from low and high culture. Notable pieces include *History as Hypnosis* (2023), which follows three Vietnamese women through a desert and downtown Los Angeles, and *My Favorite Software Is Being Here* (2021), featuring an AI assistant named Andra8. Nguyen’s upcoming works *Change Order* (2024) and *Aisle 9* are inspired by her family’s Taiwanese hosiery business archives. She is featured in ARTnews’ 2025 “New Talent” issue.

giulia cretulescu fiber art sexy

Giulia Crețulescu creates fiber art from synthetic fabric sourced from a Ford automotive factory near her hometown of Craiova, Romania. Her work features geometric, torso-sized wall-mounted shapes with bondage-like straps and repurposed industrial seatbelts, blending found and handmade elements. After completing a PhD in graphic arts in Bucharest, she turned to sewing to resist the speed of digital design, producing non-functional, armor-like abstractions. Her recent exhibition at Fragment Gallery in New York showcased her unique approach, which also incorporates inspiration from motorcycle gear and medieval armor.