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Discover the Architecture of LACMA’s David Geffen Galleries at These Free Workshops with AIA Los Angeles

LACMA's new David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor, are now open to the public. The building features a single-floor, sculptural form made of architectural concrete and glass, with natural light and transparency that encourages visitors to explore 6,000 years of art and culture. In collaboration with the American Institute of Architects Los Angeles, LACMA is hosting a series of free workshops on May 15-17, including guided walks, drawing sessions, and landscape tours, to help visitors engage with the building's architecture and design.

History, Culture, and Place Ground LACMA’s Breathtaking New David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a long, elevated concrete structure designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The building, more than 20 years in the making, replaces much of LACMA's mid-century campus with a single winding gallery that hovers above Wilshire Boulevard. A ribbon-cutting ceremony was held on Sunday, followed by a two-week member preview, with the public opening scheduled for May 4. The project is the vision of longtime director Michael Govan, who sought to create a museum without hierarchy, placing objects from different geographies and time periods in dialogue. Artist Mariana Castillo Deball was commissioned to create a plaza installation that incorporates native animal tracks, Mesoamerican imagery, and the labor of migrant workers, reflecting themes of migration and cultural exchange.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

I wanted to hate the new LACMA. Then I went back

The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.