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Wilhelm Sasnal review – his wild juxtapositions are almost obscene

Polish artist Wilhelm Sasnal's new exhibition at Sadie Coles HQ in London presents a disorienting array of paintings. The works juxtapose disparate and often disturbing images, including a grotesque depiction of the Oval Office, portraits of his family, album art for the industrial band Throbbing Gristle, and a forest scene linked to the Holocaust, creating a deliberate sense of fragmentation and broken connections.

Robert Rauschenberg and Asia @ M+

M+ museum in Hong Kong has announced a major exhibition titled "Robert Rauschenberg and Asia," scheduled to run from November 2022, 2025, through April 26, 2026. Curated by Russell Storer, the show explores the American master's deep engagement with the region, featuring his own works alongside pieces by Asian contemporary artists like Huang Yong Ping and Sui Jianguo.

Ali Cherri Files War Crime Case Over Israeli Airstrike on Beirut

French-Lebanese artist Ali Cherri, in collaboration with the International Federation for Human Rights, has filed a civil complaint in a French court regarding a 2024 Israeli airstrike in Beirut. The strike, which occurred in the Noueiri neighborhood just hours before a ceasefire, destroyed Cherri’s family home and killed seven civilians, including his parents and their domestic helper. The legal action, submitted to a specialized war crimes unit, alleges that the targeting of a civilian residence constitutes a war crime under both French and international law.

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

MARCELO BRODSKY IN WIESBADEN MEMORY AS AN ACTIVE PRACTICE

The Kunsthaus Wiesbaden is hosting a comprehensive survey of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The exhibition showcases Brodsky’s unique practice of intervening in archival photographs to address global human rights abuses, political violence, and the persistence of historical trauma. Key series on display include his seminal work on the Argentine military dictatorship, "Buena Memoria," alongside explorations of 1968 global protests and African liberation movements.

Tide of Returns: Reclaiming Memory Through Oceanic Ritual

Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.