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posthumous kaari upson retrospective copehnagen louisiana museum denmark 1234746923

Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.

jr paris pont neuf christo jeanne claude 2722101

French artist JR will wrap Paris's oldest bridge, the Pont Neuf, in images of the limestone rock formations from which it was originally built in the 16th century. The project, titled "La Caverne du Pont Neuf," is scheduled for June 2026 and marks the 41st anniversary of Christo and Jeanne-Claude's iconic wrapping of the same bridge in 1985. JR's installation was delayed by a year due to logistical and technical complications, echoing the famously tardy nature of Christo and Jeanne-Claude's large-scale works. The project was offered to JR by Vladimir Yavachev, director of the Christo and Jeanne-Claude Foundation, who wanted an interpretation rather than a reinstallation.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

campaign for barbara hepworth sculpture gathers momentum 82025

A campaign to return Barbara Hepworth's sculpture "Rock Form" (1964) to the Mander Centre in Wolverhampton, UK, is gaining momentum. The sculpture, valued at £1 million, was removed from the shopping centre in June 2024 during a redevelopment. Campaigners argue it was originally offered to the previous owner at cost price on the condition of public display, and they fear current owners—the Royal Bank of Scotland and Delancey—may sell it privately.

‘I want people to see nature as a wondrous work of art’: Jon McCormack’s best phone picture

Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.

Silverlens Presents “Topographies Of Seeing” And “PLAY” This April 2026

Silverlens Manila is set to debut two distinct exhibitions in April 2026: a solo show by Is Jumalon titled "Topographies of Seeing" and a group exhibition titled "PLAY." Jumalon’s work utilizes mixed media to reimagine landscapes through the lens of her childhood memories of Zamboanga’s rock formations, blending natural beauty with an underlying sense of danger. Meanwhile, "PLAY" features artists Jenifer K Wofford, Jake Verzosa, and Aze Ong, focusing on the concept of place-making and postcolonial spatial realities, specifically highlighting the cultural significance of basketball courts across the Philippines.

Portland artist Ami Maki debuts body-positive ‘Obese Landscapes’ exhibit at Multnomah Arts Center

Portland-based artist Ami Maki has unveiled her latest exhibition, "Obese Landscapes," at the Multnomah Arts Center. The showcase features eight large-scale charcoal drawings, some reaching seven feet in height, that draw visual parallels between the human form and natural topographies like rolling hills and rock formations. By utilizing earth tones and monumental scale, Maki seeks to reframe bodies often marginalized by societal beauty standards as majestic, natural environments.