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At the VIP opening of Frieze New York on Wednesday, dealers reported strong sales despite economic uncertainty from Trump administration policies and trade war threats. The fair, recently sold to Hollywood powerhouse Ari Emanuel, returned to the Shed in Hudson Yards with 67 exhibitors. Gagosian Gallery generated the most buzz, selling one of three Jeff Koons Incredible Hulk sculptures—polychromed steel works priced around $3 million each—and placing a hold on another. Other notable sales included works by Tuan Andrew Nguyen, Tomie Ohtake, Sheila Hicks, Liza Lou, and Gertrude Abercrombie, with galleries like James Cohan, Galeria Nara Roesler, Thaddaeus Ropac, Karma, and Hauser & Wirth reporting brisk business.

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The article reflects on the final 2025 edition of the Museum Artists list, which tracks the most exhibited artists in U.S. museums each quarter. The author notes that the top artists—such as Marie Watt, Jeffrey Gibson, and Rose B. Simpson—have remained consistent throughout the year, with a narrow band of stars appearing in many shows while a long tail of artists have limited visibility. Below the top 15, notable names include Julie Mehretu, Wangechi Mutu, and Jean Shin, with a cluster of older white female artists like Petah Coyne and Joyce Kozloff also gaining recognition.

Dealers at TEFAF Maastricht Report Robust Sales, Offering Works Ranging from Two Inches to Room-Size

Dealers at TEFAF Maastricht Report Robust Sales, Offering Works Ranging from Two Inches to Room-Size

Dealers at the TEFAF Maastricht art fair reported strong sales, defying concerns over global unrest and geopolitical tensions that limited some collectors' travel. The fair, featuring 277 dealers from 24 countries, saw a high caliber of international collectors engaging with works ranging from monumental 18th-century sculptures to minuscule, intricately detailed pieces. First-time exhibitors and veterans alike expressed satisfaction, with one rare books dealer calling it his best year in three decades of participation.

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Art advisor Naomi Baigell recalls that when she managed Prudential's corporate art collection in the late 1980s and 1990s, executives refused to hang textile works by Colombian-born artist Olga de Amaral, preferring abstract paintings instead. Now 93 and still working, Amaral is experiencing a major market and institutional renaissance: the Institute of Contemporary Art in Miami is hosting a solo show of her work (through October 12), her pieces are included in MoMA's "Woven Histories" exhibition, and she has been represented by Lisson Gallery since 2019. In 2025, her auction performance has been stellar, with a new record of $1.16 million set in May for *Imagen perdida 27* (1996) at Phillips New York, and total sales of $4.07 million as of June.

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Blanche Lazzell (1878–1956), a pioneering American Modernist artist and printmaker largely forgotten today, is featured in the exhibition “Herself: American Artists of the 20th Century” at New York’s Lincoln Glenn Gallery. The show brings together 30 women artists spanning roughly 90 years, including Alice Neel, Grace Hartigan, Barbara Kruger, Sheila Hicks, and March Avery. Lazzell, who earned her fine arts degree at West Virginia University in 1905, studied at the Art Students League alongside Georgia O’Keeffe, traveled to Paris, and cofounded the Provincetown Printers, the nation’s first woodblock print society. She is credited with developing the white-line woodcut technique known as the Provincetown Print, and her work is held by major institutions including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Smithsonian American Art Museum.

Frieze and NADA New York’s Early Sales Signal Buyer Confidence

Frieze New York opened its VIP preview on May 7, with early sales indicating cautious but steady buyer confidence amid economic uncertainty and the recent acquisition of the fair by Endeavor's former CEO Ari Emanuel. American buyers dominated, while Asian and European collectors were largely absent. Mega-galleries like Gagosian and Pace reported significant sales, including Jeff Koons's Hulk Elvis sculptures and works by Adam Pendleton and Lynda Benglis, though the atmosphere was more subdued and negotiation-friendly than in previous years.

15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

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MoMA has opened "Woven Histories: Textiles and Modern Abstraction," a touring survey that examines the role of textiles in modern and contemporary art. The exhibition features works by artists such as Sonia Delaunay, Paul Klee, Agnes Martin, Jeffrey Gibson, and Anni Albers, and incorporates other mediums like video and photography. Curator Lynne Cooke notes that the show has evolved at each venue, and at MoMA it holds special significance because the museum was foundational in writing the history of Modernism and collected textiles from its early days.

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This episode of Artnet News's podcast "The Art Angle" re-airs an interview between host Ben Davis and curator and writer Elissa Auther, author of "String Felt, Thread: The Hierarchy of Art and Craft in American Art." They discuss the recent surge in interest in fiber art, from textile-based works at the Venice Biennale to the major traveling exhibition "Woven Histories: Textiles and Modern Abstraction," which has just opened at the Museum of Modern Art in New York. Auther, chief curator at the Museum of Arts and Design, provides historical context on how tapestry was once as revered as painting and explains the factors driving the current boom.

art collector mistake guide

The article compiles personal anecdotes from several art collectors—Laurent Asscher, Suzanne Syz, Rob and Eric Thomas-Suwall, Toby Milstein Schulman, and Danielle Falls—who share mistakes they made while building their collections. Asscher recounts buying a lesser Basquiat at Christie's before quickly reselling it to acquire a superior work at Phillips; Syz regrets buying a piece because others wanted it; the Thomas-Suwalls missed out on a Dominique Fung diptych; Schulman accidentally bought a work attributed 'after Keith Haring' at a charity auction; and Falls reflects on her early eagerness as a young trustee of the Bronx Museum.

Art Basel Paris 2025 Public Program transforms the city – watch the video

Art Basel Paris 2025 will present a free public program across multiple iconic Parisian venues from October 21-26. Highlights include a multidisciplinary installation by Turner Prize-winning British artist Helen Marten at the Palais d'Iéna, presented by Miu Miu; exhibitions by Fabienne Verdier and a group show curated by Matthieu Poirier at the Cité de l'architecture et du patrimoine; seven monumental sculptures on Avenue Winston Churchill featuring works by Leiko Ikemura, Thomas Houseago, and Arlene Shechet; and quirky sculptures by Julius von Bismarck at the Petit Palais.

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, spanning from New York to Miami and Los Angeles. Featured artists include Takako Yamaguchi at Ortuzar in New York, Enzo Cucchi at Vito Schnabel Gallery, Iván Argote at Perrotin, and Kang Seung Lee, among others, with exhibitions showcasing a range of styles from hybrid transnational paintings to Neo-expressionist works and conceptual installations.

Sheila Hicks’s Cosmic Art Jewelry Comes To The Venice Biennale

Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

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Sheila Hicks, the American textile artist born in 1934, is profiled in a concise overview of her career. The article traces her journey from studying under Josef Albers at Yale and learning weaving from Andean artisans in Chile, to establishing her studio in Mexico and later Paris. It highlights her monumental commissions for hotels, embassies, and public spaces, as well as her intimate "Minimes" works. Key milestones include her 2014 piece "Pillar of Inquiry/Supple Column" at the Whitney Biennial, her 2017 installation at the Venice Biennale, and a major retrospective at the Centre Pompidou in 2018.

Aboriginal in the Alps: “ROOTS” at Fondation Opale

Fondation Opale in Lens, Switzerland, has unveiled "ROOTS," a major exhibition that bridges Australian Aboriginal art with Western contemporary masterpieces. Curated by Samuel Gross, the show juxtaposes works by Aboriginal artists like Keith Stevens and Clifford Possum Tjapaltjarri with global icons including Olafur Eliasson, Sheila Hicks, and Niki de Saint-Phalle. The exhibition utilizes the unique alpine setting to explore themes of materiality, ancestral territory, and the universal human creative impulse across different geographies and epochs.

laura de gunzburg gabriel chipperfield art family young collectors

Laura de Gunzburg, a 35-year-old cultural advisor and daughter of arts patron Nathalie de Gunzburg, and Gabriel Chipperfield, a 36-year-old developer and son of architect David Chipperfield, discuss their art collection and collecting philosophy in an interview. The couple, who support institutions like the Dia Art Foundation, Serpentine Galleries, and Turner Contemporary, share insights on their first purchases, rookie mistakes, and the artists they follow, including Alvaro Barrington, Alicja Kwade, and Mary Stephenson.

The Best Exhibitions to See Around San Francisco During FOG Design+Art

January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.

What’s on now at San Francisco museums, November 2025

San Francisco museums are presenting a wide array of exhibitions in November 2025, with several closing soon and others opening in the coming months. At SFMOMA, major shows include "Alejandro Cartagena: Ground Rules" (through April 19), "KAWS: Family" (through May 3, 2026), the photography exhibition "(Re)Constructing History" featuring Carrie Mae Weems, Nona Faustine, Carla Williams, and Dawoud Bey, and "Suzanne Jackson: What is Love," the artist's first retrospective. The Institute for Contemporary Art hosts "Midnight March" by Masako Miki and "stay, take your time, my love" by David Antonio Cruz, both closing Dec. 7. The Asian Art Museum presents "Rave into the Future: Art in Motion" closing Jan. 12, and the Legion of Honor will open "Drawn to Venice" from Jan. 24 to Aug. 2, 2026. The Murphy and Cadogan Contemporary Art Awards Exhibition, a collaboration with the San Francisco Foundation and SOMarts, closes Dec. 7.

New Exhibition Explores the 60 Artists At the Forefront of Contemporary Fiber Art

The Golden Thread 2, a new exhibition organized by Karin Bravin and John Lee of BravinLee Programs, showcases the work of 60 contemporary fiber artists at an 18th-century mercantile building in Manhattan’s South Street Seaport neighborhood. Running until May 16, 2025, the show features a wide range of techniques including weaving, crochet, knitting, embroidery, tufting, and quilting, with pieces by artists such as Julia Bland, Lucia Engstrom, Mark Fleuridor, Sammy Bennet, Ali Dipp, Ana Maria Hernando, and Ellie Murphy. This second iteration is larger and longer than the first, which coincided with Frieze New York in 2024.

What’s on now at San Francisco museums, May 2026

San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.

Two museums are looking back on the entire history of American art through political teapots and a 'death cart'

The Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts (PAFA) have launched a massive joint exhibition titled "A Nation of Artists," featuring over 1,000 works spanning from 1700 to 2026. The collaboration utilizes a chronological approach at the Philadelphia Museum of Art and a thematic framework at PAFA, showcasing a diverse array of objects including colonial teapots, a New Mexican "death cart," and works by masters like Georgia O'Keeffe and Horace Pippin. The project also incorporates significant loans from the private collection of Philadelphia Phillies owner John Middleton.

What’s on now at San Francisco museums, February 2026

Several San Francisco museums are experiencing a period of transition and challenge in February 2026. Key exhibitions are closing soon, including "Manet and Morisot" at the Legion of Honor and Suzanne Jackson's first career retrospective at SFMOMA, both ending March 1. New shows are opening, such as "Video Craft" at the Museum of Craft & Design and "Echoes in the Small Mountain: Park Dae-sung and the West Coast" at the Asian Art Museum. Meanwhile, the city's cultural landscape faces strain, with the Mission Cultural Center for Latino Arts suspending operations, representing a significant loss of community programming.

Eighty Years of Women Artists Transforming Abstraction

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will host "Making Their Mark: Works from the Shah Garg Collection" from February 27 to July 26, 2026. The exhibition features 80 works by 69 women artists, including Magdalena Abakanowicz, Cecily Brown, Julie Mehretu, and Kara Walker, spanning 1946 to 2024. Curated by Cecilia Alemani, the show is drawn from the collection of Komal Shah and Gaurav Garg and organized by the Making Their Mark Foundation. It is structured around seven thematic sections such as "Craft is Art" and "Disobedient Bodies," highlighting the role of women in abstract art.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

Making Their Mark: Works from the Shah Garg Collection | Exhibition

The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.

Who is Prune Delon, the 24-year-old fashion designer selected for a residency at the Villa Medici?

Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?

Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.