Maurizio Cattelan Opens Up About Sin, Silence, and Stealing: ‘I’m Guilty Too’

Italian artist Maurizio Cattelan directed the Renaissance Society’s annual benefit gala, titled "The Silent Party!", held at the Chicago Athletic Club during the week of Expo Chicago. The event subverted traditional gala expectations by requiring guests to remain silent for two hours, communicating only via handwritten notes while navigating a labyrinth of performances. The evening featured contributions from artists including Jacob Ryan Renolds, Davide Balula, and Isabelle Frances McGuire, culminating in a dinner that raised approximately $600,000 for the non-profit institution.

5 Under-Recognized Artists Getting Their Due in New York This Season

The article highlights five under-recognized artists whose exhibitions are on view in New York this season, focusing on Domenico Gnoli at Lévy Gorvy Dayan and Raquel Rabinovich at Hutchinson Modern and Contemporary. Gnoli, an Italian painter who died in 1970, is known for his pallid, claustrophobic depictions of everyday subjects, while Rabinovich, who died at 102 in January 2026, created somber minimalist paintings exploring silence and withholding. The piece notes that New York galleries often use the pre-fair period to showcase less prominent artists of great promise.

A View From the Easel With Celia Paul

British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.

Prominent German Art Foundation Accuses Top Culture Official of ‘Attempted Intimidation’

Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

Gallery Openings This Week in Paris

Les vernissages cette semaine dans les galeries parisiennes

The Paris gallery scene is experiencing a surge of new activity this week with several high-profile openings across the city's major art districts. Highlights include Rosson Crow’s vibrant, chaotic landscapes at Galerie Nathalie Obadia, the inauguration of Galerie Sator’s new Marais space with sculptures by Kokou Ferdinand Makouvia, and a curated dialogue between historical avant-gardes and contemporary abstraction at Galerie Le Minotaure. Additionally, Gagosian is showcasing late works by Francis Bacon, while Esther Schipper presents the first Paris solo exhibition for Sojourner Truth Parsons.

"The Palestine Pavilion Exists, and It's in Turin": Interview on the Exhibition Dedicated to the History of Gaza at the Merz Foundation

“Il Padiglione della Palestina esiste, ed è a Torino”. Intervista sulla mostra dedicata alla storia di Gaza alla Fondazione Merz

The Merz Foundation in Turin is hosting the exhibition 'Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo' (Gaza, the future has an ancient heart. Matters and memories of the Mediterranean). The show, created in collaboration with the Egyptian Museum and the MAH – Musée d’art et d’histoire in Geneva, juxtaposes ancient archaeological artifacts from Gaza with contemporary artworks. It aims to present Gaza's history as a Mediterranean crossroads, moving beyond its current wartime representation. The exhibition features artifacts from a collection of about 500 pieces, temporarily held in Geneva, alongside works by contemporary artists like Samaa Emad, Mirna Bamieh, and Wael Shawky.

PKM gallery to open Lee Jung-jin exhibition 'Unseen/Thing' Wednesday

Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.

An open letter to La Biennale di Venezia calls out inaction in the face of global atrocities

A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.

Conductor Launches in Brooklyn With Venice Biennale-Bound Artists and Immersive Projects

Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.

Nilbar Güreş on Representing Turkey at the 61st Venice Biennale

Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

Kazakhstan Presents “Qoñyr: Archive of Silence” at Venice Biennale

Kazakhstan has unveiled details for its national pavilion at the 61st Venice Biennale, titled “Qoñyr: Archive of Silence.” Curated by Syrlybek Bekbota, the exhibition features nine artists including Smail Bayaliyev, Asel Kadyrkhanova, and Ardak Mukanova, and will be hosted at the Museo Storico Navale. The presentation utilizes the Kazakh concept of "Qoñyr"—a term encompassing specific colors, sounds, and scents—to explore themes of Soviet domesticity, nuclear trauma, and cultural heritage through sound installations, video, and archival assemblages.

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

Unsilenced exhibition explores mental health through art in Moose Jaw

The Moose Jaw Museum and Art Gallery in Saskatchewan is hosting 'Unsilenced,' an interactive art exhibition that explores mental health through the work of five artists. The show features Peter Tucker, Ruth Cuthand, Derek Poe, Amy Snyder, and Richard Boulet, using mediums such as sculpture, ceramics, beadwork, and fibre art to address topics like anxiety, OCD, climate anxiety, and intergenerational trauma. Visitors can engage with installations, including a clay pot piece about eco-stress and a reflection room for deeper contemplation.

Sound Minds: The Artists Decoding the Noise That Dominates Our Contemporary World

The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.

In the Curator’s Words: James Hubbell and his brother Bert still united through art

The Oceanside Museum of Art has opened "Brothers in Arts: James Hubbell and Bert Hubbell," a poignant exhibition curated by Brennan Hubbell, the son of James and nephew of Bert. The show explores the parallel creative lives of the two brothers, who lived on opposite sides of the Pacific for sixty years—James in San Diego and Bert in Japan—yet maintained a deep spiritual and artistic connection through letters and shared philosophies. Both artists passed away within weeks of each other in 2024, shortly after a final video call that reconnected them after a period of silence.

Master metalsmith David Secrest featured in new exhibit

The Wanda Hollensteiner Art Gallery in Kalispell is hosting a new exhibition titled "David Secrest: The Unprejudiced Silence of Things that Are," running through May 23. The show features the work of the Somers-based master metalsmith, whose four-decade career spans forged iron, fabricated steel, bronze, and woodworking. Secrest, who was named a "Master Metalsmith" by the Metal Museum in 2017, is recognized for a visual language that blends natural forms with rigorous material manipulation.

The Vatican brings Hildegard of Bingen to the Biennale. "The ear is the eye of the soul", by Brian Eno and Patti Smith

The Holy See Pavilion at the 61st Venice Biennale, titled "The Ear is the Eye of the Soul," centers on the 12th-century Benedictine abbess and visionary Hildegard of Bingen. Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the pavilion spans two Venetian venues—the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice—and features new sound works by 24 artists, musicians, and poets including Brian Eno, Patti Smith, FKA Twigs, Meredith Monk, and Jim Jarmusch. The title is borrowed from the final work of German director Alexander Kluge, who died in March 2026, and his monumental film installation forms a core part of the exhibition.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

Challenging norms through Mithila art

An exhibition titled 'Hamro Sahas, Hamro Kala' (Our Courage, Our Art) is being held at Gallery 108 in Kathmandu, Nepal, from April 24 to April 30. Organized by Maiti Nepal in collaboration with Gallery 108, the show features 15 Mithila artworks that address dowry practices, child marriage, and gender inequality, while promoting women's empowerment and resilience. Each piece is accompanied by a written narrative to clarify its social message.

MEMORY MOURNING AND REBELLION BETTINI AT DA2

DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.

Adam Art Gallery Autumn Exhibition Focuses On The Voice - Scoop

Te Pātaka Toi Adam Art Gallery has announced its autumn exhibition, "Peal the Bells," featuring five projects that explore the human voice as a medium for collective action, lament, and political critique. The group show includes paintings, sonic installations, and moving image works by artists Noor Abed, Anoushka Akel, Qianye and Qianhe Lin, Maree Sheehan, and Mo H. Zareei. The exhibition investigates how speech and listening function in an era of digital chatter and bureaucratic evasion, highlighting the voice as a vital index of contemporary social dynamics.

‘Rostos da Imigração’: Faces That Refuse Silence

Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

The Welcoming Spaces of Italian Artist Donatella Spaziani at Her First Major Exhibition in China

Gli spazi accoglienti dell’artista italiana Donatella Spaziani alla sua prima grande mostra in Cina

Italian artist Donatella Spaziani has opened her first major solo exhibition in China, titled "Incolume tra le cose" (Unharmed Among Things), at the Sichuan Fine Arts Institute Art Museum in Chongqing. The retrospective features over 100 works, including drawings, collages, site-specific installations, and sound art, spanning her career and highlighting her recent residency in the city. The exhibition eschews chronological order, instead creating an immersive environment where the artist’s signature silhouettes and explorations of the human body interact with the architectural space of the museum.