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What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

south africa venice pavilion court

South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.

south africa cancels gabrielle goliath gaza venice biennale

South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.

Venice Biennale: South African pavilion scandal, Marian Goodman remembered, Paul Cezanne in Basel—podcast

South Africa's culture minister, Gayton McKenzie, has cancelled the country's planned pavilion at the upcoming Venice Biennale, a project by artist Gabrielle Goliath and curator Ingrid Masondo. The artist and curator are fighting the decision, appealing to the nation's president and filing a case with the high court.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

south africa venice biennale

South Africa has canceled its submission for the 2024 Venice Biennale, a performance piece titled *Elegy* by artist Gabrielle Goliath, because the work planned to commemorate the deaths of women and children in Gaza. Culture minister Gayton McKenzie withdrew financial support and terminated the partnership with the organizing nonprofit Art Periodic, calling the project "highly divisive" and related to a polarizing international conflict. Goliath, curator Ingrid Masondo, and their colleague James Macdonald have condemned the decision as censorship, while the selection committee that unanimously chose Goliath described it as an abuse of executive authority.

South Africa pavilion will be empty at 2026 Venice Biennale, culture ministry says

South Africa will not host a national pavilion at the 2026 Venice Biennale following a legal battle between the country’s Department of Sports, Arts and Culture (DSAC) and artist Gabrielle Goliath. The conflict began when Culture Minister Gayton McKenzie labeled Goliath’s planned project, which addressed violence in Gaza, as "highly divisive" and cancelled the exhibition after she refused to alter the content. A South African high court recently dismissed Goliath’s urgent application to overturn the cancellation, leading the government to abandon its participation in the prestigious international event entirely.

Gabrielle Goliath to Show Work Banned from Venice Biennale Outside Main Exhibition

South African artist Gabrielle Goliath will present her work 'Elegy' at the Chiesa di Sant’Antonin in Venice, after her government-appointed exhibition for the South African pavilion at the 61st Venice Biennale was abruptly canceled. The pavilion will remain empty for the event's duration, while Goliath's project, sponsored by the Bertha Foundation and London's Ibraaz, will be shown nearby from May to July.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES

The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

south africa venice biennale gabrielle goliath banned work exhibition

South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.

south african court rejects gabrielle goliaths bid to reinstate venice biennale pavilion

A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.

south africa venice biennale investigation

South Africa withdrew its national pavilion from the Venice Biennale after Culture Minister Gayton McKenzie claimed a foreign power attempted to purchase artist Gabriele Goliath's work *Elegy*, which addresses femicide, anti-queer violence, the war in Gaza, and Germany's colonial genocide in Namibia. McKenzie deemed the financial interest a use of "proxy power." New reporting from Daily Maverick reveals that the alleged foreign party was Qatar Museums, a state-owned network, which had expressed interest in acquiring the work but never committed to a purchase. The minister's decision has sparked political backlash, with South Africa's public protector processing a formal complaint against McKenzie, and Goliath's team accusing him of censorship and deflection.

qatar museums gabrielle goliath venice biennale pavilion

Gabrielle Goliath's planned South African pavilion at the Venice Biennale was abruptly canceled by South African culture minister Gayton McKenzie. McKenzie claimed the cancellation was not due to the pavilion's focus on Israel's war in Gaza, but because a foreign nation attempted to purchase the work after the show. The Daily Maverick reported that the foreign entity was actually Qatar Museums, which had expressed interest in acquiring a video recording of Goliath's performance piece 'Elegy,' which addressed violence against women and queer people in South Africa and a genocide in Namibia. McKenzie's statement contradicted earlier reports that he had privately called the pavilion 'polarizing.'

south africa pavilion venice biennale cancelation qatar

South Africa has canceled its pavilion at the Venice Biennale, which was to feature a performance by artist Gabrielle Goliath addressing the killings of women and queer people in South Africa, a German-led genocide in Namibia, and Israel’s war in Gaza. The performance would have included readings of poetry by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. South African Culture Minister Gayton McKenzie blamed an unidentified foreign nation for seeking to use the pavilion for "proxy power," and Israeli publication Ynetnews reported that nation is Qatar. McKenzie denied censorship, claiming a rift with the nonprofit Art Periodic South Africa over a foreign nation's offer to purchase artworks after the Biennale.

south african culture mp denies censoring venice pavilion

The South African Ministry of Sport, Arts, and Culture has denied censoring its 2026 Venice Biennale pavilion after canceling a proposed artwork by artist Gabrielle Goliath on December 2. The work, part of Goliath's "Elegy" series curated by Ingrid Masondo, addressed sexual assault, femicide, the killings of women and queer people in South Africa, colonial-era genocide in Namibia, and included a tribute to Palestinian poet Hiba Abu Nada. Culture minister Gayton McKenzie initially called the piece "highly divisive" and linked to a polarizing international conflict, but a January 10 statement reframed the cancellation as a safeguard against foreign interference, alleging a foreign country attempted to fund or purchase the work to use the pavilion as a proxy for a geopolitical message about Israel's actions in Gaza.

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.

Artist Gabrielle Goliath’s attempt to reinstate cancelled Venice Biennale pavilion dismissed by court

A South African high court has dismissed an urgent application by artist Gabrielle Goliath and curator Ingrid Masondo to reinstate their cancelled pavilion for the 2026 Venice Biennale. The project was scrapped by Sport, Arts and Culture Minister Gayton McKenzie after Goliath refused to remove a segment of her work 'Elegy' that referenced Hiba Abu Nada, a Palestinian poet killed in an Israeli airstrike. The minister labeled the content "highly divisive" and "polarizing."