Helen Legg has been appointed as the new artistic director of the Royal Academy of Arts in London, transitioning from her current role as director of Tate Liverpool. Starting in June, Legg will oversee the institution’s exhibitions, collections, and public programming, succeeding a period of leadership that saw her manage a major $46 million renovation project at Tate's northern outpost.
Helen Legg has been named the new artistic director of the Royal Academy of Arts in London, starting in June. She joins from Tate Liverpool, where she served as director since 2018, and brings prior leadership experience from Spike Island in Bristol and curatorial work at Ikon Gallery in Birmingham.
Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has become a model for environmental sustainability in the art world. Its director Nicole Yip commissioned an energy report during the Covid-19 pandemic, which revealed that 85% of the organization's emissions and a large portion of its running costs were due to heat loss through the roof. In response, Spike Island replaced the roof and installed solar panels, which have already saved 6,000 kilograms of CO2 emissions since March. The upgrades are now part of a larger capital masterplan developed with Max Fordham and 6a Architects, aiming to reduce heat loss by 50% over the next decade.
Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.
The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.
The Henry Moore Foundation has awarded £100,000 in unrestricted grants to fifty sculptors across the UK, each receiving £2,000 through its Artist Award Scheme. The funding, announced amid the cost-of-living crisis and cultural sector cuts, can be used for materials, studio rent, or bridging gaps. Recipients were nominated by a panel of 25 arts professionals from UK regions and Northern Ireland, including Viviana Checchia of Void in Derry and Nicole Yip of Spike Island in Bristol. Notable past recipients include 2024 Turner Prize winner Jasleen Kaur and Manon Awst, who will represent Wales at the 2026 Venice Biennale.
A major survey of Donald Locke's work, titled "Resistant Forms," has opened at Spike Island in Bristol, England, in collaboration with Ikon Gallery in Birmingham and Camden Art Centre in London. Featuring over 80 works spanning five decades, the exhibition includes early biomorphic ceramics, monochromatic black paintings from the 1970s, collage paintings, mixed-media sculptures, and personal writings and photographs. Highlights include the black paintings series addressing colonial subjugation, such as "The Cage" (1976–79), and later whimsical works like "Reconstructed Bottle with Pearls #11 (Pearls for Mahalia)" (2008). The show traces Locke's journey from his birth in Guyana, his time in the UK as part of the Windrush Generation, and his eventual move to the US, where he lived until his death in 2010.