Arghavan Khosravi creates intricate, surreal three-dimensional paintings that blend sculptural elements with painted canvases, featuring hidden details such as creased book spines, concealed female figures, and glowing bullets. In an interview at her Connecticut studio, she explains her preference for works that reveal themselves gradually over time, rather than shouting for attention.
Frieze Los Angeles 2025 is showcasing a diverse array of sculptural works that emphasize tactile materials and bodily forms. Highlights from the fair include Vincent Pocsik’s architectural mirrors at Nazarian Curcio, Shana Hoehn’s public installation featuring human limbs emerging from a fallen tree, and Alejandro García Contreras’s intricate ceramic spiderwebs. The presentation underscores a trend toward figurative sculpture that blends personal symbolism with physical presence, with several works already finding buyers among notable collectors.
The Resnick Center for Herbert Bayer Studies in Aspen has opened a new exhibition titled "Sculpting the Environment," the first-ever show dedicated to the site-specific outdoor sculptures and land art of Bauhaus artist Herbert Bayer. Bayer, who moved to Aspen in 1945 at the invitation of industrialist Walter Paepcke, lived there for nearly 30 years and created Denver's iconic "Articulated Wall" sculpture in 1985, the year of his death. The exhibition, co-curated by Koko Bayer (his step-granddaughter) and Adam Thomas, highlights his three-dimensional process and his role in shaping Colorado's cultural landscape.
The Earlville Opera House Art Galleries in Earlville, New York, will open the second round of 2026 visual artist exhibitions on Saturday, May 9, from 1 to 3 p.m. The series features three artists: Bruce E. Webster with his retrospective "A Legacy in Wood" showcasing over 40 years of fine wood furniture; Linda Kays-Biviano with "From Clay to Character: Featuring Woodland Spirits," hand-sculpted fantasy figures in polymer clay and resin; and Lawrence Kinney. The exhibits run through July 2, with free admission and an Artist Talk at 1:45 p.m. on opening day.
The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.
The village of Croton-on-Hudson experienced a surge of artistic activity throughout March, highlighted by a series of events celebrating Women’s History Month. Key highlights included the "Women’s Viewpoints" exhibition at the Black Cow and the Croton Free Library, a retrospective of the late architect Ricardo Scofidio at the Artisans’ Gallery, and a sold-out performance by Denise Bessette. These events drew significant local crowds, showcasing a vibrant ecosystem of student artists, professional creators, and community supporters.