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The article reflects on the final 2025 edition of the Museum Artists list, which tracks the most exhibited artists in U.S. museums each quarter. The author notes that the top artists—such as Marie Watt, Jeffrey Gibson, and Rose B. Simpson—have remained consistent throughout the year, with a narrow band of stars appearing in many shows while a long tail of artists have limited visibility. Below the top 15, notable names include Julie Mehretu, Wangechi Mutu, and Jean Shin, with a cluster of older white female artists like Petah Coyne and Joyce Kozloff also gaining recognition.

Ceramics Are Everywhere, in Museums, Galleries, and Fairs—Has the Market Caught Up?

Ceramics are experiencing a surge in visibility across museums, galleries, and art fairs in major US cities. The article catalogs numerous recent and upcoming exhibitions, including Kathy Butterly's sold-out show at James Cohan with pieces at $45,000 each, Nicole Cherubini's nearly sold-out show at Friedman Benda with prices up to $65,000, and Ruby Neri's work at Salon 94 peaking at $75,000. Other highlights include Ron Nagle at Matthew Marks, Theaster Gates' Gagosian show celebrating David Drake, NADA Ceramics in Tribeca, and ceramic presentations at Frieze Los Angeles, Post-Fair, Expo Chicago, and David Zwirner. Institutional shows include Toshiko Takaezu at Princeton University Art Museum and a ceramic collection at RISD Museum.

design market report 2025 auction results tiffany lalanne 1234745884

Amid a sluggish broader art market, the design category is surging. Major auction houses—Sotheby’s, Christie’s, and Phillips—held design sales in early June 2025 that far exceeded expectations. Sotheby’s New York design sales totaled $37.5 million, Christie’s $23.6 million, and Phillips $4 million, representing a 62.3 percent year-on-year increase across all three houses. Notable highlights include the Goddard Memorial Window by Tiffany Studios, which sold for $4.29 million, the second-highest price for a Tiffany window at auction. The sales attracted many new buyers, with Sotheby’s and Phillips reporting over 20 percent of buyers were new to the houses.

princeton university art museum reopening 1234759500

The Princeton University Art Museum (PUAM) reopened after nearly six years, replacing its 1969 building with a 146,000-square-foot complex designed by Adjaye Associates. The new structure features nine interlocking modernist pavilions, a 40-foot mosaic by Nick Cave, and flexible spaces like a central hall convertible into a lecture hall. The museum's collection of 117,000 objects is installed with ahistorical juxtapositions, pairing works such as Andy Warhol's Blue Marilyn (1962) with a 14th-century Virgin and Child, and Titus Kaphar's To Be Sold (2018) with a George Washington portrait. The reopening follows controversy: David Adjaye stepped back from the project in 2023 after allegations of sexual misconduct, which he denied.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.

Eighty Years of Women Artists Transforming Abstraction

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will host "Making Their Mark: Works from the Shah Garg Collection" from February 27 to July 26, 2026. The exhibition features 80 works by 69 women artists, including Magdalena Abakanowicz, Cecily Brown, Julie Mehretu, and Kara Walker, spanning 1946 to 2024. Curated by Cecilia Alemani, the show is drawn from the collection of Komal Shah and Gaurav Garg and organized by the Making Their Mark Foundation. It is structured around seven thematic sections such as "Craft is Art" and "Disobedient Bodies," highlighting the role of women in abstract art.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

Top NJ art shows of 2025: 'Indigenous Identities,' James Prosek, Tatyana Kazakova and more

This article presents a year-end roundup of the top art shows in New Jersey during 2025, curated by a Hudson County-based arts writer. The author highlights a concentration of exceptional exhibitions in Essex County, particularly in Montclair, while also noting strong shows at institutions like the Zimmerli Art Museum, Princeton University, the Morris Museum, and the Hunterdon Art Museum. Specific shows featured include "Jake Troyli: Fine Line" at Project for Empty Space in Newark and "Salvador Jiménez-Flores: Raíces & Resistencias" at Grounds For Sculpture in Hamilton, with detailed descriptions of their themes and artistic impact.

Princeton University Art Museum graduates to expansive new home

The Princeton University Art Museum (PUAM) is opening a new 146,000-square-foot facility on October 31, doubling its previous exhibition and education spaces. The original 1880s building, which underwent multiple additions before being demolished in 2021, could only display about 2% of Princeton's 117,000-object collection. Designed by Adjaye Associates with executive architect Cooper Robertson, the new three-story museum features nine interlocking pavilions, 80,000 square feet of exhibition space, classrooms, and a grand hall. Curators have rethought the installation to move away from rigid geographic and chronological categories, instead emphasizing cross-cultural and cross-media pairings, such as placing Andy Warhol's Blue Marilyn (1962) alongside a 14th-century Italian Virgin and Child.

"Transformations" Art Exhibit at Wilton's browngrotta arts Explores Inventive Uses of Materials in Art

Wilton gallery browngrotta arts will present "Transformations: Dialogues in Art and Material" from May 9-17, 2026, a Spring exhibition exploring how artists transform materials such as clay, silk, steel, bark, seaweed, bamboo, and horsehair. The show features nearly three dozen international artists, including Kiyomi Iwata, John McQueen, Marian Bijlenga, Toshiko Takaezu, and Kay Sekimachi, whose works demonstrate what curator Glenn Adamson calls "material intelligence"—a deep understanding of material properties and possibilities. Co-curator Tom Grotta notes that artists often start with the same material yet arrive at remarkably distinct outcomes, revealing how artistic vision reshapes substance itself.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

Hawai‘i Ceramic Artist Toshiko Takaezu Retrospective Exhibit Opens This February

A major retrospective of Hawai‘i-born ceramic artist Toshiko Takaezu opens at the Honolulu Museum of Art on February 14, 2026. Titled 'Worlds Within,' the exhibition features over 100 works, including her signature closed ceramic forms, textiles, paintings, and a bronze bell, and marks the final stop of a two-year national tour that began at The Noguchi Museum in New York in 2024.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Review: “Toshiko Takaezu: Worlds Within” at the Museum of Fine Arts, Houston

The article reviews "Toshiko Takaezu: Worlds Within" at the Museum of Fine Arts, Houston, the artist's first nationally touring retrospective in 20 years. Organized by the Isamu Noguchi Foundation and Garden Museum, the exhibition features some 100 artworks from the 1950s until her death in 2011, including large-scale ceramics, weavings, and paintings. It traces Takaezu's journey from her childhood on a Maui watercress plantation to her transformative studies at Cranbrook Academy of Art and a pivotal trip to Japan, where she studied Zen Buddhism and worked under various ceramicists.

Inaugural Museum Exhibit Honors Toshiko Takaezu’s Princeton Legacy

Princeton University Art Museum has opened its inaugural exhibition in its new building, focusing on the work of ceramic artist and longtime faculty member Toshiko Takaezu. The show, 'Toshiko Takaezu: Dialogues in Clay,' features her 'closed form' ceramics alongside works by her contemporaries, highlighting her artistic experimentation and her nearly three-decade tenure teaching at the university.

This Week in History: 50 years back at the Art Museum: Pamela Smith’s occult art unveiled

A 1975 exhibition at the old Princeton University Art Museum, titled “To All Believers: The Art of Pamela Smith,” brought British occult artist Pamela Colman Smith out of obscurity. Smith, best known for illustrating the Rider-Waite-Smith tarot deck in 1909, had largely disappeared from public view after 1920 and died in 1951. The show was curated by Melinda Boyd Parsons, a student of art historian William Innes Homer, and brought to Princeton by museum director Peter Bunnell. The exhibition was covered by student journalist Laurie Kahn, who noted its significance as both occult art and work by a female artist.

Reviving Metcalf Château: Celebrating Hawaiʻi artists who redefined modern art

A new exhibition at the University of Hawaiʻi at Mānoa’s Walter Dods, Jr. RISE Center honors the Metcalf Château, a pioneering collective of Asian-American artists who gathered in a house on Metcalf Street in the 1950s to redefine modern art in Hawaiʻi. Curated by Allison Wong and initiated by longtime university supporter Walter Dods, the show features works by founding members Bumpei Akaji, Satoru Abe, Tadashi Sato, Edmund Chung, Tetsuo “Bob” Ochikubo, Jerry T. Okimoto, and James K.K. Park, with a ceremonial blessing by Kahu Kordell Kekoa.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.