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Elsa Schiaparelli Gets Her UK Museum Debut at the V&A, in a Show Featuring Dalí, Man Ray, and Picasso

The Victoria and Albert Museum in London is presenting the first UK exhibition dedicated to Italian fashion designer Elsa Schiaparelli. Titled 'Schiaparelli: Fashion Becomes Art,' the show features over 400 objects, including 100 ensembles, and traces her work from the 1920s to the present under current creative director Daniel Roseberry. It highlights her collaborations with major 20th-century artists.

'Kerry James Marshall: The Histories,' Largest-Ever UK Exhibition of the Artist Includes New Paintings Exploring Role of Black Africans in Transatlantic Slave Trade

The Royal Academy of Arts in London has opened 'Kerry James Marshall: The Histories,' the largest-ever UK exhibition of the American artist, featuring over 70 works spanning 1980 to the present. The show includes eight new paintings that confront the transatlantic slave trade and the role of Black Africans who participated in the enslavement of their own people, alongside celebrated pieces like 'A Portrait of the Artist as a Shadow of His Former Self' (1980) and 'Knowledge and Wonder' (1995), the latter displayed outside Chicago for the first time.

Cosmic, concrete, earthy: Nancy Holt’s Land Art on show in UK

Nancy Holt (1938-2014), a pioneering land artist who studied biology at Tufts University, is the subject of her first major UK exhibition at the Goodwood Art Foundation in West Sussex. The show includes the first posthumous installation of *Hydra's Head*, an earthwork of six pools aligned with the Hydra constellation, originally sited on the Niagara River in 1974, and *Ventilation System* (1985-92), which extends from the gallery into the landscape. Curated by Ann Gallagher, the exhibition draws on Holt's archives and the Holt/Smithson Foundation, which preserves her legacy and that of her husband Robert Smithson.

‘The Ballad of Sexual Dependency’: entire Nan Goldin series gets first-ever UK show

Gagosian gallery in London will present the first-ever UK exhibition of Nan Goldin's complete series 'The Ballad of Sexual Dependency' (126 prints, 1973-1986) at its Davies Street location from January 13 to March 21, 2025. Simultaneously, the gallery's Grosvenor Hill space will host 'Richard Avedon: Facing West,' featuring 21 portraits from Avedon's 'In the American West' series, including several unseen since 1985. Both exhibitions mark the 40th anniversary of the publication of the two landmark photography books.

Five must-see UK exhibitions this Black History Month

Five must-see UK exhibitions for Black History Month 2025 are highlighted, including 'Nigerian Modernism' at Tate Modern (8 Oct 2025–10 May 2026), which explores the development of Modern art in Nigeria through over 250 works by artists like Ben Enwonwu and El Anatsui; 'Stan Douglas: Birth of a Nation and The Enemy of All Mankind' at Victoria Miro (until 1 Nov 2025), a multi-channel video installation confronting racial perception; and 'Jennie Baptiste: Rhythm & Roots' at Somerset House (17 Oct 2025–4 Jan 2026), the photographer's first UK solo exhibition capturing Black diaspora life. Other shows include works addressing the Caribbean Windrush generation in Cambridge.

‘Rubens with jokes’: UK exhibitions place Beryl Cook in the art historical canon

Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.

Nancy Holt review – cosmic thrills as the universe’s hidden power is unleashed

The Guardian reviews a major UK exhibition of land artist Nancy Holt (1938-2014) at Goodwood in West Sussex, the largest show of her work to date. The exhibition features two large outdoor installations—Ventilation System, a metallic tubular structure resembling building lungs, and Hydra’s Head, six concrete pools arranged like the Hydra constellation in a chalk quarry—alongside indoor photographs, diagrams, and light works. The review praises the cosmic scale and bodily connection of the outdoor pieces but finds the indoor works less effective at conveying Holt’s themes of universal vastness and interconnectedness.

Demise of world's largest mangrove forest inspires Bangladeshi artist Soma Surovi Jannat's new works

Bangladeshi artist Soma Surovi Jannat has opened her first UK exhibition, 'Climate Culture Care,' at the Ashmolean Museum in Oxford. The show features around 20 paintings and drawings created largely during a 2023 residency, drawing inspiration from the endangered Sundarbans mangrove forest and the museum's own collections. Her works fuse human, animal, and mythological imagery to depict the region's ecological and social struggles.

Emma Talbot – interview: ‘I imagine the experience of life as an epic story – the one we all have’

Emma Talbot presents her largest UK exhibition to date, *How We Learn to Love*, at Compton Verney, featuring over 20 new and recent works including silk paintings, fabric sculptures, animations, and drawings. The exhibition explores the human experience from birth to death, with recurring motifs such as a faceless female protagonist, references to Greek tragedy, and themes of grief and love. Talbot, who splits her time between London and Italy, also has concurrent solo shows at Copenhagen Contemporary and Centraal Museum Utrecht.

UK exhibition celebrates the artisans throughout history who went to war

The Fitzwilliam Museum in Cambridge is launching "War Craft," an exhibition dedicated to art and objects created by non-professional soldiers on or near the front lines. Curated by Richard Kelleher, the show features a diverse array of items ranging from First World War shell cases engraved by the Chinese Labour Corps to a contemporary Ukrainian ammunition tin decorated with Sharpie drawings. The collection includes scavenged battlefield materials transformed into personal mementos, alongside significant works by established artists like J.M.W. Turner, John Singer Sargent, and C.R.W. Nevinson.

5* Art Openings in London this week.

Five major art openings are taking place in London this week, headlined by museum-scale gallery shows featuring Joseph Beuys, Nan Goldin, and Richard Avedon. Thaddaeus Ropac presents 'Bathtub for a Heroine,' the first UK exhibition focusing on Beuys' monumental sculpture, while Gagosian shows all 126 photographs from Goldin's 'The Ballad of Sexual Dependency' and Avedon's 'In the American West' series. The weekend culminates with Condo London, a city-wide collaborative exhibition linking 50 galleries across 23 spaces.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Three works by artist and sexual abuser Eric Gill withdrawn from UK exhibition after consultation with survivors group

Three artworks by Eric Gill, a sculptor and artist who sexually abused his daughters, have been withdrawn from the exhibition 'It Takes A Village' at the Ditchling Museum of Art and Craft in the UK, opening on 5 July. The works—two depicting his daughter Petra naked in a bath and one of a nude Elizabeth—were removed after the museum consulted with the Methodist Survivors Advisory Group, a group of abuse survivors. The survivors found the pieces offensive and potentially upsetting to visitors. The exhibition will still include Gill's watercolor 'Annunciation' in a separate room, and the museum's director, Stephanie Fuller, emphasized that the decision was led by the survivors' input.

Are you not entertained? Three ancient helmets headline UK exhibition exploring the ‘real’ gladiators

Three exceptionally well-preserved ancient bronze gladiator helmets, discovered in Pompeii, are the centerpiece of a new exhibition titled *Gladiators: Heroes of the Colosseum* at the Royal Armouries Museum in Leeds. The show, organized in collaboration with the Colosseum in Rome, marks the first UK iteration of a touring exhibition that has attracted over a million visitors worldwide. It features arms, armour, and everyday objects from the National Archaeological Museum in Naples, along with immersive installations exploring gladiatorial life.