La Seconda guerra mondiale con gli occhi dei grandi fotografi in una mostra a Gorizia

Palazzo Attems-Petzenstein in Gorizia hosts the exhibition "Back to Peace? La guerra vista dai grandi fotografi Magnum," which presents the Second World War and its aftermath through two hundred photographs, video installations, and soundscapes by legendary Magnum photographers. The show features iconic works by Robert Capa, Eve Arnold, Henri Cartier-Bresson, David Seymour, Eric Hartmann, René Burri, Thomas Hoepker, George Rodger, Wayne Miller, and Werner Bischof, covering the Normandy landings, the liberation of Bergen-Belsen, the atomic devastation of Hiroshima, and the return of French prisoners. Curated by Andrea Holzherr and Marco Minuz, the exhibition is divided into two sections: one focusing on wartime imagery and the other on the immediate consequences of the conflict, including the suffering of civilians and the fragile hope of reconstruction.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Concrete sun tunnels and shimmering pools of water: the monumental land art of Nancy Holt

Nancy Holt (1938-2014), a pioneering land artist known for her monumental work *Sun Tunnels* (1976) in the Utah desert, is the subject of a new exhibition at the Goodwood Art Foundation in Sussex. Titled *MOONSUNSTAR EARTHSKYWATER*, the show is the first UK retrospective to bring together Holt's photographic works, films, poetry, indoor installations, and outdoor pieces, including *Hydra's Head*, a constellation-inspired installation of six circular pools in a chalk quarry. The exhibition highlights Holt's recurring motifs of circles and systems, tracing them from her early concrete poem to her large-scale cosmological works.

Births, deaths and a first kiss: life near the frontline in Ukraine – in pictures

British-Iranian artist Aria Shahrokhshahi's long-term photographic project "Wet Ground" captures daily life in Ukraine during Russia's full-scale invasion, focusing on moments of youth, subculture, and fragile continuity rather than traditional war imagery. The series, developed through repeated stays and volunteering since 2019, includes scenes from teenage discos, hospital wards, a birth during a missile attack, and a first kiss near the frontline, all shot in stark black and white.

Renowned Victoria artist hosts exhibition with proceeds going to 10 local charities

Renowned Victoria artist and philanthropist Tanya Bub is presenting a new exhibition titled "Wild Art for the Big of Heart" at the Gage Gallery in Victoria’s Bastion Square from May 12th to 31st. The show features dozens of sculptural works made from driftwood, wire, and paper, with prices ranging from $30 to $8,000. Twenty-five percent of all sales will go to the charity of the buyer’s choice, with 10 local charities benefiting, including Broken Promises Rescue, Elder Carl Olsen — Goldstream / SELE₭TEȽ Watershed, CNIB Victoria, Georgia Strait Alliance, Mustard Seed, Rainbow Haven, Soap for Hope, The Thinking Garden, Victoria Therapeutic Riding Association, and Voices in Motion. The exhibition also includes three weeks of talks, performances, and interactive events in partnership with the charities.

SCV News | May 1: Go Figure Art Exhibit Opens at SCAA Gallery in OTN

The Santa Clarita Artists Association Gallery in Old Town Newhall is presenting "Go Figure," a month-long art exhibit running May 1-31 that explores the human form through a variety of styles and mediums. An opening reception on May 2 from 5-8 p.m. will feature live music by Isabella Bazler and live art demonstrations by Mardilan Georgio and Meressa Naftulin, with free admission and light refreshments.

DACA Artist Uses Thread to Weave Immigration Stories

Arleene Correa Valencia, a DACA recipient and Bay Area artist, presents her debut solo exhibition "CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN" at Fridman Gallery in Manhattan, on view through May 2. The show features large-scale acrylic and textile works on amate bark paper, including a 16-foot-long piece depicting border-crossing narratives. Valencia collaborates with her father, mother-in-law, and papermaker Jose Daniel Santos de la Puerta, and incorporates childhood letters that poignantly reflect family separation and undocumented life.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Row Over Russia’s Return to the Venice Biennale Deepens

Newly leaked emails reveal that the Venice Biennale has been secretly coordinating with Russia since last summer to facilitate its return to the 2025 edition, despite ongoing international sanctions. The correspondence, published by Italian outlets Open and La Repubblica, shows Biennale president Pietrangelo Buttafuoco, director Andrea Del Mercato, and Russian commissioner Anastasia Karneeva working together on visa issues, pavilion logistics, and a legal strategy to bypass E.U. sanctions prohibiting collaboration with state-backed Russian entities. Russia's pavilion will be open during preview days with performers activating the space, while footage will play for the public from a closed pavilion thereafter.

Why Jaume Plensa’s New Exhibition at Denver Botanic Gardens Is a Must-See This Summer

Spanish artist Jaume Plensa has opened a major exhibition at the Denver Botanic Gardens, titled *Jaume Plensa: A New Humanism*, which includes both outdoor sculptures and indoor gallery works. The show features iconic pieces like the 11-foot-tall steel sphere "Self-Portrait with Music" and a retrospective spanning from 2002 to the present, including portrait heads, a door inscribed with the Universal Declaration of Human Rights, and letter-based sculptures. Plensa describes the hybrid setting as a first for him, where children interact freely with the art.

Russia’s Venice Pavilion Will Be Closed to Public for Duration of Biennale

Russia's pavilion at the 2026 Venice Biennale will be closed to the public for the duration of the exhibition, from May 9 to November 22, following escalating controversy over the country's participation. The group show, titled “The tree is rooted in the sky,” will only be open to press and industry insiders during the preview days (May 5–8). The move comes after the International Criminal Court accused Russia of crimes against humanity, leading the Biennale to bar Russia and Israel from competing for awards. Italian culture minister Alessandro Giuli has also boycotted the preview and opening ceremony in protest.

Israel’s foreign ministry accuses Venice Biennale's jury of ‘politicising’ exhibition

Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.

“Lighting” exhibition by Mohamed Abdalla Otaybi at Swailam gallery is not to be missed

This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.

Aspen AIR Festival to Feature Lucy Raven, Camille Henrot, Los Thuthanaka, Morgan Bassichis, and More

The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

7 Artists Discuss the Power and Urgency of Textiles

Louisiana Channel has released a new film titled "7 Artists on Soft Sculptures," featuring artists Sheila Hicks, Nick Cave, Shoplifter, and Kaarina Kaikkonen, among others. The film explores the tactile and emotional power of textiles in contemporary art, with each artist discussing their unique approach—from Hicks's call for softness in a hard world to Cave's use of found objects in identity-masking suits, Shoplifter's vibrant synthetic hair installations, and Kaikkonen's deeply personal incorporation of her late father's clothing.

Under pressure, the jury of the 61st Venice Biennale will exclude Russian and Israeli pavilions from the awards

Sous pression, le jury de la 61e Biennale de Venise exclura les pavillons russe et israélien du palmarès

The 61st Venice Biennale, titled "In Minor Keys" and running from May 9 to November 22, 2026, has been embroiled in political controversy after organizers decided to reinstate the Russian pavilion, which had been excluded since Russia's 2022 invasion of Ukraine. Under pressure from the European Commission, which threatened to suspend a €2 million grant, the jury announced it will exclude artists from the Russian and Israeli pavilions from winning prizes, citing that leaders Vladimir Putin and Benjamin Netanyahu face International Criminal Court charges for crimes against humanity. The Russian pavilion will remain closed to the public but open for VIP press previews, while the Israeli pavilion stays open to the public. Italian Culture Minister Alessandro Giuli has refused to attend the opening ceremony in protest.

Italian Renaissance masterpieces debut in Beijing exhibition

An exhibition titled 'Homage to the Virtuosos: From Leonardo da Vinci to Caravaggio - Masterpieces of the Italian Renaissance' has opened at the National Art Museum of China in Beijing, featuring 36 Renaissance masterpieces from Italy's Uffizi Galleries. The show includes works by Leonardo da Vinci, Michelangelo, Raphael, and Caravaggio, with many pieces traveling to China for the first time. The exhibition is jointly curated by the National Art Museum of China and the Uffizi Galleries, and is divided into three thematic sections tracing the evolution of Renaissance painting, from early Florentine masters through Mannerism to Venetian and Caravaggio's revolutionary works.

Robot dogs with Elon Musk's head 'poo' AI art in bizarre exhibition

Artist Beeple (Mike Winkelmann) has installed "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads of Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and periodically "poo" printed images of their surroundings that have been transformed by artificial intelligence, with each dog's output reflecting the style of its figurehead—for example, the Picasso dog produces Cubist-style images. The work premiered at Art Basel Miami Beach 2025, where Beeple distributed the prints with certificates reading "100% organic GMO-free dog s**t" and QR codes for free NFTs.

Robot dogs with Musk and Zuckerberg heads roam around Berlin gallery in Beeple's new exhibit

American artist Beeple (Mike Winkelmann) has installed an interactive piece titled "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads modeled after Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and "poo" printed AI-transformed images of their surroundings, with each dog's output reflecting the worldview of its human figure—for example, the Picasso dog produces Cubist-style images. The work, first shown at Art Basel Miami Beach 2025, includes QR codes on prints that grant access to free NFTs.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

Israel Criticizes Venice Biennale Jury over Pavilion’s Exclusion

The international jury of the 61st Venice Biennale has excluded the Israeli and Russian pavilions from consideration for official prizes, citing that countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible. Israel’s foreign ministry condemned the decision as a political boycott, and Israeli representative Belu-Simion Fainaru called it a hostile act that exceeds the jury’s mandate. The Biennale’s president, Pietrangelo Buttafuoco, has distanced the institution from the jury’s action, insisting the exhibition remain open to all nations recognized by Italy.

Bogna Burska and Daniel Kotowski on Representing Poland at the 61st Venice Biennale

Bogna Burska and Daniel Kotowski, representing Poland at the 61st Venice Biennale, plan to exhibit a project inspired by the Choir in Motion (a phonic/sign-language ensemble of hearing and Deaf people), underwater role reversals, and whale communication. Their work explores alternate forms of communication, Deaf Gain, and the retrieval of voices—both human and non-human—aligning with the Biennale's theme "In Minor Keys." The Polish pavilion is located in the Giardini.

‘A constant quiet terror’: Getting lost in Irish folklore – in pictures

Maria Lax's photobook *Stray Sod* draws on Irish folklore and archival accounts from the Irish National Archives to explore the phenomenon of the 'stray sod'—enchanted patches of earth said to disorient and lead travelers astray, especially at night. Her images reimagine rural Irish landscapes as sites of sudden confusion, where familiar landmarks vanish and fog or mist descends, evoking a sense of 'constant quiet terror'.

‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

Belarus Free Theatre (BFT), an exiled troupe based in London, is presenting its first major visual art project, titled 'Official. Unofficial. Belarus.', at the Venice Biennale. The installation, masterminded by the founders' daughter Daniella Kaliada, features contributions from former political prisoners, painters, sculptors, composers, and world-renowned chef Rasmus Munk, who created a dish evoking detention under an authoritarian regime. The work includes a giant ball of banned books, surveillance cameras attached to an iron crucifix, and a custom scent of a freshly dug grave, all reflecting the terror of life under Belarusian dictator Alexander Lukashenko.

Art House Gallery Will Present PLAYING FAVORITES, a Solo Exhibition by Bryant Small

Art House Gallery in Jersey City will present "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna, from May 2 to May 31, 2026. The show features a selection of Small's most cherished works, many never publicly exhibited before, highlighting his use of alcohol ink on Yupo paper to create luminous, fluid abstract compositions. An opening reception is set for May 2, and an artist talk on April 17.