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The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.

DESTE’s Summer Convergence Offers the Art World a Rare Pause Between Market Frenzies

The article covers the DESTE Foundation's summer convergence on Hydra, Greece, which offers the art world a respite between market frenzies. It highlights works by Greek artists Sofia Rozaki and Danae Io, whose pieces explore identity, memory, and the impact of politics and economics. The foundation's exhibition "In a Bright Green Field" builds on its legacy of promoting contemporary Greek art, alongside other Athens shows like Marlene Dumas's "Cycladic Blues" at the Museum of Cycladic Art and Michael Rakowitz's "Allspice" at the Acropolis Museum.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.