person Alexander Morrison

Edvard Munch’s chocolate factory series shines a light on the public artist he wanted to be

An exhibition titled "Edvard Munch and the Chocolate Factory" has opened at the Munch Museum in Oslo, running until 11 October. It centers on Munch's rarely seen public works, including a preparatory sketch for Oslo City Hall discovered crumpled in snow after his death, and his 12-painting series for the Freia Chocolate Factory's canteen, completed in 1922. The show also highlights his monumental 1916 decorations for the University of Oslo's Aula, such as "The Sun" and "The History," which he created after a mental breakdown and a stay at a Copenhagen clinic.

Pan-Africanism in London, the health benefits of art, Barbara Hepworth—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the traveling exhibition 'Project a Black Planet: The Art and Culture of Panafrica' at the Barbican in London with curator Elvira Dyangani Ose. He also speaks with researcher Daisy Fancourt about her book 'Art Cure: The Science of How the Arts Transform Our Health', which was shortlisted for the Women’s Prize for Non-Fiction. Digital editor Alexander Morrison discusses Barbara Hepworth's sculpture 'Sculpture with Colour (Oval Form) Pale Blue and Red (1943)' with curator Alexandra Gerstein, tied to the exhibition 'Hepworth in Colour' at the Courtauld Gallery.

Yemen heritage, US flags at the National Gallery in Washington, Felix Gonzalez-Torres—podcast

This podcast episode from The Art Newspaper covers three distinct topics. First, Ben Luke speaks with reporter Melissa Gronlund about the devastating impact of Yemen's civil war on its heritage, including damaged buildings and looted antiquities, alongside ongoing efforts to protect and restore historical landmarks. Second, the episode previews the exhibition "American Icon: The US Flag in Art" opening at the National Gallery of Art in Washington, D.C., featuring a conversation with chief curatorial and conservation officer E. Carmen Ramos. Third, the Work of the Week segment focuses on Felix Gonzalez-Torres's "Untitled (Revenge)" (1991), a candy sculpture currently on view in the survey show "Felix Gonzalez-Torres: Sweet Revenge" at the Museo Reina Sofía in Madrid, where curators Alejandro Cesarco and Nancy Spector discuss the work.

Smithsonian Women’s Museum chaos, Oliver Beer and Rufus Wainwright, Jasper Johns in Bilbao—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the US House of Representatives striking down a bill to build the Smithsonian American Women’s History Museum on the National Mall, a setback amid broader government interference at the Smithsonian under President Trump. He also interviews artist Oliver Beer and musician Rufus Wainwright about their collaboration for Beer's exhibition 'The Sky in the Cave' at Thaddaeus Ropac during London Gallery Weekend, and examines Jasper Johns's painting 'Painting with Two Balls' (1960), featured in the retrospective 'Night Driver' at the Guggenheim Bilbao.

New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the spring auction results in New York, which saw record prices for works by Jackson Pollock, Constantin Brancusi, and Mark Rothko; the opening of the largest James McNeill Whistler exhibition in Europe in over 30 years at Tate Britain in London, which will later travel to the Van Gogh Museum and The Mesdag Collection in the Netherlands; and a feature on Edvard Munch's 1922 frieze from the Freia Chocolate Factory, currently on loan to the Munch museum in Oslo for the exhibition 'Edvard Munch and the Chocolate Factory.'

Frieze New York, the Cranach in Hitler’s Munich apartment, Ajamu X—podcast

This episode of The Art Newspaper's podcast covers several art-world stories. Ben Sutton and Kabir Jhala discuss the current edition of Frieze New York, alongside other concurrent fairs like Esther and Tefaf, and preview the upcoming New York auctions. Ben Luke interviews Martin Bailey about a Lucas Cranach the Elder painting, 'Cupid Complaining to Venus' (1526-27), which once hung in Adolf Hitler's Munich apartment, with a newly published photograph from the 1940s. The episode also features a segment on Ajamu X's 'Glamour Posse' series from the early 1990s, part of the touring exhibition 'Gender Stories' opening at the Walker Art Gallery in Liverpool, with comments from gallery head Charlotte Keenan.

Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

Venice Biennale strike sees more than 15 pavilions temporarily or partially close

On 8 May, more than 15 national pavilions at the Venice Biennale temporarily or partially closed in a coordinated strike organized by the Art Not Genocide Alliance (ANGA). The protest opposes Israel’s participation in the event, which organizers say normalizes what they call genocide and exploits precarious labor. Participating countries include Austria, Lebanon, Slovenia, Egypt, Poland, and the Netherlands, whose artist Dries Verhoeven stood outside his shuttered pavilion with a Palestinian flag. Some pavilions, like Japan’s, remained open but suspended interactive elements. The strike follows earlier controversies, including the resignation of the prize jury and an open letter demanding the Israeli pavilion’s cancellation.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

Zurbarán in London, the Carnegie International, Walter Sickert’s Ennui—podcast

This episode of The Art Newspaper's podcast covers three major art events opening this weekend. The largest career survey of 17th-century Spanish master Francisco de Zurbarán since the 1980s opens at the National Gallery in London, co-curated by Francesca Whitlum-Cooper. The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art and other venues in Pittsburgh, directed by Eric Crosby. The Work of the Week is Walter Sickert's "Ennui" (c.1914), featured in the exhibition "Walter Sickert: Working Notes" at Charleston in Lewes, curated by Robert Travers of Piano Nobile in partnership with Charleston.

Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.

Museum openings: V&A East and Los Angeles County Museum of Art. Plus, William Blake in Dublin—podcast

Two major museum projects have reached completion as London’s V&A East prepares for its public debut and the Los Angeles County Museum of Art (LACMA) unveils its new $700m David Geffen Galleries. V&A East opens with a focus on community-driven programming and its inaugural exhibition, 'The Music is Black: A British Story,' while LACMA’s long-awaited Peter Zumthor-designed building begins member previews amidst ongoing debates regarding its scale and cost.

Marcel Duchamp at MoMA, Dorothea Tanning book, Leonora Carrington at the Freud Museum, London—podcast

The Museum of Modern Art in New York is launching the first major U.S. survey of Marcel Duchamp’s entire career in over fifty years, a landmark exhibition that will later travel to Philadelphia. Accompanying this resurgence of interest in avant-garde pioneers are two significant projects focused on women of the Surrealist movement: the publication of Alyce Mahon’s comprehensive new book on Dorothea Tanning and a specialized exhibition at London’s Freud Museum featuring Leonora Carrington’s 1940 painting 'Down Below'.

George Costakis, collector and saviour of Soviet avant-garde art, celebrated with Athens exhibition

The National Gallery in Athens is hosting a major exhibition celebrating the legacy of George Costakis, the visionary collector who rescued thousands of Russian and Soviet avant-garde works from state-sponsored oblivion. Born in Moscow to Greek parents, Costakis spent decades acquiring pieces by artists like Kazimir Malevich and Liubov Popova at a time when such art was vilified by the Soviet regime. The new exhibition reinterprets these works through the lens of humanity's relationship with the environment, marking 30 years since the collection was first shown in Greece.

Matisse’s explosive finale and a new chapter for Hong Kong? Plus, Schiaparelli and Dalí—podcast

This week's episode of The Art Newspaper podcast covers three major art world events. A landmark Henri Matisse exhibition at the Grand Palais in Paris focuses on his final, explosive 13 years of work, including his famous cut-outs. In Hong Kong, Art Basel opens amid economic uncertainty, with analysis on whether the market is turning a corner. Meanwhile, London's Victoria and Albert Museum unveils a show on Elsa Schiaparelli, featuring a Salvador Dalí painting that directly inspired her iconic fashion designs.

Ministers consider charging tourists to access UK national museum collections

UK government ministers are exploring the possibility of charging international tourists for entry to the permanent collections of national museums. This proposal is part of a broader search for long-term funding solutions for the arts sector, outlined in the government's response to the Arts Council England review led by Margaret Hodge. The review also prompted commitments to simplify funding applications and protect the Arts Council from political interference.

New Museum extension opens, NextGen collectors, a Wardian Case in Oxford – podcast

The New Museum in New York has opened a major new extension designed by architects Shohei Shigematsu and Rem Koolhaas of OMA. The expansion is inaugurated with a new exhibition titled "New Humans: Memories of the Future," curated by the museum's artistic director Massimiliano Gioni.

The Week in Art: Iran's Heritage, Art Market Recovery, Sydney Biennale

Art communities and heritage in Iran, moderate recovery in the art market, Sydney Biennale—podcast

The latest episode of The Week in Art podcast covers three main topics. First, it discusses the impact of the ongoing Middle East conflict on cultural communities and heritage sites in Iran and Lebanon, including damage to the Chehel Sotoun palace in Isfahan. Second, it analyzes the new Art Basel and UBS Global Art Market Report, which indicates a market recovery but reveals a complex picture. Third, it features a new installation by Indigenous American artist Cannupa Hanska Luger at the Sydney Biennale, consisting of ceramic dingo skulls, which has gained relevance following a recent tragedy in Australia.