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‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

Keith Jacobshagen retrospective opens May 16 at the Albrecht-Kemper Museum of Art

The Albrecht-Kemper Museum of Art in St. Joseph, Missouri, will host a retrospective exhibition titled "The Shape of the Prairie" for American landscape painter Keith Jacobshagen, opening May 16 and running through August 16. The show spans 50 years of Jacobshagen's career, featuring rarely exhibited sketchbook pages alongside finished oil and watercolor paintings that capture the skies and plains of his Nebraska home.

Keeping It Simple

On Valentine's Day, the Marianna Kistler Beach Museum of Art in Manhattan, Kansas, opened the inaugural "Kansas Triennial 25/26" exhibition, featuring works by four Kansas-based visual artists: Mona Cliff, Mark Cowardin, Poppy DeltaDawn, and Ann Resnick. The museum engaged young visitors by handing out paper hearts and inviting them to place their heart in front of the artwork they loved best, creating a reflective and participatory experience.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

Artists in charge

A roundup of artist-run galleries in Kansas City highlights the rise of spaces like Vulpes Bastille and 100,000,000, which are reshaping the local art scene. These venues, operated by artists and volunteers, offer exhibition opportunities, studios, and community support, exemplified by Andrew Johnson's intimate multimedia installation "In The Presence of an Absence" at Vulpes Bastille.