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person Lilyanna D'Amato

newspaper ARTnews article 3 articles

After Viral Venice Pavilion, Florentina Holzinger Brings a 9-Hour Body-Art Spectacle to Vienna

Florentina Holzinger, the Austrian performance artist known for her provocative and physically extreme works, staged a 9-hour body-art spectacle titled "Pfingstspiel" (Pentecost Play) on May 23 at Hermann Nitsch's castle in Prinzendorf an der Zaya, near Vienna. The one-time performance, created with the Wiener Festwochen arts festival and the Nitsch Foundation, follows her widely discussed Venice Biennale pavilion "Seaworld Venice," which featured an underwater amusement park, a jet-ski, and a performer living in a reconstructed sewer treatment plant sustained by audience body fluids. Holzinger, who recently signed with Thaddaeus Ropac gallery, has built a reputation as one of Europe's most uncompromising performance artists, using motorbikes, helicopters, nudity, and endurance feats to challenge audiences.

Whitney Gala Honors Julie Mehretu, Benefactor of Museum’s ‘Free Under 25’ Initiative

The Whitney Museum of American Art hosted its annual gala, honoring artist Julie Mehretu, board chair Fern Kaye Tessler, and former director Adam D. Weinberg. Mehretu, who donated $2.25 million in 2024 to fund the museum's 'Free Under 25' initiative, delivered a speech emphasizing that free admission for young people is a statement of values, not a privilege. The gala raised $6.3 million, with attendees including artists Rashid Johnson, Glenn Ligon, Anicka Yi, and Fred Wilson, as well as collector Beth Rudin DeWoody.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.