person Margherita Bordino

The Museo del Tessuto di Prato puts videos of its best exhibitions online. Interview with the director

Il Museo del Tessuto di Prato mette online i video delle sue mostre migliori. Intervista al direttore

The Museo del Tessuto di Prato has launched a project called Videomostre, digitizing its most significant exhibitions from recent years into online videos. Director Filippo Guarini explains that the initiative aims to extend the life of temporary shows and reach wider audiences. The first three exhibitions selected for the debut are Mr & Mrs Clark. Ossie Clark and Celia Birtwell (2022-2024), Kimono. Riflessi d’arte tra Giappone e Occidente, and Walter Albini. Il talento, lo stilista. The videos are not simple walkthroughs but documentary-style narratives featuring curators' voices, object images, and installation views, available for rental at €3 for two months via the museum's online shop.

Interview with French cartoonist Hugo Didier who draws the Cannes Film Festival 79

Intervista al fumettista francese Hugo Didier che disegna il Festival di Cannes 79

French cartoonist and illustrator Hugo Didier (Paris, 1993) has been commissioned to reinterpret and narrate the 79th edition of the Cannes Film Festival (May 12–23) through his drawings, which have appeared on the festival's official Instagram account. In an interview, Didier discusses how cinema influences his visual imagination, his preference for traditional drawing techniques (nib pens, Rotring technical pen, ink washes, watercolor) over digital, and his creative process that often begins with spontaneous sketches. He also reflects on the role of comics in contemporary French culture, noting their ability to explore diverse themes and reach wide audiences through a playful yet accessible medium.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

Insects, Dresses, and Rebellion: Why 'The Law of Lidia Poët' is Different from All Other Costume Dramas

Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume

The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.

At the Feast of the Revolution: A Film to Tell the Story of Gabriele D’Annunzio’s Fiume Enterprise

Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio

Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.

Candidates Announced for the 2026 Cannes Film Festival (Again No Italians, Just Like at the Biennale)

Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)

The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.