Vasari Codex. A living chronicle of the art world.

museum exhibitions schedule Jun 5, 2026

At the 61st Venice Art Biennial, Brazil Continues Its Commanding Presence

Brazil’s pavilion at the 61st Venice Art Biennale opened on May 7, 2026, with a ceremony attended by government officials, art-world figures, and corporate sponsors. The pavilion, originally built in 1964 by architect Henrique Mindlin, has been renovated to replace thick concrete walls with glass, improving natural light and sustainability. Curated by Diane Lima, the exhibition titled “Comigo Ninguém Pode” features works by artists Adriana Varejão and Rosana Paulino, exploring themes of beauty, danger, and Brazil’s colonial and African heritage through a juxtaposition of their artworks.

museum exhibitions schedule May 15, 2026

Kiss Me, Beneath the Milky Twilight

The article reviews the exhibition "Ahhh! Beije-me" (Ahhh! Kiss me) at Martins & Montero gallery in São Paulo, featuring the late Brazilian artist Hudinilson Jr. (1957-2013). The show presents works from the 1970s and 1980s, including photocopies, stencils, paintings, and personal objects from the artist's apartment, which was closed by his family for twelve years after his death. Highlights include a billboard artwork "Zona de tensão," newly discovered gouache and pastel works on photocopies of Michelangelo's "David," and stencil matrices made from laundry detergent boxes used in street graffiti. The exhibition also incorporates furniture, decorative objects, and photographs by Mauro Restiffe documenting the apartment before its dismantling.

museum exhibitions schedule May 13, 2026

Pinakotheke Cultural Opens Spacious New Gallery in São Paulo

Pinakotheke Cultural, founded by Max Perlingeiro in Rio de Janeiro in 1979, will open a new, significantly larger gallery space in São Paulo on May 16. Located on Rua Minas Gerais in the Higienópolis neighborhood, the venue nearly doubles the size of the gallery's previous São Paulo outpost. The inaugural exhibition, "Surrealisms: Art Beyond Reason," curated by Max Perlingeiro and Tadeu Chiarelli, will feature approximately one hundred works by sixty artists from Europe, Latin America, North America, and the Caribbean, offering a comprehensive overview of the surrealist movement.

museum exhibitions schedule May 11, 2026

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

rate_review review schedule May 8, 2026

Fight Club Denounces the System From Within the System

Cameroonian artist Pascale Marthine Tayou's first major institutional exhibition in Brazil, "Knockout!," has opened at the Pinacoteca de São Paulo's Pina Luz building. The show spans over 25 years of Tayou's career, featuring installations, sculptures, and paintings across seven rooms. Each room is themed around a historical international conference—including the Berlin Conference of 1884, Yalta, San Francisco, Rome, Rio de Janeiro, Bandung, and a fictional Avignon conference—using these as political and historical axes to critique colonial power structures and global inequality.

museum exhibitions schedule May 4, 2026

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

museum exhibitions schedule Apr 27, 2026

Nelson Félix’s Desire for Ascent

Nelson Félix's exhibition "Pedra de Rumo" is on view at Galeria Almeida & Dale, featuring new sculptures in Carrara marble, bronze, and living plants. The show explores themes of orientation and boundary-breaking, drawing on the artist's long-standing practice of mapping extreme geographical points. The title references Portuguese sailors' navigation stones, and the exhibition extends beyond the gallery to include a metal tip and seedling planted at a point determined by lines drawn between the gallery and the Museum of Contemporary Art of USP, where Félix will have another solo show in May 2025.

person people schedule Apr 22, 2026

Flávia Ventura joins Nara Roesler and Mariana Rocha signs with A Gentil Carioca

Two Brazilian artists have secured new gallery representation. Flávia Ventura, whose work explores the body, sexuality, and power through painting, has joined São Paulo's Nara Roesler gallery. Meanwhile, Rio de Janeiro-based A Gentil Carioca gallery is now representing Mariana Rocha, an artist whose practice investigates the body, memory, and the feminine through drawing, painting, and photography.

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