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‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

Adrian Searle, the outgoing chief art critic for The Guardian, reflects on his 30-year career by recounting a vivid, personal montage of the art he has witnessed. He describes unforgettable encounters with works ranging from Vermeer's intimate paintings to Fiona Banner's suspended jet fighter, Roger Hiorns's crystal-filled flat, and Emily Jacir's poignant project on Palestinian displacement, highlighting how these experiences blend memory, story, and direct observation into a critic's life.

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Dan Nadel, a curator recently hired by the Whitney Museum as curator of prints and drawings, is opening a new exhibition titled "Sixties Surreal" that aims to rewrite the history of 1960s art. The show, co-curated with Laura Phipps, Scott Rothkopf, and Elisabeth Sussman, features a wide range of artists from Luis Jimenez to Shigeko Kubota, alongside canonical figures like Andy Warhol and Yayoi Kusama. Nadel, known for championing marginalized and alternative figures in American art, previously curated "What Nerve! Alternative Figures in American Art, 1960 to the Present" at the Rhode Island School of Design and a Gertrude Abercrombie exhibition at Karma gallery. He is also the author of a recent biography of Robert Crumb.

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Art Basel has announced a surprise deal to launch a new art fair in Qatar next year, partnering with Qatar Sports Investments (QSI) and QC+, a subsidiary of Qatar's sovereign wealth fund and commercial arm of Qatar Museums. The fair will debut with around 50 galleries in Doha, intentionally smaller than Basel's other fairs, with a distinct character aimed at building a long-term, sustainable event. The deal comes after rumors that Basel might take over Abu Dhabi Art, and as the region's art scene intensifies, with Art Dubai recently poaching Basel's global head of gallery relations Dunja Gottwies as its new director.

The Marcel Duchamps That Got Away: On Collecting His Work and the Sprawling MoMA Show

The article recounts the author's personal experience as a collector who passed up the opportunity to buy a complete set of Marcel Duchamp's readymades at a 2002 Phillips de Pury and Luxembourg auction. The set, editioned by dealer Arturo Schwartz in 1964, included iconic works like *Fountain* and *Bicycle Wheel*, but the sale was a financial failure, with many pieces bought-in or selling for far below expectations. The author later acquired some of the unsold works privately. The piece is framed around the concurrent Duchamp exhibitions at the Museum of Modern Art and Gagosian.

7 New Art Books to Step Into Spring

Artnet News has curated a selection of seven significant new art book releases for the spring season, highlighting diverse subjects from historical archives to contemporary memoirs. Featured titles include a deep dive into Frida Kahlo’s private sanctuary, 'Casa Roja,' authored by her descendants; a curatorial history of Hong Kong’s avant-garde art scene by Oscar Ho Hing-kay; and a vibrant exploration of color in contemporary art featuring works by Yayoi Kusama and Tomás Saraceno.

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This week's art industry roundup covers major personnel shifts, fair announcements, and institutional news. Phillips named Robert Manley chairman for Modern and contemporary art and Miety Heiden chairman for private sales after the departures of Cheyenne Westphal and Jean-Paul Engelen. Art Basel Paris announced 203 galleries for its October fair at the Grand Palais, while Kiaf Seoul will host 176 exhibitors in September. Tony Karman is stepping down as director of Expo Chicago after 14 years. Pace Gallery added Friedrich Kunath, Galerie Nordenhake signed Naufus Ramírez-Figueroa, and Sylvia Kouvali now represents Luigi Zuccheri. Ariel Pittman is launching a new Los Angeles gallery, Official Welcome. The Louvre will return 258 works from Adèle de Rothschild's bequest to the Fondation des Artistes. President Trump dismissed Smithsonian National Portrait Gallery director Kim Sajet over DEI support, though his authority is questioned. The Centre Pompidou announced a new $240 million outpost in Brazil. The Art Institute of Chicago confirmed director James Rondeau will return after a flight incident. The Pérez Art Museum Miami appointed Karen H. Bechtel as board president. Frieze and Deutsche Bank detailed their 2025 Emerging Curators Fellowship. A rare Gustav Klimt portrait of an African prince was offered for €15 million.

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The Metropolitan Opera House is hosting an exhibition titled “Super Duper,” featuring 25 works by nearly as many contemporary artists, cartoonists, and provocateurs, including Roz Chast, Art Spiegelman, Maurizio Cattelan, and Rashid Johnson. The show, commissioned to coincide with the Met Opera's premiere of *The Amazing Adventures of Kavalier & Clay*, reimagines superheroes for the 21st century, moving away from capes and spandex toward more grounded, satirical, and human figures. Except for two works by Spiegelman, all pieces were created specifically for the exhibition, which spreads across the opera house's lobbies and foyers.

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The article reflects on the final 2025 edition of the Museum Artists list, which tracks the most exhibited artists in U.S. museums each quarter. The author notes that the top artists—such as Marie Watt, Jeffrey Gibson, and Rose B. Simpson—have remained consistent throughout the year, with a narrow band of stars appearing in many shows while a long tail of artists have limited visibility. Below the top 15, notable names include Julie Mehretu, Wangechi Mutu, and Jean Shin, with a cluster of older white female artists like Petah Coyne and Joyce Kozloff also gaining recognition.

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Rachel Harrison's recent exhibition "The Friedmann Equations" at Greene Naftali in New York was a highlight of 2025, featuring her signature brainy, oblique, and funny sculptures and drawings. The show included works alluding to Marcel Duchamp and his alter-ego Rrose Sélavy, as well as drawings riffing on Hans Holbein's portraits of Henry VIII and his court. During a visit to the gallery, Harrison's dealer Carol Greene handed the author a copy of Harrison's new children's book, "Hold Still, Henry!", which reproduces those Holbein-inspired drawings in a board-book format for young readers. The book is published by Rookie Books, a small press founded in 2022 by artist Camillo Paravicini of Basel, Switzerland, who has previously worked with artists like Monster Chetwynd, Martin Parr, and Nathalie Du Pasquier.

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Artist David Diao reflects on his long engagement with Barnett Newman's work, from his 1966 experience as an art handler installing Newman's 'Stations of the Cross' series at the Guggenheim Museum to his own paintings that reference Newman both admiringly and critically. Diao's 1992 work 'Barnett Newman: Paintings by Title & Size' lists all 118 of Newman's paintings against a red background, treating them as inventory rather than masterpieces, while later works like 'BN: Spine 2' (2013) incorporate the worn fold of a Newman catalog cover. The article, based on a studio visit, captures Diao's matter-of-fact perspective on Newman's art and his own decades-long dialogue with the Abstract Expressionist.

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Photographer Sally Mann reveals in her new memoir *Art Work* that she now has reservations about her series “Men,” which features Black men photographed between 2004 and 2018. She writes that she removed 14 of those images from her 2018 exhibition at the National Gallery of Art after the 2017 Whitney Biennial controversy over Dana Schutz’s painting of Emmett Till’s open casket, which made Mann reconsider the ethics of a white artist representing Black subjects. Mann describes the series as “problematic” and acknowledges that historically marginalized people should tell their own stories. She currently has 150 unshown works from the series, which will not appear in a planned 2027 survey.

Why Contemporary Artists Are Raiding the Renaissance Toolkit

Three contemporary artists—Alison Elizabeth Taylor, Michael Bühler-Rose, and Nick Doyle—are reviving the Renaissance woodworking techniques of intarsia and marquetry in their current exhibitions. Taylor is showing marquetry hybrid paintings at Jessica Silverman Gallery in San Francisco, Bühler-Rose is presenting a solo booth with Stems Gallery at Independent, and Doyle is also participating in the trend. Their work draws inspiration from the Gubbio Studiolo at the Metropolitan Museum of Art, a 15th-century trompe-l'œil room that exemplifies the decorative inlay tradition.

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Art Basel Miami Beach 2025 launched a new digital art section called Zero 10, featuring works like Beeple's robotic dogs with billionaire heads and Tyler Hobbs' generative art. The fair aimed to attract tech-sector buyers, with sales including IX Shells' interactive video installation for $140,000 and Jack Butcher's pay-what-you-wish installation drawing hundreds of new collectors. The section had surprisingly few screens, emphasizing conceptual engagement over spectacle.

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Shanghai Art Week 2025 featured two major art fairs, West Bund Art and Design and Art021 Shanghai, alongside numerous satellite exhibitions and events across the city. The author navigated the sprawling metropolis by public bike, visiting highlights including “Artist’s Treat,” a cluster of 11 exhibitions organized by artist Xu Zhen in a repurposed French school, and Blunt Society, an artist-run space showing works by Ma Lingli and Alex Müller. The week was marked by a cautiously optimistic market mood, with dealers reporting better-than-expected sales and new initiatives like Art021’s SVIP preview for serious collectors.

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Abu Dhabi Art (ADA) opens its largest edition to VIPs on November 18 at Manarat Al Saadiyat, featuring 142 exhibitors—up from just over 100 last year. This is the final edition under the ADA name before it relaunches as Frieze Abu Dhabi in 2025, marking a major transition for the Gulf's art market. Key international dealers like Pace are returning after a long absence, and the fair includes works by Robert Indiana, Arlene Shechet, and a teamLab installation. The event comes as Art Basel also plans its 2026 debut in Qatar, signaling a broader regional shift.

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The largest-ever exhibition of Diane Arbus's work, titled "Constellation," opens today at the Park Avenue Armory in New York City. Featuring over 450 prints—many previously unpublished—the immersive show debuted at LUMA Arles in 2023 and arrives in the U.S. with its original labyrinthine format. Curated by Matthieu Humery, the exhibition presents Arbus's iconic photographs of marginalized figures, celebrities, and everyday people without chronological or narrative order, emphasizing her equalizing gaze. The prints come from the collection of Maja Hoffmann, who acquired the complete set of printer's proofs from Neil Selkirk, the only person authorized by the Diane Arbus Estate to print from her negatives.

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Christie's will auction over 100 objects from Maurice Sendak's personal collection on June 10, 2025, at Rockefeller Center, with an online component from May 29 to June 10. The sale includes works by Dürer, Rembrandt, David Hockney, Pablo Picasso, George Stubbs, and William Blake, as well as rare editions of Blake's *Songs of Experience* (1794) and *Songs of Innocence* (1789), a vintage Mickey and Minnie Mouse tinplate toy, and 30 lots by Sendak himself, including a first-edition cover of *Where the Wild Things Are* (1963). Proceeds will support the Sendak Fellowship residency program at the Sendak Foundation in Ridgefield, Connecticut.

‘It was life-changing’: the celebrated art historian who spent 46 years sitting for Frank Auerbach

Art historian and curator Catherine Lampert is the subject of a career-spanning profile following the opening of her latest exhibition, 'Euan Uglow: An Arc from the Eye,' at MK Gallery. The article details her deep personal and professional relationships with giants of British figurative painting, including Lucian Freud, Frank Auerbach, and Euan Uglow. Lampert, who served as the director of the Whitechapel Gallery for over a decade, continues to be a prolific force in the art world, recently co-authoring Freud’s catalogue raisonné and curating major retrospectives.

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The United States invaded Venezuela in a military operation that seized President Nicolás Maduro and his wife Cilia Flores, who will face federal charges in New York. The Trump administration has stated it will run the country until a favored government is installed, while Vice President Delcy Rodriguez has been sworn in as interim president. The operation has sparked global protests and mixed reactions among Venezuelans, with some celebrating Maduro's ouster and others condemning the violation of international law.

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The article is a personal remembrance of artist Robert Grosvenor, written by a former student who encountered him as a visiting speaker at the Rhode Island School of Design in 1978. It recounts the profound impact Grosvenor's work and teaching had on the author's own artistic practice, describing his use of ordinary materials, his sculptural innovations like the cantilever and "hover," and his influence on her approach to art-making. The piece also references Grosvenor's 2025 exhibition at Paula Cooper Gallery and his earlier commission at Storm King Art Center.

$102 Million Verdict Over Robert Indiana Artwork May End Years-Long Legal Battle

A Manhattan federal jury awarded $102 million in damages to the Morgan Art Foundation in its lawsuit against art publisher Michael McKenzie, finding him guilty of making and selling unauthorized Robert Indiana artworks. The verdict, delivered on April 23, follows a complex legal battle that began just before Indiana's death in 2018, involving accusations of exploitation, fraud, and copyright infringement. McKenzie and caretaker Jamie Thomas were also accused of taking advantage of the elderly artist. The case has cast doubt on the authenticity of some late Indiana works and affected his market, with his auction record remaining at just over $4 million since 2011.

‘They accomplished so much, even as they were dying’: the groundbreaking gay art of Peter Hujar and Paul Thek

Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.

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Massimiliano Gioni reveals that for nearly a decade, from 1997 to 2006, he acted as Maurizio Cattelan's ghostwriter and public impersonator, writing all of Cattelan's texts, press releases, and interviews, and even giving lectures and television appearances in his place. Gioni describes how he fabricated lies and half-truths, speaking as Cattelan at universities like Yale and NYU, on Vatican Radio, and during the media storm over Cattelan's sculpture of hanged children in Milan, all for a monthly fee of $500.

At a Powerful Carnegie International, Solidarity Is a Means of Survival

The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.

The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

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Brandon Stanton, the photographer behind Humans of New York, has transformed Grand Central Terminal and its subway station into a massive public art installation titled "Dear New York." Running through October 19, the installation replaces over 150 digital screens typically used for advertising with thousands of portraits and stories from Stanton's archive, making it the largest public art installation in New York City in decades. The project, created in collaboration with creative director David Korins, also features live music performances by Juilliard School students and a piano donated by Steinway & Sons.

Gagosian to Debut New Gallery With Duchamp’s “Readymades”

Gagosian has announced that the inaugural exhibition at its new ground-level space at 980 Madison Avenue will feature the iconic "readymades" of Marcel Duchamp. Opening April 25, the show will showcase a series of 14 authorized replicas created in 1964 by Duchamp and dealer Arturo Schwarz, including famous works like "Fountain" and "Bicycle Wheel." The exhibition is timed to run concurrently with a major Duchamp retrospective at the Museum of Modern Art, the artist's first in the United States in over half a century.

New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree

A new four-volume catalogue, authored by former royal surveyor Jonathan Marsden, documents approximately 1,800 sculptures in the Royal Collection. The publication reveals the unsystematic nature of the collection's growth, driven by royal tastes and historical opportunities, and highlights significant discoveries like a previously unknown bronze satyr by Benvenuto Cellini.

A Duchamp Retrospective at MoMA Presents an Artist Who Challenged the Very Definition of Art

The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.