The New Exhibitions of the Pinacoteca Agnelli and the New Public Works on the Lingotto Park-Track: The Photos

The Pinacoteca Agnelli in Turin has launched a new exhibition program that includes the first major institutional retrospective in Italy dedicated to Swiss photographer Walter Pfeiffer, titled "In Good Company," running until September 13, 2026. Curated by Nicola Trezzi and Simon Castets, the show features over 100 photographs from the 1970s to today, blending iconic and unseen works that explore queer eroticism, everyday artifice, and collaborative image-making. Concurrently, the museum presents "Modigliani sottopelle. Quattro capolavori" as part of its "Beyond the Collection" series, placing four masterpieces by Amedeo Modigliani—including a loan from the Staatsgalerie Stuttgart and works from the Centre Pompidou—in dialogue with the permanent collection. Curated by Pietro Rigolo and Beatrice Zanelli, the exhibition takes an interdisciplinary approach combining art history, diagnostics, and scientific research, using an algorithm to analyze canvas weaves and propose a new dating for the iconic "Nu couché" acquired by Giovanni and Marella Agnelli in 1960.

This programming matters because it positions the Pinacoteca Agnelli as a dynamic institution that bridges historical and contemporary art while leveraging its unique industrial heritage at the Lingotto. The Pfeiffer retrospective introduces a key but under-recognized figure in contemporary photography to an Italian audience, expanding the discourse on queer aesthetics and the intersection of art and fashion. Meanwhile, the Modigliani exhibition demonstrates how scientific analysis can reshape art-historical narratives, offering fresh insights into a canonical modernist. Together, these shows reinforce Turin's role as a vibrant cultural destination and highlight the museum's commitment to innovative, research-driven curation that connects past and present.