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person Caterina Angelucci

newspaper Artribune article 13 articles

Museo Igor Mitoraj opens in Pietrasanta: interview with director Frank Boehm between contemporary art and craftsmanship

A Pietrasanta apre il Museo Igor Mitoraj: intervista al direttore Frank Boehm tra arte contemporanea e artigianato

The Museo Igor Mitoraj opens in Pietrasanta on June 6, 2026, housed in the former municipal market designed by Tito Salvatori and renovated by OBR studio. The inaugural exhibition, "Mitoraj. Present," showcases a significant selection of 69 works donated to the Fondazione Museo Igor Mitoraj, highlighting the Polish sculptor's legacy beyond his monumental works. Director Frank Boehm, formerly of Miart and the Museum Insel Hombroich, outlines plans for the museum to become an international platform for contemporary sculpture research, featuring exhibitions, residencies for young artists and curators, and educational activities.

The 17th-century Villa Gamberaia near Florence becomes a residency for contemporary artists. Interview with curator Emanuela Mazzonis

La seicentesca Villa Gamberaia vicino a Firenze diventa residenza per artisti contemporanei. Intervista alla curatrice Emanuela Mazzonis

Villa Gamberaia, a 17th-century villa near Florence, has launched its first artist residency program titled "Un palcoscenico nella natura" (A Stage in Nature), curated by Emanuela Mazzonis. The inaugural edition, which began in April 2026, centers on the theme of water as a symbol of nourishment, rebirth, and transformation, and hosts two artists from different generations: Claudia Passeri (born 1977, Luxembourg) and Federica Belli (born 1998, Italy). The residency aims to revive the villa's historical role as a meeting place for artists, writers, and intellectuals, which flourished in the late 19th and early 20th centuries under Princess Ghyka, who transformed the garden into an innovative water parterre.

Contemporary Art at Casa della Memoria in Milan to Celebrate the First Universal Suffrage Vote

Arte contemporanea alla Casa della Memoria di Milano per celebrare il primo voto a suffragio universale

Artist Gaia De Megni (born 1993, Santa Margherita) presents the exhibition "Per un’antologia delle ombre" at Casa della Memoria in Milan, running from 28 May to 13 September 2026. Curated by Salvatore Cristofaro and promoted by Careof, the show marks the 80th anniversary of the Italian Republic and the first universal suffrage vote. De Megni’s research in the archives of ANED and the Istituto Nazionale Ferruccio Parri uncovers women who participated in the anti-fascist resistance, supported clandestine networks, or endured deportation but were left out of official memory. The central work, "Medagliere alle Amanti," replaces traditional medals with paper flowers inspired by Monique Wittig’s "Appunti per un dizionario delle amanti," critiquing the hierarchical nature of archival preservation.

A Torino arriva una provocatoria fiera d’arte dedicata all’olfatto inventata da una artista-erborista

The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.

La sede ad Albisola della Galleria Raffaella Cortese è più “un pensatoio che spazio espositivo”: la storia e le collaborazioni con gallerie d’arte emergente

Raffaella Cortese opened a small 12-square-meter space in Albisola Superiore, Italy, in June 2022, described as "more a think tank than an exhibition space." The venue, located near the Ligurian sea, honors the town's legacy as a center for contemporary ceramics from the 1950s to the 1970s, hosting artists like Lucio Fontana and Asger Jorn. The space alternates works from Cortese's Milan gallery with collaborations from emerging galleries, such as Fanta-MLN of Milan (presenting Noah Barker's installation "lux principum" in 2023) and Gian Marco Casini Gallery of Livorno (featuring Clarissa Baldassarri's "Exposure value" in 2024). A future collaboration with Triangolo gallery of Cremona is scheduled for May–September 2026, showcasing Nicole Colombo's sculpture "Rosario (to the moon and back)."

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

In Savona there is a new contemporary culture festival that aims to make tradition dialogue with the most emerging research

A Savona c’è un nuovo festival di cultura contemporanea che mira a far dialogare la tradizione con le ricerche più emergenti

A new contemporary culture festival called Brucia has launched in Savona, Italy, with its zero edition running from May 9 to 17, 2026. Organized by the under-30 association Fiammiferi, founded by Teresa Raineri, the festival transforms the Fortezza del Priamàr and Teatro Chiabrera into a diffuse laboratory of artistic practices, including performances, concerts, exhibitions, workshops, and meetings. A highlight is the solo show [Çigae] by artist Gaia De Megni, curated by Gabriele Cordì, which explores themes of return and belonging through a Ligurian lens, featuring her film 'La tigre e i gabbiani' (2019).

An Italian artist makes an exhibition in Tunis inspired by Le Corbusier's architectures

Un artista italiano fa una mostra a Tunisi ispirandosi alle architetture di Le Corbusier

Italian artist Cristian Chironi has opened the seventh chapter of his ongoing project "My house is a Le Corbusier" with an exhibition in Tunis titled "My house is a Le Corbusier (Villa Baizeau)". The project centers on Villa Baizeau, a Le Corbusier-designed house built between 1928 and 1930 for industrialist Lucien Baizeau, which is now inaccessible inside the Tunisian presidential park. Chironi, inspired by a failed attempt by artist Costantino Nivola to bring Le Corbusier's architecture to his hometown Orani, instead travels the world temporarily inhabiting Le Corbusier's buildings. For this iteration, he set up a residency at La Boîte – Centre d'Art & d'Architecture in the Medina of Tunis from January 22 to April 5, 2026, culminating in an exhibition that opened April 3, 2026, using the villa as a lens to read the city rather than a physical space to occupy.

The New Installation of the Querini Stampalia Foundation in Venice Is a Game of Combinatory Art. Interview with Director Cristiana Collu

Il nuovo allestimento della Fondazione Querini Stampalia a Venezia è un gioco di arte combinatoria. Intervista alla direttrice Cristiana Collu

The Fondazione Querini Stampalia in Venice has unveiled a new permanent installation titled "The Dreamer," curated by director Cristiana Collu and opening May 5, 2026. The exhibition repositions over 170 works from the foundation's collection—including Giovanni Bellini's *Presentation of Jesus at the Temple*, Luca Giordano's *San Sebastiano*, and Palma il Vecchio's *Madonna with Child*—in dialogue with works by six contemporary artists: Giusy Calia, Silvia Giambrone, Daniela De Lorenzo, Davide Rivalta, Emanuele Becheri, and Chiara Bettazzi. Inspired by the dreams and passions of founder Giovanni Querini Stampalia (born May 5, 1799) and his sister Caterina, the installation is conceived as a non-chronological, emotionally driven journey likened to a "reverse cinema" where visitors move through space like directors constructing their own narrative.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

According to Brian Eno, everything is political. And in Parma, his first exhibition in Italy opens, also speaking about Palestine

Secondo Brian Eno tutto è politica. E a Parma apre la sua prima mostra in Italia che parla anche della Palestina

Brian Eno, the internationally renowned British artist and musician, opens his first retrospective exhibition in Italy at the Complesso Monumentale di San Paolo in Parma, running from May 1 to August 2, 2026. The show features two complementary projects: SEED, a site-specific sound installation created with Turkish writer Ece Temelkuran in the garden, and My Light Years, a light-based work in the newly restored Ospedale Vecchio. Curated by Alessandro Albertini, the exhibition marks Eno's return to Italy after his Golden Lion for lifetime achievement at the 2023 Venice Biennale, and follows earlier interventions at Castello del Buonconsiglio, Palazzo Te, and Ara Pacis.

The New Exhibitions of the Pinacoteca Agnelli and the New Public Works on the Lingotto Park-Track: The Photos

Le nuove mostre della Pinacoteca Agnelli e le nuove opere pubbliche sulla pista-parco del Lingotto: le foto

The Pinacoteca Agnelli in Turin has launched a new exhibition program that includes the first major institutional retrospective in Italy dedicated to Swiss photographer Walter Pfeiffer, titled "In Good Company," running until September 13, 2026. Curated by Nicola Trezzi and Simon Castets, the show features over 100 photographs from the 1970s to today, blending iconic and unseen works that explore queer eroticism, everyday artifice, and collaborative image-making. Concurrently, the museum presents "Modigliani sottopelle. Quattro capolavori" as part of its "Beyond the Collection" series, placing four masterpieces by Amedeo Modigliani—including a loan from the Staatsgalerie Stuttgart and works from the Centre Pompidou—in dialogue with the permanent collection. Curated by Pietro Rigolo and Beatrice Zanelli, the exhibition takes an interdisciplinary approach combining art history, diagnostics, and scientific research, using an algorithm to analyze canvas weaves and propose a new dating for the iconic "Nu couché" acquired by Giovanni and Marella Agnelli in 1960.

In Gorizia, artists work with local companies under the banner of circularity and industrial waste

A Gorizia gli artisti lavorano con le aziende del territorio all’insegna della circolarità degli scarti industriali

The exhibition "The Matter Loop" has opened in Gorizia as part of the GO! 2026 European Capital of Culture celebrations, showcasing a unique collaboration between contemporary artists and local industrial companies. Curated by Vincenzo Alessandria and organized by the QuiAltrove Association, the project paired four artists from the Friuli Venezia Giulia region with local businesses to repurpose industrial waste—including textiles, metals, and organic residues—into new artworks.

Between Control and Fragility: The Invisible Stories of Martina Zanin on Display in Rome

Tra controllo e fragilità: le storie invisibili di Martina Zanin in mostra a Roma

Martina Zanin’s solo exhibition, "EVERY CARESS, A BLOW," has opened at the Fondazione Pastificio Cerere in Rome. Curated by Antonio Grulli, the show features a multidisciplinary range of works including photography, bronze sculpture, and immersive installations that explore the thin line between protection and threat. Through recurring motifs like falconry gloves and symbolic animals such as the hawk and the hare, Zanin investigates the invisible power dynamics and rituals inherent in relationships.