The New York Times profiles Kenyan British painter Michael Armitage, who is currently exhibiting his paintings and studies in Venice. The article explores his artistic practice, his deep connection to his Kenyan roots, and his recent relocation to Indonesia, which has influenced his work and perspective.
This profile matters because Armitage is a significant contemporary artist whose work bridges African and European traditions, and his move to Indonesia signals a broadening of his cultural and artistic horizons. The Venice exhibition offers a rare opportunity to see his process through studies alongside finished works, highlighting his growing international prominence.