"In Venedig gesehen, in Venedig gekauft"
The article reports on multiple developments surrounding the Venice Biennale. Iran has withdrawn from the Biennale, citing political and economic crises, with logistical challenges such as no flights or postal service making participation nearly impossible. Artist Anish Kapoor has called for the exclusion of the United States from the Biennale, criticizing its "abhorrent policy of hate" and "ongoing warmongering." A memorial installation by Derrick Adams for the late curator Koyo Kouoh, who was set to lead the main exhibition, will be displayed near the Arsenale. Additionally, the Biennale faces a funding cut from the EU due to Russia's continued participation despite the Ukraine war, leading to the resignation of the jury and the culture minister's withdrawal.
These events highlight the Biennale as a flashpoint for geopolitical tensions and cultural politics. Iran's absence underscores the impact of international sanctions and isolation on cultural exchange. Kapoor's demand reflects growing calls for accountability in global art institutions. The tribute to Kouoh emphasizes the fragility of curatorial vision when a leading figure dies before their project is realized. The EU funding dispute and jury resignation illustrate how state policies and international conflicts increasingly shape the governance of major art events, raising questions about autonomy, censorship, and the role of art in political discourse.