Der Künstler, der Pixel malte, bevor wir in Pixel sahen
Reinhard Voigt, a German artist little known to the public, painted grid-based pictures as early as 1968—years before pixels became ubiquitous in daily life. Despite early discouragement from Gerhard Richter and fellow artist Alan Jones, Voigt persisted, creating meticulous works on paper and canvas using transparent paper, rulers, pencil, and oil paint. His first major exhibition, "Pure Pleasure," took place in 2023/2024 in Nuremberg, and his current duo show "High on Low" with Anna-Sophie Berger is on view at Berlin's Kunstraum Grotto, featuring his Word Paintings series. Voigt lives and works in Berlin-Prenzlauer Berg with his wife, artist Susan Elias.
Voigt's story matters because it highlights the overlooked pioneers of conceptual and grid-based painting who anticipated digital aesthetics decades before the digital age. His work bridges the gap between manual craft and the visual language of screens, offering a prescient commentary on how we see and organize information. The article also underscores the often-late recognition of artists who work outside the mainstream spotlight, and the role of smaller, independent spaces like Kunstraum Grotto in bringing such figures to light.