This issue of Print Quarterly, Volume XLIII Number 2 for June 2026, features a range of scholarly articles on historical prints and printmaking. Contents include Catherine Jenkins' new catalogue of Francesco Parmigianino's etchings, Victoria Fernandez Masaguer's report on conserving the Edmond de Rothschild Collection at the Louvre, and studies on artists such as Goltzius, Rubens, Hokusai, William Blake, and Ian Hamilton Finlay. The issue also includes shorter notices, notes, and numerous catalogue and book reviews covering topics from Parisian almanacs to Diane Victor's prints.
Why it matters: Print Quarterly is a leading peer-reviewed journal dedicated to the history of printmaking, and this issue continues its tradition of advancing scholarship on prints from the Renaissance to the modern era. The articles provide new attributions, conservation insights, and contextual analyses that are essential for curators, collectors, and art historians working with works on paper. The breadth of coverage—from medical-astronomical woodcuts to contemporary print artists—underscores the journal's role in sustaining and deepening the study of print culture.