Leandro Erlich, the Argentine conceptual artist known for his immersive installations that play with perception and reality, is the subject of a major retrospective at the Grand Palais in Paris. Opening this Tuesday, the exhibition brings together works from his career—including new productions—after previous stops in Buenos Aires, Tokyo, Miami, Milan, and Helsinki. Visitors encounter signature pieces such as buildings that can be virtually scaled, suspended houses, and elevators that lead nowhere, all designed to make the viewer an active participant in questioning their senses.
This retrospective matters because it marks the first time a full survey of Erlich's work has been presented in France, highlighting his global influence as an artist who transforms everyday architecture into tools for philosophical inquiry. His installations have drawn record audiences across Asia, Latin America, and Europe, and the show underscores how participatory art can challenge our understanding of reality. The exhibition runs until September 6 at the Grand Palais, offering a rare opportunity to experience his most iconic works together.