Ibrahim Maalouf, a celebrated Franco-Lebanese trumpeter and composer, discusses his deep connection to visual art in an interview with Beaux Arts Magazine. He reflects on his childhood dream of becoming an architect, his inspiration from artists like David Daoud and Etel Adnan, and his favorite museums including the Louvre and Musée d'Orsay. Maalouf draws parallels between music and architecture, describing his albums as 'territories' and his concerts as 'living installations' where the audience completes the work. He also shares his definition of art as 'what remains when everything collapses' and a 'resistance to forgetting.'
This interview matters because it highlights the growing intersection between music and visual art, a trend increasingly relevant in contemporary culture. Maalouf's perspective as a musician who thinks architecturally and curatorially reflects a broader shift toward interdisciplinary and immersive art experiences. His comments on improvisation, spirituality, and the necessity of art offer insight into how creative figures from different disciplines influence and enrich the visual art world, making this piece valuable for readers interested in cross-disciplinary artistic practice.