Terry Winters presents eight new paintings at Modern Art in London, titled after geometric and mathematical terms like Area, Array, Field, and Locus. The works explore patterns inspired by botany, engineering, computer modeling, and cybernetics, using optical illusions and layered compositions to evoke natural and scientific systems. The review highlights how Winters' paintings create a push-pull effect through color and form, blending sensory pleasure with intellectual inquiry.
This review matters because it positions Winters as a key contemporary painter rebuilding the bridge between art and science, challenging the modern separation of the two disciplines. By drawing on Renaissance attitudes and extending the lineage of modernist American painting, Winters offers a model for renewing standards of beauty based on current understandings of the world. The article underscores the ongoing relevance of abstract painting in engaging with complex scientific ideas and human perception.