Pierre Huyghe's first solo exhibition in a Swiss museum has opened at the Fondation Beyeler in Riehen, billed as a 'site-specific experience.' The French contemporary artist, known for blending technology with organic forms, presents a series of mostly recent works that reconfigure themselves through sensors and real-time editing. Highlights include a new work titled *Apnea* (2026), an artificial breathing organ submerged in a glass water tank; his latest film *Liminals* (2025), featuring a faceless figure; and *Camata* (2024), a video piece set in Chile's Atacama Desert that is continuously re-edited by sensors in the gallery. The exhibition runs until 13 September.
This exhibition matters because it underscores Huyghe's ongoing influence in pushing the conceptual and material boundaries of contemporary art, particularly through his integration of living systems, artificial intelligence, and environmental feedback. By transforming the museum space into a dynamic, self-reconfiguring environment, Huyghe challenges traditional notions of static exhibition-making and invites viewers to engage with art as a living, evolving system. The show also reinforces the Fondation Beyeler's commitment to presenting cutting-edge, experiential art within a major institutional context.