Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.
Cuguoğlu's proposal highlights a growing discourse on making cultural institutions more accessible and emotionally resonant, challenging traditional museum models. The other stories collectively underscore the dynamic intersections between art, archaeology, public space, and cultural preservation, reflecting the diverse ways art engages with history, community, and the environment.