The article, published by Frieze, is a critic's guide highlighting seven must-see exhibitions during the Art Brussels fair. It specifically mentions shows by Richard Tuttle at Galerie Greta Meert and an expansive exhibition of Lutz Bacher at WIELS, curated by Emile Rubino.
Frieze published a critic's guide titled 'Emergent Figures' Carves Space for Thai Artists in a Global Canon, which highlights a group exhibition featuring Thai artists at a venue in Brussels during Art Brussels. The show aims to present Thai contemporary art within a broader international context, moving beyond regional stereotypes. The article is part of a larger guide that also includes recommendations for other must-see shows during the fair, such as Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS.
Frieze's critic's guide highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The article, written by Emile Rubino, provides a curated selection of shows across Brussels galleries and institutions during the art fair period.
The article highlights seven must-see exhibitions during Art Brussels, curated by critic Emile Rubino. Featured shows include Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS, alongside other notable presentations across the city.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of standout shows across the city during the art fair period.
Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection of notable shows across the UK and Brussels art scene.
The article profiles artist Mirna Bamieh and her unique artistic practice that uses food as a medium to explore themes of borders, displacement, and belonging. Bamieh creates edible installations and participatory performances that engage audiences in sensory experiences tied to Palestinian identity and the politics of land.
The article is a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. Written by Emile Rubino, the piece serves as a curated selection for visitors navigating the Brussels art scene during the fair.
The article provides a historical overview of protest actions that have taken place at the Venice Biennale, tracing key moments of political and social dissent within the prestigious international art exhibition. It highlights instances where artists, activists, and participating nations have used the Biennale as a platform to challenge authority, address censorship, and critique global issues, from the 1968 student protests to more recent controversies involving national pavilions and institutional policies.
Frieze has published a critic's guide titled "What Not to Miss in Venice’s Arsenale and Giardini," though the provided text appears to be a truncated excerpt that actually promotes a different article: "7 Must-See Shows During Art Brussels," featuring Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS, written by Emile Rubino on April 21, 2026. The guide likely highlights key exhibitions and artworks within the historic Arsenale and Giardini venues during a major art event in Venice.
Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.
Silvestre Pestana, a Portuguese artist and poet, is presenting a solo exhibition of his LED text-based works at Galeria Quadrado Azul in Porto. The show, titled 'Silvestre Pestana: The Light of Words', features his pioneering 'Poemas Pornográficos' (Pornographic Poems) from the 1980s and newer LED pieces that transform language into pulsating, illuminated objects.
The article provides a critic's guide to seven must-see exhibitions during the Art Brussels event. It highlights specific shows, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS.
Frieze New York is spotlighting historical downtown icons in a new 'Focus' section at its upcoming fair. The initiative will feature curated presentations of works by artists who were central to New York's downtown art scene, highlighting their enduring influence and the cultural history of the era.
Franco Vaccari, a pioneering Italian artist associated with Arte Povera and conceptual art, is the subject of a new exhibition that repositions the viewer as an active participant in the creative process. The show, featured in Frieze's Critic's Guides, highlights Vaccari's interactive works, including his famous photomatic booth installations where visitors become both subject and author of the artwork.
Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of notable shows across the city during the art fair period.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, featuring a diverse range of international talent. Highlights include Joy Labinjo’s vibrant figurative paintings at Tiwani Contemporary, which explore Black domesticity and sisterhood, and Cao Fei’s multimedia investigation into the intersection of technology and global agriculture at Pirelli HangarBicocca. Other notable presentations include Anselm Kiefer’s monumental tributes to female alchemists and historical figures, marking a significant moment for contemporary art in the city.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
A federal jury in Manhattan has ordered Michael McKenzie and his company American Image Art to pay $102 million (€95 million) to the Morgan Art Foundation for unauthorized exploitation of works by artist Robert Indiana (1928-2018), including his iconic LOVE image. The case, filed in May 2018 just before Indiana's death, alleged that McKenzie—a former agent of the artist—produced and sold unauthorized editions, sculptures, and merchandise under Indiana's name, violating exclusive reproduction and commercialization rights granted to the foundation in the 1990s. The jury found McKenzie guilty of trademark infringement, copyright violation, and contractual interference, with $6.2 million specifically tied to 44 LOVE works. The defense, weakened by sanctions for hiding evidence and refusing to cooperate, plans to appeal.
MoMA PS1's sixth edition of the "Greater New York" quinquennial exhibition has opened, showcasing the work of over 50 artists and collectives. The show aims to capture the current state of New York's art scene, highlighting new and ambitious work created despite challenging economic and political conditions.
The article highlights eight major art exhibitions and events opening in Houston in May 2025, including the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" at the Museum of Fine Arts, Houston (MFAH), which features works by Picasso, Klee, Matisse, and Giacometti. Other notable events include the "Freedom Plane National Tour" of founding-era documents at the Houston Museum of Natural Science, the 20th Annual Empty Bowls fundraiser at Silver Street Studios, and "No Longer, Not Yet" by Marisol Valencia at Art League, which uses materials from a migrant shelter. The article also mentions shows at CAMH, Moody Art Center, and Sawyer Yards.
A lithograph by Joan Miró from his "Quelques Fleurs pour des Amis" series, titled *Milani (#25)* (1964), is being offered for sale through Palm Beach Modern Auctions. The work is a limited-edition print on paper, signed in plate, from an edition of 150, printed by Mourlot, Paris, and published by Societe Internationale d'Art XXe Siecle, Paris. The listing includes details on condition, buyer's premium, and bidding terms.
This article is a detailed listing for KAWS's sculpture *ALONG THE WAY* (2013), a wood piece measuring 96 7/8 × 75 × 51 1/4 inches, held in the collection of the Modern Art Museum of Fort Worth. It includes the work's exhibition history, the artist's biography (born Brian Donnelly, 1974), his key solo exhibitions at institutions such as the Brooklyn Museum and Yorkshire Sculpture Park, and his high auction record of HK$116 million at Sotheby's in 2019. The listing also features a series of related KAWS works available at auction houses including Christie's, Phillips, and Heritage Auctions.
Una mappatura di tutti gli intrecci tra la Biennale di Venezia 2026 e il mondo della moda
The article maps the growing intersection between fashion brands and the 61st Venice Biennale in 2026, detailing specific collaborations. Zegna is the main sponsor of the Italian Pavilion, supporting Chiara Camoni's project "Con te con tutto" curated by Cecilia Canziani, using materials from Zegna's Oasi Zegna and Lanificio. Bottega Veneta renews its partnership with Pinault Collection to support Lorna Simpson's exhibition "Third Person" at Punta della Dogana, curated by Emma Lavigne, and also presents a public intervention at Campo Manin. Swatch celebrates 15 years of the Swatch Art Peace Hotel with the exhibition "Flora Fantastica" at the Giardini Reali, featuring artist Elisa Insu. The newly opened Fondazione Dries Van Noten at Palazzo Pisani Moretta debuts with "The Only True Protest Is Beauty," curated by Dries Van Noten and Geert Bruloot.
Artist Xandra Ibarra staged a nude performance titled "Nude Laughing" at the Museum of Fine Arts, Boston, walking through the contemporary galleries to challenge viewer etiquette and spark conversations about consent, art history, and the human body. Separately, a 27-foot-tall Buddha sculpture has been installed on the High Line in New York, serving as a resurrection of the destroyed Bamiyan Buddhas and a critical piece of cultural heritage.
Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.
New York City’s First Lady, Rama Duwaji, provided an exclusive look into her creative life during a studio visit at Gracie Mansion. The interview explores her dual identity as a ceramicist and illustrator and her transition into the political spotlight, showcasing the personal practice behind her public role.
The art world mourns the passing of Celeste Dupuy-Spencer, a prominent artist and activist known for her politically charged paintings and human rights advocacy, who died at the age of 46. Simultaneously, dissident artist Ai Weiwei has released a new book titled 'On Censorship,' which reflects on his career-long struggle against state persecution and the nuances of freedom of expression. Other notable developments include Gagosian's announcement of a new Upper Manhattan space dedicated to Marcel Duchamp and the detention of artist Criselda Vasquez’s father by ICE.
Wohin am Wochenende?
This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.