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Discover the David Geffen Galleries, Jazz at LACMA, and More This Weekend

LACMA is hosting its monthly Third Weekends event from May 15-17, 2025, featuring free workshops, screenings, concerts, and performances across its newly transformed campus, including the David Geffen Galleries. Highlights include guided architectural walks, figure drawing workshops, a concert by the Julius Rodriguez Trio at Jazz at LACMA, a screening of Tenzin Phuntsog’s film *Next Life*, a roving dance performance by Lula Washington Dance Theatre, and artist talks with Todd Gray. The weekend also includes outdoor activities, chess sessions, and a screening of the 1986 World Cup match.

Rising Voices: Inside the V&A’s Landmark Exhibition Of Asian, Australian & Pacific Art

A new exhibition, 'Rising Voices: Contemporary Art from Asia, Australia, and the Pacific,' opens this weekend at the Victoria & Albert Museum in London. It features over 70 works by more than 40 artists from 25 Asia Pacific countries, including sculpture, painting, photography, ceramics, and textiles, many never before exhibited outside the region. The show is presented in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane and co-curated by Daniel Slater, the V&A's director of exhibitions.

Beyond the Mission Statement: Everhart Museum

The Everhart Museum in Scranton, Pennsylvania, celebrates 119 years of connecting the community to art, science, and natural history. Founded in 1908 by Civil War surgeon Dr. Isaiah Everhart, the museum has evolved from a cultural centerpiece during the Industrial Revolution into a regional attraction featuring fossils, taxidermy, folk art, and traveling exhibits. Recent highlights include a NASA exhibit that brought astronaut Paul Richards back to the museum where he first visited as a child, and the museum's folk art collection is noted as one of the best in the country, with pieces borrowed by major institutions like the Philadelphia Museum of Art.

Nancy Holt: MoonSunStarEarthSkyWater

The first UK presentation of Nancy Holt's work, titled "MoonSunStarEarthSkyWater," opens at the Goodwood Art Foundation in Sussex from 2 May to 1 November 2026. The exhibition includes both a gallery-based show and works in the landscape, featuring key pieces such as the monumental site-responsive installation "Ventilation System" (1985-92) and the earthwork "Hydra's Head" (1974). The show aims to highlight Holt's exploration of perception, language, and light, and includes works from her diverse practice spanning concrete poetry, film, photography, and public sculpture.

Floral photography makes space for grief at Plug In ICA

Plug In Institute of Contemporary Art in Winnipeg is presenting 'Transcendence,' a dual exhibition pairing Sheila Spence's 'Lexicon of Loss'—floral prints made by pressing roses on a flatbed scanner—with 'Observance,' a video installation by the late Toronto artist April Hickox, who died in 2025. The two artists, who first met at the Banff Centre in 1989, reconnected four years ago after both experienced profound loss: Spence's long-term partner died, and Hickox faced a cancer diagnosis. Their collaboration, conceived during daily conversations, brings together works that explore grief through botanical imagery and moving image.

Two Shows, One Desert: “Desert Rinpa” & “Wander” at EPMA

Two concurrent exhibitions at the El Paso Museum of Art explore the Southwestern desert through distinct artistic lenses. "Desert Rinpa" presents Mitsumasa Overstreet's large-scale panels that blend Chihuahuan Desert flora with the classical Japanese Rinpa tradition, using techniques like tarashikomi and metallic leaf to evoke desert light. Upstairs, "Suzi Davidoff: Wander" features nearly 100 works from 1991 to the present, including drawings, prints, and installations made with natural materials like dirt, clay, and charcoal gathered from wildfire sites, emphasizing the physical presence of the desert itself.

A Rare Presentation of Leonora Carrington’s Surrealist Sculptures Have Landed in New York

A new exhibition at New York's L'Espace Gallery, titled "Shape of Dreams," presents a rare collection of Leonora Carrington's surrealist bronze sculptures, intricate jewelry, and an interactive tarot booth. Carrington, best known as a painter and novelist, created these sculptures late in life, often with the help of her sons, as her eyesight and arthritis made painting difficult. The show highlights works like "The Palmist" (2011) and other hybrid, mythological figures that extend her imaginative universe into three dimensions.

At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Hamed Abdalla | Untitled (1972) | For Sale

Hamed Abdalla's 1972 painting "Untitled" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The work is an acrylic on canvas measuring 92 × 65 cm, hand-signed by the artist, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian modernist who developed the concept of the "Creative Word," blending abstraction with human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre in Paris, and the Metropolitan Museum of Art in New York, and his works are held in major institutions such as the Tate Modern, the Barjeel Art Collection, and Mathaf: Arab Museum of Modern Art.

Hamed Abdalla | Al Beous, Misery (1961) | For Sale

Hamed Abdalla's 1961 work "Al Beous, Misery" is being offered for sale through Mark Hachem Gallery, listed on Artsy. The piece is an ink on paper from glue relief, measuring 33 × 46 cm, hand-signed, and includes a certificate of authenticity. Abdalla (1917–1985) was a pioneering Egyptian and Arab modernist, known for his "Creative Word" concept blending abstraction and human forms. His career included exhibitions at Cairo's Museum of Modern Art, the Louvre, the Metropolitan Museum of Art, and the Tate Modern, among others.

Keeping It Simple

On Valentine's Day, the Marianna Kistler Beach Museum of Art in Manhattan, Kansas, opened the inaugural "Kansas Triennial 25/26" exhibition, featuring works by four Kansas-based visual artists: Mona Cliff, Mark Cowardin, Poppy DeltaDawn, and Ann Resnick. The museum engaged young visitors by handing out paper hearts and inviting them to place their heart in front of the artwork they loved best, creating a reflective and participatory experience.

Cedars Union in Dallas Opens Call for 6th Artist Cohort

The Cedars Union, a nonprofit arts incubator in Dallas, has opened applications for its sixth cohort of artists. The 18-month program offers affordable studio spaces (64–200 sq ft at $1.60/sq ft), 24/7 access to communal workspaces with woodworking, printing, and textile equipment, plus critiques, workshops, lectures, and exhibitions. The jury includes Emily Budd, Thomas Feulmer, Christina Hahn, Ade Omotosho, and Ahava Silkey-Jones. Applications close June 12, 2026, with the cohort running September 1, 2026 to February 29, 2028.

Issy Wood’s first solo exhibition in the Nordics opened at Kistefos

Kistefos presents *Fish, Fish, Duck*, the first solo exhibition in the Nordic region by London-based painter Issy Wood, opened at Nybruket Gallery on 9 May 2026. The show features psychologically charged paintings on velvet and linen, self-portraits, animals, household objects, and a painted chaise longue, organized around the thematic frameworks "Ways of Seeing" and "The Artist as Archivist." Curated by Live Drønen and Kate Smith-Raabe, the exhibition draws on sources from the internet, advertising, and auction catalogues to explore desire, power, vulnerability, and objectification.

'The Chinese Avant-Garde in Paris' at Alisan Fine Arts, Central, Hong Kong on 22 May–15 Aug 2026

Alisan Fine Arts in Central, Hong Kong, presents 'The Chinese Avant-Garde in Paris' from 22 May to 15 Aug 2026 as part of its 45th anniversary 'Then and Now' programme. The exhibition features works by Zao Wou-ki, Chu Teh-chun, T’ang Haywen, and Walasse Ting—francophone Chinese diaspora masters who blended Chinese cultural roots with post-war Parisian modernism. Highlights include previously unseen ink works by Chu Teh-chun from the 1980s and 1990s, a rare black-and-white canvas by Walasse Ting from 1959, and a major 1970s canvas by Zao Wou-ki. The show anchors the 'Then' component of the programme, with a parallel 'Now' exhibition at Alisan Atelier, both part of the French May Arts Festival Associated Projects.

Spring Exhibition Opening & Closing Reception

The Art Gallery of Burlington is hosting a Spring Exhibition Opening & Closing Reception on Saturday, May 16, 2026, celebrating the opening of Celina Eceiza's exhibition "A material called Earth, Volume 1: The life of corners" in the Lee-Chin Family Gallery, curated by Sylvie Fortin and on view from May 16 to August 16, 2026. The event also marks the closing of Phuong Nguyen's exhibition "she died a death of a thousand cuts" in the Perry Gallery, which runs from January 31 to May 17, 2026.

Why global gallery studies matters now

University College Cork (UCC) has launched an MA in Global Gallery Studies (Online), a two-year part-time programme designed to prepare students for careers in the international gallery sector. Directed by Dr Mary Kelly, the programme combines core modules in global gallery studies, global art histories, and digital arts with practice-based learning, including online fieldwork connecting students with galleries across multiple countries, guest lectures by international gallery practitioners, and a project-led onsite internship in the second year.

Dallas Museum of Art Announces 2026 Awards to Artists Grantees

The Dallas Museum of Art (DMA) has named 21 recipients for its 2026 Awards to Artists, selected from a record 160 applicants. The grants total nearly $42,000 and are divided into three categories: the Clare Hart DeGolyer Memorial Fund (up to $1,500 for artists aged 15–25 in a five-state region), the Arch and Anne Giles Kimbrough Fund (up to $3,500 for Texas artists under 30), and the Otis and Velma Davis Dozier Travel Grant (up to $6,000 for professional Texas artists over 30). All awardees are current Texas residents, with 16 based in the Dallas-Fort Worth area. A public celebration will be held at the DMA on May 19, 2026.

Es Devlin invites the UK to become part of a collective digital portrait at the National Portrait Gallery

Es Devlin has launched *A National Portrait*, a participatory digital artwork at the National Portrait Gallery in London, created in collaboration with Google Arts & Culture Lab. Opening on 14 May 2026 and running until 27 October 2026, the project invites anyone in the UK to upload a photograph of themselves via an online platform, where it is transformed into an animated digital portrait inspired by Devlin's charcoal and chalk drawing practice. These portraits are displayed collectively in the gallery's History Makers space, and participants receive a downloadable digital edition of their own portrait. The project is the result of three years of collaborative research between Devlin and Google Arts & Culture Lab.

Koray Duman is Architecting Engagement from the Venice Biennale to Carnegie International

Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.

Painting the park: Artists blossom at Wegerzyn as they make it their classroom

Sinclair Community College associate professor of art Bridgette Bogle took her mixed-level painting class to Wegerzyn Gardens MetroPark in Dayton, Ohio, for a plein air painting session. Students ranging in age from 18 to 80, including postal worker Don Adams and lifelong artist Aubrey Botts, set up easels throughout the gardens to paint landscapes outdoors, learning the Impressionist-inspired technique of working quickly in natural light.

Artist Mateo Blanco Unveils a Poetic Vision for America’s 250th Anniversary

World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.

Annette Messager's 'A Swallow Does Not Make Spring' exhibition brings her menagerie to life at the Musée de la Chasse et de la Nature

An exhibition titled 'A Swallow Does Not Make Spring' by French artist Annette Messager has opened at the Musée de la Chasse et de la Nature in Paris. The show transforms the museum's spaces with a menagerie of taxidermy, drawings, and installations, blending the artist's signature surreal and feminist sensibilities with the museum's focus on hunting and nature.

Marina Abramović’s Historic Venice Biennale Exhibition Is a Full-Circle Moment

Marina Abramović has become the first living woman to be honored with a dedicated exhibition at the Gallerie dell’Accademia di Venezia, titled “Marina Abramović: Transforming Energy.” The show, which coincides with her 80th birthday, features works selected in dialogue with Renaissance masterpieces from the museum’s permanent collection, including pieces such as “The Lovers, Great Wall Walk,” “Balkan Baroque,” and “Pietà (Anima Mundi).” Abramović first visited the Venice Biennale at age 14 and later won the Golden Lion there in 1997; this exhibition marks a full-circle return to the city that inspired her.

Fight Club Denounces the System From Within the System

Cameroonian artist Pascale Marthine Tayou's first major institutional exhibition in Brazil, "Knockout!," has opened at the Pinacoteca de São Paulo's Pina Luz building. The show spans over 25 years of Tayou's career, featuring installations, sculptures, and paintings across seven rooms. Each room is themed around a historical international conference—including the Berlin Conference of 1884, Yalta, San Francisco, Rome, Rio de Janeiro, Bandung, and a fictional Avignon conference—using these as political and historical axes to critique colonial power structures and global inequality.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

The Anti-Pop Art of Domenico Gnoli

The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.

New group exhibition at Art of Contemporary Africa SF

Art of Contemporary Africa (AOCA), the first Pan-African contemporary gallery in San Francisco, will open a major group exhibition titled *Memory in Motion: Identities, Materials and Resonances* on 2 May 2026. Curated by Gilles Yoro (Felin Light), the show brings together contemporary African artists including Gerald Chukwuma, Mederic Turay, Mwass Githinji, Ayanda Mabulu, Opa Bathily, Kebe Ibrahim Bemba, Ndabuko Ntuli, Kenof Franck Kemkeng Noah, Ange Arthur Koua, Alexis Daniel Onguene Tassi, and Dieudonne Djiela Kamgang. Their works in painting, sculpture, assemblage, and mixed media explore memory as an active, evolving force shaping identity across time, geography, and materiality.

Royal artist returns to Devon with stunning new exhibition

Alan Cotton MBE, a Westcountry artist known for his palette knife technique and royal connections, is returning to Devon with a new exhibition of landscapes from the Otter Valley and North Devon. The show, held at Kennaway House in Sidmouth from April 28 to May 4, marks his first public gallery showing in the region since 2015. Cotton, who once served as tour artist for King Charles when he was Prince of Wales, has works in the King's collection and exhibited at Buckingham Palace in 2025. His early life included homemade paint brushes made from his mother's hair, and he later became a BBC presenter and honorary professor at the University of Bath.