‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

Saving the Street Art of the Bombs: A True Story from Ukraine

Salvare la street art delle bombe: una storia vera dall’Ucraina

A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.

What does a technology fair have to do with the art world? A report from MIR in Rimini

Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini

The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.

How One Cooperative Champions the Quechua Weavers of Peru’s Sacred Valley

The nonprofit organization Awamaki was founded in 2009 to support Quechua communities in Peru's Sacred Valley, particularly women weavers, as they navigate economic shifts and climate change. It now assists nine cooperatives comprising 174 artisans, providing structural support for selling traditional textiles and coordinating tourism to generate income while preserving cultural practices.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.

Design Theft in Platform Capitalism

Designklau im Plattformkapitalismus

The article details a growing trend of design plagiarism within the platform economy, where large interior trade platforms and fast-design companies systematically copy the original work of small, independent design studios. These copies are then mass-produced and sold globally at lower prices, often marketed directly through social media channels. The original designers find it nearly impossible to defend their intellectual property due to the high cost and complexity of legal action, especially against international entities.

Should Wine Also Become UNESCO Heritage? Yes, But New Certification Criteria Must Be Imagined

Anche il vino diventa Patrimonio Unesco? Ok, ma si dovrebbero immaginare nuovi criteri di certificazione

EU Agriculture Commissioner Christophe Hansen has proposed that the culture of wine and vine be officially recognized as UNESCO World Heritage, citing its deep roots in European and Italian tradition. While wine-related practices like Pantelleria’s 'vite ad alberello' and various vineyard landscapes are already protected, this new proposal seeks a broader, more unified cultural designation for the industry.